World Musics Word Scramble
|
Embed Code - If you would like this activity on your web page, copy the script below and paste it into your web page.
Normal Size Small Size show me how
Normal Size Small Size show me how
Question | Answer |
Nhac Tai Tu | type of chamber music ensemble from S. Vietnam; amateur instrumentalists who play more for their own enjoyment than others |
Piphat | classical ensemble from Thailand characterized by the use of melodic and rhythmic percussion and a double-reed aerophone |
Khru | Thai teacher; linguistically associated with word “guru” found in Hinduism |
Ramayana | Indian mythological epic about Hindu god Rama found throughout South and SE Asia |
Khaen | bamboo free-reed mouth organ from NE Thailand and Laos |
Polyphonic Stratification | layering of simultaneous variants of the same melody |
Colotomic structure | music organized into cycles defined by periodic punctuation played by a specific instrument (basis for Javanese Court Gamelan) |
Pi | double reed aerophone found in the piphat classical ensemble of Thailand |
Palm Wine Guitar | popular music style from Sub-Sarharan Africa known for its association with folk musicians who frequently played for drinks, including palm wine |
Metallophone | idiophone consisting of several metal bars graduated in length to produce different pitches |
Maqam | Arabic/Turkish mode or system of rules and expectations for composition and improv |
Dastgah | Persian (Iranian) mode or system of rules and expectations for composition and improv |
Santur | hammered zither from Persian classical tradition |
Ud | fretless, plucked pear-shaped lute found in Arabic music traditions and is the origin of certain lutes of Africa, Asia, and Europe |
Kanun | plucked zither used in Turkish and Arabic music traditions, prominent in takht ensembles |
Takht | Arabic music ensemble including zithers, bowed and plucked lutes, drums, aerophones, and sometimes non-traditional instruments |
Khöömei | throat or overtone singing from Mongolia |
Sankyoku | Japanese chamber ensemble, consisting of voice, koto (zither), shakuhachi (flute), and shamisen (lute) |
Kabuki | popular music theater form developed for Japan’s middle class in the 18th C |
Tarab | Arabic word for a state of emotional transformation or ecstasy achieved through music |
Dhikr | Suf ritual in which believers chant the name of God with the goal of entering an ecstatic state |
Adhan | Islamic call to prayer |
Muezzin | person who calls Islamic believers to worship 5x a day |
Raqs Sharqi | belly-dancing |
Raqs balladi | more traditional form of dancing |
Palm Wine Guitar | popular music style from Sub-Sarharan Africa known for its association with folk musicians who frequently played for drinks, including palm wine |
Jali | poet/praise singer and oral historian from the Mandinka of Western Africa |
Kora | harp-lute or bridge harp played by a jail during his poetic recitation |
Mbube | genre of choral performance common among migrant workers of S. Africa |
Atumpan | pair of large, goblet-shaped hollow logs with heads of tightly stretched animal skin |
Mbira | lamellophones found in Africa |
Akadinda | large, heavy log xylophone from Uganda that uses interlocking patterns that can approach nearly 600 bpm |
Iscathamiya | derivative of mbube style, means “to walk like a cat,” softer, smoother, subdued dance style |
Balalaika | triangle-shaped, fretted plucked lute from Russia |
Flamenco | Spanish musical tradition featuring vocals with guitar accompaniment, characterized by passionate singing and vibrant rhythm |
Duende | Spanish word meaning “passion,” which refers to an emotional quality considered essential in performances by Spanish Flamenco singers |
Pibroch | form of Scottish bagpipe music with an extended theme-and-variations structure |
Uilleann Bagpipes | bellows-driven pipes of Ireland, means “elbow” |
Hurdy Gurdy | chordophone common in France and Hungary that uses a wheel turned by a crank to vibrate the strings |
Ululation | performing of a single pitch repeatedly with glottal stops |
Bagpipes | reed aerophone consisting of an air bag (bellows), chanter (melody pipe), and drone pipes |
Rom | ethnic group originating in India characterized by a semi-nomadic lifestyle; Gypsies |
Cimbalom | hammered zither from E. Europe, commonly associated with Rom (gypsy) music; national instrument of Hungary |
Reggae | popular music from Jamaica characterized by a rhythmic emphasis on the offbeat and by politically and socially conscious lyrics |
Calypso | popular music from Trinidad characterized by improvised lyrics on topical and broadly humorous subject matter |
Pan | steel oil drum, instrument in Trinidad |
Santeria | African-derived animistic belief system found primarily in Cuba and USA |
Clave | rhythmic pattern in Salsa music, also an instrument |
Guaracha | Latin American ballroom dance as well as a song type emphasizing call-and-response vocal organization |
Ska | predecessor of reggae, Jamaican response to American rhythm and blues/rock and roll |
Vaksin | group of bamboo “trumpets,” each capable of playing a single note |
Rastafarianism | wore dreadlocks, smoking of ganga (marijuana) |
Siku | panpipes common among indigenous populations from Peru and throughout the andes |
Bombos | large drum used in sikuri performances from Peru as well as Samba music from Brazil |
Totem | plant, animal, or natural object used as an emblem for a person or group of people |
