Masterworks: A Musical Discovery - Holoman - Intro to Music All Vocab
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
Help!
|
|
||||
|---|---|---|---|---|---|
| show | for. The indications a2 or a3 mean the line is to be played by both or all three members of the section.
🗑
|
||||
| a cappella | show 🗑
|
||||
| absolute music | show 🗑
|
||||
| show | Growing faster; accelerating.
🗑
|
||||
| accent | show 🗑
|
||||
| accidental | show 🗑
|
||||
| accompagnato | show 🗑
|
||||
| acoustics | show 🗑
|
||||
| ad libitum | show 🗑
|
||||
| show | Slow. Also used generically to describe a slow movement.
🗑
|
||||
| Agnus Dei | show 🗑
|
||||
| Alberti Bass | show 🗑
|
||||
| alla breve | show 🗑
|
||||
| allargando | show 🗑
|
||||
| allegretto | show 🗑
|
||||
| show | Fast. Allegro assai = Quite fast. Allegro con brio = Fast and bright. Allegro ma non troppo = Not too fast. Allegro moderato = Moderately fast. Allegro molto = Quite fast. Allegro vivace = Fast and spirited.
🗑
|
||||
| show | (1) The second highest of the four customary voice parts, below the soprano and above the tenor. (2) Singer with that vocal range. (3) [in scores] Viola. The term alto is also used to describe models of the flute and clarinet lower than the usual one.
🗑
|
||||
| show | At moderate speed.
🗑
|
||||
| show | Term that has come to mean a little faster than andante, but which once meant a little slower than andante.
🗑
|
||||
| animato | show 🗑
|
||||
| answer | show 🗑
|
||||
| antecedent | show 🗑
|
||||
| show | English sacred choral composition for the Anglican service, often accompanied by organ. Also, any solemn hymn.
🗑
|
||||
| antiphony | show 🗑
|
||||
| show | Florid turn of melody.
🗑
|
||||
| arco | show 🗑
|
||||
| show | Composition for solo voice, usually a movement of a larger work.
🗑
|
||||
| arioso | show 🗑
|
||||
| show | Chord where the pitches are played in succession rather than simultaneously.
🗑
|
||||
| show | Very; as in Allegro assai (very fast).
🗑
|
||||
| atonality | show 🗑
|
||||
| attacca | show 🗑
|
||||
| augmentation | show 🗑
|
||||
| augmented interval | show 🗑
|
||||
| show | Term that describes the most progressive or radical element of an artistic movement.
🗑
|
||||
| baguette | show 🗑
|
||||
| ballad | show 🗑
|
||||
| show | Title given by Chopin to four major one-movement works for piano solo. Later composers, notably Brahms, also used the title.
🗑
|
||||
| show | Same as measure; the basic unit of meter.
🗑
|
||||
| show | Vertical line separating measures (or bars) of music in a score.
🗑
|
||||
| baritone | show 🗑
|
||||
| bass | show 🗑
|
||||
| show | In Baroque music, a continuously sounding bass part over which the rest of the composition is built.
🗑
|
||||
| beat | show 🗑
|
||||
| bebop | show 🗑
|
||||
| show | Prevailing vocal ideal in solo vocal music from the Baroque forward.
🗑
|
||||
| binary form | show 🗑
|
||||
| bitonality | show 🗑
|
||||
| show | Flattened inflection of scale degrees 3 and/or 7 in a major key.
🗑
|
||||
| show | Musical style at the heart of the music of black Americans and permeating jazz and popular forms.
🗑
|
||||
| show | Fast jazz style that developed in the 1930s, featuring a driving ostinato bass.
🗑
|
||||
| show | See bebop.
🗑
|
||||
| show | Lively Baroque dance movement in duple meter, usually with prominent upbeat.
🗑
|
||||
| show | (1) In sonata form, passage in the exposition that takes the harmony away from tonic and to dominant, arriving at the second group. Used interchangeably with, but more often than, the term transition. (2) Component of string instruments that raises the s
🗑
|
||||
| show | Bach-Werke-Verzeichnis, or index of Bach's works, organized by genre.
