MUS101 Test 2 Word Scramble
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| Question | Answer |
| A fixed pattern of long and short notes that is repeated or varied is known as | a rhythmic mode. |
| Composers from ________ were at the forefront of musical composition. | the Cathedral of Notre Dame in Paris |
| Composers of organum based their pieces on | preexisting Gregorian chants. |
| Which term describes the texture of two or more melodies performed at the same time? | polyphony |
| The text setting of Gaude Maria virgo is | highly melismatic. |
| Gaude Maria virgo is performed | a cappella. |
| Gaude Maria virgo is sung in | Latin. |
| Musical notation of polyphony allowed for more detail and control over the musical texture. | True |
| Organum grew out of the improvisatory custom of | adding a second voice to a Gregorian melody. |
| Pérotin’s organum | increased the number of voices to three and then to four. |
| Polyphony was universally accepted in medieval religious communities. | False |
| Polyphony was utilized to enhance worship on the most significant feast days in the church year. | True |
| Singing polyphony required specialized singers. | True |
| The compilation of early polyphony is the | Great Book of Organum. |
| The earliest polyphonic music is called | organum. |
| The first type of polyphony was Gregorian chant. | False |
| The performance of Gaude Maria virgo is typical of the genre in that it is sung antiphonally. What does antiphonal mean? | a performance style that alternates between two groups |
| What was the single most important feature in the development of Western music? | polyphony |
| Which of the following is a true statement? | Léonin is the first composer of polyphonic music whose name we know. |
| Which of the following statements is NOT true? | Notated polyphony emerged at the end of the Renaissance. |
| Which statement regarding polyphony in the Middle Ages is NOT true? | Polyphonic music was sung by the church congregation. |
| Which voice in organum carries the original chant in sustained notes? | the lower voice |
| Who was Léonin’s successor? | Pérotin |
| Who was the first leader of the Notre Dame School? | Léonin |
| ______ is credited with compiling the Magnus liber organi. | Léonin |
| After the fall of Constantinople to the Turks, ______ writings were brought to Europe in increasing numbers. | ancient Greek and Roman |
| During the Middle Ages, all power came from which religious organization? | The Roman Catholic Church |
| Our understanding of the musical culture of ancient civilizations is limited by the small number of fragments of music that have survived. | True |
| In regards to the troubadours and trouvères, which of the following statements is NOT true? | They wrote sacred music. |
| During the Renaissance, lands new to the Europeans were discovered, including | the Americas. |
| Which is true of trade during the Middle Ages? | Musicians and their works moved along trade routes. |
| Which of the following is a true statement? | The influence of European musical styles surpasses that of any of its languages or religions. |
| Which of the following is a true statement? | During the Renaissance printed music became available and music literacy spread. |
| Medieval and Renaissance musicians could find employment in which of the following professions? | All possible answers. instrument building teaching copyists |
| Music as a commodity means that music | All possible answers. taught and learned bought and sold is preserved |
| One of the major advancements in the Renaissance was the invention of printing, pioneered by | Johannes Gutenberg. |
| Which is a true statement regarding early music performances of medieval and Renaissance music? | Many aspects of early music performance are open to speculation. |
| The Middle East had no influence on European musical styles. | False |
| The Renaissance marks the passing of European society from a predominately secular society to a more sacred one. | False |
| The beginning of the Middle Ages was marked by the | fall of the Roman Empire. |
| The literature of ancient Greece and Rome was of little interest to artists and writers of the Renaissance. | False |
| The most universally idealized woman in Western culture during the Middle Ages was | the Virgin Mary. |
| Two of the earliest named composers of organum from the Notre Dame Cathedral were Léonin and | Pérotin. |
| Which did not occur in the later Middle Ages? | introduction of printing |
| Which is a true statement regarding early music notation? | Tempo and dynamic markings were absent. |
