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Music History
Renaissance
| Term | Definition |
|---|---|
| Missa Papae Marcelli: | Palestrina |
| Deutsche Messe: | Martin Luther |
| Le institutione harmoniche: | Gioseffo Zarlino |
| Synatagma musicum: | Praetorius |
| Missa Pange lingua: | Josquin des Prez |
| Harmonice musices odhecaton: | published by Petrucci |
| Musica Transalpina: | Nicholas Yonge |
| Alleluia: A newe work | anonymous |
| Regina caeli laetare | John Dunstable |
| De plus en plus | Binchois |
| Revellies vous | Guillaume Du Fay |
| Se la face ay pale | Guillaume Du Fay |
| The term used for a vocal piece in which the original secular text has been replaced by a sacred one. | contrafactum |
| The title (and first line) of the well-known fifteenth-century melody that became popular as a tenor for polyphonic masses because it continually outlines fourths and fifths? | L’homme arme |
| A German Reformation hymn text and corresponding tune? | Chorale |
| The Anglican version of the motet? | Anthem |
| The technique in which the vowel sounds of a name or phrase were changed to solmizations syllables and the resulting musical phrase was used as a cantus firmus? | Soggetto covato |
| The type of instrumental work modeled on the vocal motet of the Renaissance? | Ricercar |
| An ensemble of matched instruments corresponding to the vocal ranges? | Consort |
| An instrumental arrangement of a polyphonic chanson? | Canzona |
| The musical genre that characteristically employed the most sophisticated treatment of poetry among the secular genres of the sixteenth-century? | Chanson |