🗑
|
||||
| cadence | show 🗑
|
||||
| show | Passage of improvisatory display for the soloist, especially in a concerto.
🗑
|
||||
| canon | show 🗑
|
||||
| show | Singingly; in lyric fashion.
🗑
|
||||
| cantata | show 🗑
|
||||
| cantus firmus | show 🗑
|
||||
| cantus firmus mass | show 🗑
|
||||
| capriccio | show 🗑
|
||||
| show | Keyboard instrument of the orchestral percussion section where metal plates are struck by hammers. Invented in the late nineteenth century.
🗑
|
||||
| chaconne | show 🗑
|
||||
| chamber music | show 🗑
|
||||
| chanson | show 🗑
|
||||
| chant | show 🗑
|
||||
| character piece | show 🗑
|
||||
| show | Congregational hymn of the Lutheran church.
🗑
|
||||
| show | Work for organ based on a Protestant chorale and serving to introduce its singing.
🗑
|
||||
| chord | show 🗑
|
||||
| show | Scale that includes all 12 pitches.
🗑
|
||||
| chromaticism | show 🗑
|
||||
| show | Diagram in which the 12 pitches and associated keys are set around a circle where each member is a fifth higher.
🗑
|
||||
| show | Keyboard. Often used as generic term to describe any keyboard instrument.
🗑
|
||||
| show | Sign that associates a line on a staff with a particular pitch and thus serves as a "key" to the system.
🗑
|
||||
| show | Theme that concludes the exposition in a sonata form.
🗑
|
||||
| show | Closing section of a movement.
🗑
|
||||
| col legno | show 🗑
|
||||
| collegium musicum | show 🗑
|
||||
| coloratura | show 🗑
|
||||
| show | Meter containing triple (instead of duple) subdivisions of the beat (e.g., , , and ).
🗑
|
||||
| con brio | show 🗑
|
||||
| show | With fury, furiously; as in Allegro con fuoco.
🗑
|
||||
| con moto | show 🗑
|
||||
| show | With mute, muted. Cancelled by the indication "senza" (without).
🗑
|
||||
| concert overture | show 🗑
|
||||
| concertante | show 🗑
|
||||
| show | Soloists in a concerto grosso (often two violins). See also ripieno.
🗑
|
||||
| show | Principal first violinist in an orchestra.
🗑
|
||||
| concerto | show 🗑
|
||||
| show | Instrumental ritornello form from the Baroque, where a small group of solo players (the concertino) alternates with the large orchestra (ripieno).
🗑
|
||||
| show | Musical material that follows the antecedent and gives it balance and closure.
🗑
|
||||
| consonance | show 🗑
|
||||
| continuo | show 🗑
|
||||
| contralto | show 🗑
|
||||
| show | Adjectival form of counterpoint.
🗑
|
||||
| show | Manner in which two or more melodic lines are combined and juxtaposed to produce pleasing and technically correct intermingling.
🗑
|
||||
| show | In fugue, the melodic material that accompanies statements of the subject.
🗑
|
||||
| crescendo | show 🗑
|
||||
| cyclicism | show 🗑
|
||||
| da camera | show 🗑
|
||||
| da capo | show 🗑
|
||||
| show | Type of Baroque sonata or concerto somewhat more rigorous than its counterpart, the sonata or concerto da camera, in that it emphasizes fugal counterpoint.
🗑
|
||||
| decrescendo | show 🗑
|
||||
| development | show 🗑
|
||||
| show | (1) Succession of whole tones and half steps that make up a major or minor scale. (2) Interval drawn from that succession.
🗑
|
||||
| Dies irae | show 🗑
|
||||
| show | Interval a half step narrower than the corresponding minor or perfect interval .
🗑
|
||||
| show | Growing softer; same as decrescendo. Abbr. dim.
🗑
|
||||
| diminution | show 🗑
|
||||
| show | Unpleasantness or instability perceived in certain intervals and chords. The opposite is consonance. In classical Western music dissonant intervals require resolution to consonance before closure.
