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level 9 History
Debussy
| Question | Answer |
|---|---|
| claude achille debussy dates | 1862-1918 |
| birthplace | St. Germaine-en-Laye, France |
| Emma Bardac | second wife |
| education | Paris conservatory |
| Prix de Rome for L'Enfant Prodigue | 1884 |
| Lilly Texier | first wife |
| Claude-Emma, "Chou=chou" | daughter |
| impressionism | style of painting with everyday subjects, innovative techniques of light and texture to create atmosphere; eg Monet |
| expressionism | style of painting using distorted images to display dark emothions; eg Munsch's "The Scream' |
| pentatonic scales | five notes from a major or minor key used to build a melody |
| whole tone scales | spacious scales without using half-steps |
| atonality | no tonal centre or identifiable key |
| modal scales | scales with different patterns of whole and half tones from major and minor scales |
| explored these non-traditional scales | whole tone, pentatonic, modal |
| Paris colleagues | Satie, Ravel, Faure, Stravinsky |
| programmatic elements | depicting such images as water, sunlight, moonlight, pastoral |
| Stephane Mallarme | Symbolist poet whose poem was used for The Afternoon of A Faun |
| rhythmic developments | mixed rhythms to create indistinct pulse |
| Symbolism in his music | used unorthodox structure, created atmosphere rather than describing, used mythological themes |
| opera | Pelleas et Melisande (mythological theme) |
| ballet | Jeux (Games) |
| chamber music | string quartet; sonatas for cello/piano, violin/piano |
| vocal music | art songs; eg Mandoline. |
| orchestral music | symphonic poem - Prelude to the Afgternoon of A Faun. Suites incl. La Mer; Images; Nocturnes |
| piano music | Suite Bergamasque (includes Clair de Lune); Pour Le Piano; Preludes (two books); Estampes; Children's Corner |
| symphonic poem | one-movement orchestral work with literary or pictorial associations |