| Which of the following statements is true of paintings and sculpture from the Renaissance? | All statements are true. Painters explored the beauties of nature. Painters and sculptors studied the nude human form as a thing of beauty. The laws of perspective were applied to paintings. |
| Which statement regarding music notation is true? | Western music notation was invented to further the goals of Christian worship. |
| Who of the following was a Renaissance visual artist? | Leonardo da Vinci |
| Who were the most prominent performers of secular music in medieval France? | troubadours and trouvères |
| Women musicians in the Renaissance earned their living as | court singers |
| During the later Middle Ages, polyphonic developments in sacred music carried over to the secular realm. | True |
| Music, mathematics, geometry, and astronomy were the four topics considered essential to medieval | education |
| How does Machaut convey the medieval fascination for puzzles in Ma fin est mon commencement? | palindromic structure |
| In the Western tradition, music historically has not been linked to mathematics and geometry. | False |
| In which poetic form is Machaut’s chanson Ma fin est mon commencement set? | rondeau |
| European contacts with _______ inspired new concepts of art. | Eastern cultures |
| Which secular medieval musicians entertained audiences at the higher social levels? | troubadours |
| Machaut was the first composer self-consciously to attempt a compositional legacy. | True |
| Machaut’s own poetry often centers on the idea of | medieval chivalry. |
| The Ars nova began in Italy around the early 1400s. | False |
| The Ars nova ushered in developments in ______ that transformed the art of music. | All possible answers. harmony rhythm meter |
| The poems of the troubadour and trouvère repertory include | All possible answers. laments political and moral ditties love songs centered on the idea of "unrequited love." |
| The poet-musicians who flourished in the south of France were known as | troubadours |
| There was an interest in both the regularity and complexity of musical patterns during the Ars nova. | True |
| Trouvères, medieval poet-musicians from the northern region of France, were members of | the upper classes and the aristocracy. |
| What is the genre of Machaut’s Ma fin est mon commencement? | polyphonic secular chanson |
| What was the period that immediately preceded the Ars nova called? | Ars antiqua |
| Where did Machaut work as a priest? | Reims Cathedral |
| Which is a true statement regarding Machaut’s songs? | Machaut set his chansons to French courtly love poems. |
| Which musical style appeared in the early 1300s in France and soon thereafter in Italy? | Ars nova |
| Which of the following is/are poetic forms used in medieval chansons? | All possible answers. ballade rondeau virelai |
| Which of the following topics might be found in medieval lyrics? | All possible answers songs of the Crusades politics unrequited love |
| Which statement about Machaut is NOT true? | He was an influential composer of the Ars antiqua style. |
| Who of the following was NOT a medieval writer/poet? | Pythagoras |
| ________ mean(s) "finders" or "inventors." | Troubadours and trouvères both |
| An unexpected harsh dissonance coinciding with the word "death" is an example of | word-painting |
| At which point in the text of Fair Phyllis does the work change to an imitative texture? | "Up and down he wandered" |
| Both Italian and English madrigals often feature word-painting. | True |
| Farmer "paints" the first line of the text, "Fair Phyllis I saw sitting all alone," through the use of | monophony |
| Farmer’s Fair Phyllis is written for _____ voices. | four |
| In addition to the Italian madrigal, what other genre arose from the union of poetry and music during the Renaissance? | French chanson |
| In madrigal poetry, references to death | were erotic |
| In which country did Monteverdi live and work? | Italy |
| Which musical trait does NOT apply to Monteverdi’s madrigals? | simple vocal style |
| Monteverdi emphasizes the last line of the poem in the madrigal Si ch’io vorrei morire by not repeating it. | False |
| Monteverdi uses word-painting to portray the images found in the poetry for his madrigal Si ch’io vorrei morire. | True |
| Monteverdi’s Si ch’io vorrei morire is sung in | Italian |
| Which describes the performing forces of Monteverdi’s Si ch’io vorrei morire? | 5-voice a cappella group |
| Which of the following instruments was likely found in prosperous homes during the Renaissance? | lute |
| Sometimes humorous madrigals would have a refrain of syllables such as "fa la la." | True |