🗑
|
||||
| divertimento | show 🗑
|
||||
| divisi | show 🗑
|
||||
| show | New Orleans-style jazz for small combo; favored by white musicians.
🗑
|
||||
| show | Sweet.
🗑
|
||||
| show | Fifth scale degree and/or the triad or seventh chord built on it.
🗑
|
||||
| double fugue | show 🗑
|
||||
| double stop | show 🗑
|
||||
| downbeat | show 🗑
|
||||
| drone | show 🗑
|
||||
| show | Degrees of loudness.
🗑
|
||||
| embouchure | show 🗑
|
||||
| show | Piece to be performed between the acts of an opera or play.
🗑
|
||||
| episode | show 🗑
|
||||
| equal temperament | show 🗑
|
||||
| show | Expressive; expressively.
🗑
|
||||
| show | Branch of study that treats musics of the world, particularly emphasizing music and culture, and music and oral transmission.
🗑
|
||||
| étude | show 🗑
|
||||
| euphonium | show 🗑
|
||||
| exposition | show 🗑
|
||||
| show | Term (borrowed from literary and art history) used rather loosely to describe the music of Schoenberg and his school. The artist portrays not simply an object but his or her internal reactions. What results is (in art) exaggerated, distorted, internalize
🗑
|
||||
| falsetto | show 🗑
|
||||
| fantasia | show 🗑
|
||||
| show | Held out. At the fermata sign, the perfomer holds the pitch or chord at will (or at the will of the conductor).
🗑
|
||||
| figured bass | show 🗑
|
||||
| finale | show 🗑
|
||||
| show | Marking in a score that shows where to stop after having made a da capo or dal segno repeat.
🗑
|
||||
| Five, the | show 🗑
|
||||
| show | Loud.
🗑
|
||||
| show | Very loud.
🗑
|
||||
| show | Common way of treating thematic material, esp. in the development.
🗑
|
||||
| show | Baroque form favored by the French composers and their imitators; the kind of movement that begins stage works and instrumental suites of the period.
🗑
|
||||
| fret | show 🗑
|
||||
| show | The hair-tightening mechanism on a bow, and the portion of the bow the player holds in the hand.
🗑
|
||||
| fugato | show 🗑
|
||||
| fugue | show 🗑
|
||||
| show | Everybody pauses. Abbreviaiton in orchestral scores for general pause.
🗑
|
||||
| gavotte | show 🗑
|
||||
| genre | show 🗑
|
||||
| Gesamtkunstwerk | show 🗑
|
||||
| Gewandhaus | show 🗑
|
||||
| glissando | show 🗑
|
||||
| Gloria | show 🗑
|
||||
| show | Ornamental pitch, usually the upper neighbor, played rapidly and without fixed rhythmic value.
🗑
|
||||
| grave | show 🗑
|
||||
| show | Graceful, gracious.
🗑
|
||||
| Gregorian chant | show 🗑
|
||||
| ground bass | show 🗑
|
||||
| show | (1) High, fluty sound produced on a string instrument by touching the string gently rather than fully stopping it, forcing it to vibrate at a higher position in the harmonic series. (2) Position in the harmonic series.
🗑
|
||||
| harmony | show 🗑
|
||||
| show | Rhythmic/metric device where two bars in triple meter are made to sound like three bars in duple, usually just before the cadence in Baroque dance music.
🗑
|
||||
| homophony | show 🗑
|
||||
| show | Strophic religious composition, generally for the congregation to sing.
🗑
|
||||
| idée fixe | show 🗑
|
||||
| show | Compositional practice where motives and melodies are taken up, once stated, by the other voices successively, while originating voices go on in counterpoint.
🗑
|
||||
| imitative counterpoint | show 🗑
|
||||
| Impressionism | show 🗑
|
||||
| improvisation | show 🗑
|
||||
| incidental music | show 🗑
|
||||
| intermezzo | show 🗑
|
||||
| interval | show 🗑
|
||||
| inversion | show 🗑
|
||||
| show | Use of a single, unvarying rhythmic module throughout a voice part, usually the tenor. Principle of construction in the 14th- and early 15th-century motet.