Tango | dance and associated music from Argentina |
Bandoneon | button-box accordion |
Mariachi | entertainment music from Mexico |
Samba | music/dance from Brazil |
Capoeira | dance developed from a style of martial arts created by runaway slaves in Brazil |
Agogo | double-bell found in W Africa and used in African-derived music |
Rêco-Rêco | notched scraper idiophone found in Latin American music traditions |
Ginga | back-and-forth motion used as a basis for capoeira dancing |
Pandeiros | handheld frame drum with attached cymbals used in capoeira music |
Peurt a Beul | unaccompanied dance song with nonsense syllables used to substitute for fiddling |
Céilidh | house party |
Wacipi (powwow) | pan-tribal American Indian event celebrating Native American identity and culture, generally also open to non-Native Americans |
Conjunto | popular dance music found along Texas-Mexico border in North America |
Lining-out | minister would read the psalm before it was sung |
Semiotics | the study of signs and systems of signs, including music |
Poietic | creator of music encodes meanings and emotions into the “neutral” composition or performance |
Esthesic | person listening to music interprets meaning and emotions |
Ethocentrism | unconscious assumption that one’s own cultural background is “normal” while that of others is “strange” or “exotic” |
Ethnomusicology | scholarly study of any music within its contemporary cultural |
Bi-musicality | researchers combine learning to play the music under study with field observation (Ki Mantle Hood) |
Postmodernism | de-emphasizes description and the search for absolute truth in favor of interpretation and the acceptance of the reality of truth |
Canon | foundational list of core composers and works every music student is expected to know |
Organology | study of musical instruments |
Sachs-Hornbostel System | standard classification system for musical instruments created by Curt Sachs and Erik M. von Hornbostel |
Aerophone | produces sound through air vibration |
Chordophones | stringed instruments (lutes, zithers, harps, lyres) |
Fret | bar or ridge found on chordophones that enables performers to produce different melodic pitches with consistent frequency levels |
Idiophones | instruments that produce sound through the instrument itself vibrating |
Membranophones | have a vibrating membrane |
Melodic contour | general direction and shape of a melody |
Drone | continuous or repeating sound |
Text-setting | rhythmic relationship of words to melody; can by syllabic (one pitch per syllable) or melismatic (more than one pitch per syllable) |
Phonic Structure | relationship between different sounds in a given piece; can be either monophony or some form of polyphony |
Monophony | music with a single melodic line |
Polyphony | juxtaposition or overlapping of multiple lines of music; 3 types are homophony, independent polyphony, and heterophony |
Homophony | multiple lines of music expressing the same musical idea in the same meter |
Independent polyphony | multiple lines of music expressing independent musical ideas as a cohesive whole |
Heterophony | multiple performers playing simultaneous variations of the same line of music |
Etic | perspective of a cultural outsider |
Emic | perspective of a cultural insider |
Santur | hammered zither from the Persian classical tradition. Often cited as the origin of hammered zithers found throughout Asia, N Africa, Europe, and the W Hemisphere |
Zurna | double-reed aerophone from Turkey, North Africa, and Greece |
Baglama | round-bodied lute from turkey |
Polynesia | collection of islands in the Pacific Ocean. Term derived from Greek- “many islands” |
Didjeridu | long trumpet made from a hollowed tree brance and played by Aborigines from Australia; low, rumbling drone sound |
Aborigines | generic term for an indigenous population, often used to describe native people of Australia |
Animism | belief systems in which natural phenomena as well as both animate and inanimate objects are considered to possess a spirit |
Dreamtime | term describing Australian aboriginal spiritual belief system and concept of creation |
Melanesia | islands in Pacific Ocean, means “black islands” because of darker skin pigmentation of majority of population |
Portamento | smooth, uninterrupted glide from one pitch to another |
Pahu | single-headed cylindrical membranophone from Hawaii that stands vertically on a carved footed base |
Kilu | small drum from Hawaii, usually made from a coconut shell with a fish skin face |
Hulu pahu | Hawaiian dance songs using drum accompaniment |
Micronesia | “tiny islands” |
Sarod | fretless, plucked lute from India |
Caste System | hierarchical system of social organization based on hereditary status at birth, found in Indai and associated with Hinduism |
Raga | mode or system of rules and procedures for composition and improv in Indian classical music |
Bollywood | India’s film industry, Bombay and Hollywood |
Bhajan | Hindu devotional songs from India |
Bauls | group of itinerant musicians from India, especially noted for their poetry |
Bols | mnemonic syllables corresponding to drum strokes in Indian drumming traditions |
Gat | skeletal melody used as a basis for improve in a raga performance of classical Indian instrumental music |
Alap | opening section of a raga performance in which the performer “explores” the raga |
Created by:
megshu
Popular Miscellaneous sets