| In regards to typical English madrigals, which statement is true? | All statements are true. They often have pastoral texts. They often have lively rhythms. The texts are often humorous. |
| In which of the following ways did Renaissance composers enhance the emotional content of madrigals? | through the use of madrigalisms |
| The English madrigal preceded the development of the Italian madrigal by some one hundred years. | False |
| The chief concern of the early madrigalists was to give pleasure to the amateur performer. | True |
| The mood of Farmer’s madrigal Fair Phyllis is | light and pastoral. |
| The text of John Farmer’s Fair Phyllis refers to real historical figures. | False |
| Where did the madrigal first emerge as an important genre? | Italian courts at the beginning of the 1500s |
| Which of the following relate(s) to the genre of madrigal? | All possible answers. direct expression of a composer’s musical personality aristocratic form of poetry and music most important secular genre of the Renaissance |
| Who of the following composers was influential in the later Italian madrigal tradition? | Claudio Monteverdi |
| _______ claimed "the text should be the master of the music, not the servant." | Claudio Monteverdi |
| Composers in the Renaissance often used ________ in one voice as a basis for elaborate ornamentation in other voices. | a cantus firmus |
| Despite being of northern European birth, Josquin spent most of his career in | Italy. |
| How does Josquin create musical contrast in the final two lines of the text, "O Mater Dei, memento mei"? | All possible answers. by using a full-chord sound by using a homorhythmic texture by using long note values |
| Humanism was inspired by ancient Greek and Roman cultures. | True |
| In which language is the text of Josquin’s motet written? | Latin |
| Josquin’s Ave Maria...virgo serena incorporates an older Gregorian chant | only briefly at the beginning. |
| One of the most popular subjects of the sacred Renaissance motet was the Virgin Mary. | True |
| Which of the following statements about religion during the Renaissance is NOT true? | The Renaissance was an age of unquestioning faith. |
| Renaissance music generally featured consonant harmonies. | True |
| Renaissance sacred music was generally performed with instruments. | False |
| The Renaissance marks the passing of European society from a predominantly ______ to a more ______ one. | sacred; secular |
| The ________ is regarded as the golden age of the a cappella style. | sixteenth century |
| The art and literature of ancient Greece and Rome was of little interest to artists and writers in the Renaissance. | False |
| The following statements are true about Josquin’s motet EXCEPT which one? | each voice sings a different text in praise of the Virgin Mary. |
| The multivoiced sacred music of the Renaissance was sung by | trained male singers. |
| The predominant texture in Josquin’s motet Ave Maria...virgo serena is | imitative polyphony. |
| The text of Josquin’s motet Ave Maria...virgo serena praises the virtues of | the Virgin Mary. |
| The use of a fixed melody in one voice was a compositional technique found in sacred Renaissance motets. | True |
| What is a cantus firmus? | preexisting melody |
| Which describes harmony in Renaissance music? | All possible answers. fuller chords "sweeter" thirds and sixths carefully controlled dissonance |
| Which does NOT apply to Renaissance liturgical music? | abandonment of Gregorian chant |
| Which does NOT describe a Renaissance motet? | a polyphonic secular work |
| Which does not describe a humanist outlook? | Unquestioning faith and mysticism. |
| Which meter did medieval musicians find especially attractive because it symbolized the perfection of the Trinity? | triple |
| Which of the following is NOT typical of the Renaissance motet? | monophonic texture and sung in the vernacular |
| During the Renaissance, the Mass was recited and sung in the vernacular (the language of the people). | False |
| How many voice parts are required to sing the Pope Marcellus Mass? | six |
| In the Catholic Mass, the parts that change according to the day belong to the | Proper |
| Martin Luther and John Calvin believed | congregational singing in the vernacular should be the basis of Christian worship |
| Martin Luther and _______ were both important religious reformers during the Protestant Reformation. | John Calvin |
| Palestrina was choirmaster at which Italian church? | St. Peter’s in Rome |
| Palestrina’s Pope Marcellus Mass reflects the Catholic Church’s belief that heavenly sounds produced by trained professionals would be more spiritually powerful than the rough song of an untrained congregation. | True |
