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Music Test 2
| Term | Definition |
|---|---|
| Arpeggio | A chord in which the notes are played one after the other |
| Classic Blues | Bessie Smith's recordings epitomize |
| Foxtrot | A popular dance created by Irene and Vernon Castle |
| Charleston | the most popular of the vigorous new dances of the early 1920s |
| Ragtime | Introduced the complex African-American rhythms to popular music. Joplin was its main composer |
| Speakeasies | Associated with Prohibition in the 1920s |
| Race Records | of black performers targeted at a black audience |
| Louis Armstrong | The first great jazz soloist |
| Swing | Rhythmic play over a 4-beat rhythm |
| Standard | a song that remains popular well after its initial appearance |
| Crooner | a male singer who sings with a sweet sound in conversation low-key manner |
| Billie Holiday | Brought a deep feeling of the blues and swing of jazz into popular singing |
| Fletcher Henderson | the musician most responsible for the sound of big band swing |
| folk music | music made by members of a group for their own entertainment, and passed down by ear |
| Jimmie Rogers and Bob Wills | Blended country with pop, blues, and jazz |
| Dobro | a guitar with a built in steel resonator |
| Duke Ellington | operated on a different artistic level than other big band leaders |
| Song Interpreter | used songs to project his/her experience |
| Ralph Peer | Responsible for the first country recording to be released (1923) |
| Broadside | a topical text sung to a well known tune |
| Neotraditional style | offers a new take on an established style |
| Thumb-brush style | plays the melody on the lower strings, and between the melody notes chords on the upper strings |
| steel guitar | an electric version of the Hawaiian guitar |
| Honky-tonk | became the most popular style in country music by the end of the 1940s |
| The Weavers | The first ambassadors of folk music |