| Palestrina’s Pope Marcellus Mass was likely performed | a cappella. |
| Renaissance composers concentrated on the Ordinary for their musical settings of the Catholic Mass. | True |
| Some cardinals in the Council of Trent advocated for abolishing polyphony altogether and returning to Gregorian chant. | True |
| The Catholic Church’s effort during the early sixteenth century to recapture the loyalty of its followers through a return to true Christian piety is known as the | Counter-Reformation. |
| The Gloria from Palestrina’s Pope Marcellus Mass belongs to the Proper (the variable part of the Mass celebration). | False |
| The Protestant Reformation was started by | Martin Luther. |
| The harmony of the Gloria from Palestrina’s Pope Marcellus Mass is best described as full and consonant. | True |
| The sixteenth century has come to be regarded as the golden age of the ______ style. | a cappella |
| The text of the Gloria in Palestrina’s Pope Marcellus Mass is easily understood, due largely to its syllabic nature and Palestrina’s frequent use of homorhythm. | True |
| What are the Ninety-Five Theses? | A list of reforms Martin Luther proposed for the practices of the Catholic Church. |
| What is the Mass? | All possible answers. A reenactment of Christ’s Last Supper with his disciples. A daily service in the Catholic Church. The most solemn ritual of the Catholic Church. |
| What was the Council of Trent? | The Catholic Church committee that met in response to the Protestant Reformation. |
| Which of the following is NOT a true statement about Martin Luther? | He was a leading member of the Council of Trent. |
| Which part of the Mass Ordinary is not in Latin? | Kyrie |
| Which statement does NOT describe the typical church choir of the Renaissance? | Women sang the upper voices, and men sang the lower voices. |
| Which was NOT an objection of the Council of Trent to the music in the church service? | The performance of plainchant by women and children. |
| Which was a recommendation of the Council of Trent regarding music for the church? | Make the words more understandable. |
| Which was the language of learning in the Middle Ages and Renaissance? | Latin |
| Early instrumental music relied on the improvisation skills of players. | True |
| Early instruments were grouped into the same general families as modern ones. | True |
| Instrumental music first flourished in conjunction with | dance |
| Instrumental music in the Renaissance was performed strictly with no embellishment of the notated music. | False |
| Louder (outdoor) Renaissance instruments were categorized as | haut. |
| Musical instruments in the Renaissance were categorized by the loudness of sound they produced. | True |
| Renaissance instruments that were appropriate for indoor performances were categorized as | bas. |
| Specific instruments to be used were often identified in the musical scores for Renaissance dance music. | False |
| Susato is considered a musical jack-of-all trades because he | played virtually all the brass and woodwind instruments of his day. |
| Susato was a member of the ______ city band, an esteemed group of five instrumentalists who performed regular town concerts. | Antwerp |
| Susato’s Danserye is | a collection of popular dances. |
| Susato’s Three Dances are examples of which kind of instrumental dance? | ronde |
| The knowledge of instruments and performance practice from the Middle Ages and Renaissance comes from | artwork and historical documents. |
| The members of the esteemed Antwerp city band were expert improvisers. | True |
| The pavane, saltarello, and ronde are all | dances. |
| The ronde | all possible answers was originally a country dance is danced in a circle or line is a group-oriented dance |
| There was much flexibility of performance of instrumental Renaissance music, based on the occasion and which instruments were on hand. | True |
| Tielman Susato was well known for his work as a | all possible answers instrumentalist. music publisher. composer. |
| What do the repeated dance sections of Susato’s Three Dances allow the musicians to do? | Perform melodic embellishments. |
| Which instrument is an ancestor of the oboe? | shawm |
| Which instrument is an early version of the trombone? | sackbut |
| Which is a plucked string instrument? | lute |
| Which of the following dance forms is found in sixteenth-century publications? | saltarello |
| Which of the following is a true statement? | Books of dance music became available for amateur and professional players during the Renaissance. |
| Which was NOT a common percussion instrument from the Renaissance? | sackbut |
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