🗑
|
||||
| show | Numbers attached to Mozart's works refer to a thematic catalog for Mozart written by Ludwig von Kšchel (1862; rev. through 1964).
🗑
|
||||
| show | Chapelmaster, a court composer-conductor who would compose music for and lead the palace opera company, orchestra, and church services.
🗑
|
||||
| key | show 🗑
|
||||
| keyboard | show 🗑
|
||||
| Kyrie | show 🗑
|
||||
| La Scala | show 🗑
|
||||
| show | Slow.
🗑
|
||||
| show | Somewhat faster than largo.
🗑
|
||||
| show | Quite slow. The slowest commonly specified tempo.
🗑
|
||||
| show | Short lines that extend the staff.
🗑
|
||||
| legato | show 🗑
|
||||
| show | German for "leading motive," a compositional device developed by Wagner.
🗑
|
||||
| lento | show 🗑
|
||||
| libretto | show 🗑
|
||||
| Lied | show 🗑
|
||||
| show | First applied to Beethoven's An die ferne Geliebte, then, in particular, to Schumann (Dichterliebe).
🗑
|
||||
| show | The same tempo; keep the beat the same.
🗑
|
||||
| show | Formalized order of church services. The Catholic liturgy, divided into Mass (Eucharist celebration of the Last Supper) and Divine Office (Matins, Vespers, etc.), specifies certain texts common to each service type (the Ordinary), as well as texts specif
🗑
|
||||
| ma | show 🗑
|
||||
| madrigal | show 🗑
|
||||
| show | Majestic.
🗑
|
||||
| maestro di capella | show 🗑
|
||||
| show | In tonality, the brighter and more open of the two modes of scales, characterized by half steps between scale degrees 3 and 4 and 7 and 8.
🗑
|
||||
| Mannheim School | show 🗑
|
||||
| marcato | show 🗑
|
||||
| show | Central public service of the Catholic liturgy, a celebration of the Last Supper. Same as Eucharist. Mass is celebrated by a cantor and the choir. For musical purposes, the most important parts are the choral components of the Ordinary Kyrie eleison, Glo
🗑
|
||||
| show | Polish country dance in triple meter, often with accentuation of the second beat.
🗑
|
||||
| show | Basic unit of meter, i.e., one complete metric unit, delineated by the bar line. Measure and bar are interchangeable.
🗑
|
||||
| melisma | show 🗑
|
||||
| show | Coherent, pleasing horizontal succession of pitches a tune.
🗑
|
||||
| show | Less; as in meno mosso.
🗑
|
||||
| show | Organization of rhythmic pulses or beats into hierarchies of weak and strong.
🗑
|
||||
| mezzo | show 🗑
|
||||
| Mighty Handful, the | show 🗑
|
||||
| show | Little pieces; commonly in the Romantic piano and song literature.
🗑
|
||||
| show | In tonality, the darker and more enigmatic of the two modes of scales, characterized particularly by the half step between scale degrees 2 and 3.
🗑
|
||||
| show | Dance form in common to the Baroque and Classical periods.
🗑
|
||||
| M.M. | show 🗑
|
||||
| show | (1) One of the two subdivisions of tonal scales major or minor. (2) One of the white-note scales, or church modes of the Middle Ages and Renaissance. (3) One of the medieval rhythmic modes.
🗑
|
||||
| moderato | show 🗑
|
||||
| show | Process of moving from one key area to another.
🗑
|
||||
| moguchaya kuchka | show 🗑
|
||||
| moll | show 🗑
|
||||
| show | Very; as in Molto allegro.
🗑
|
||||
| monody | show 🗑
|
||||
| monophonic | show 🗑
|
||||
| monothematic | show 🗑
|
||||
| show | Moving, lively; as in pi mosso.
🗑
|
||||
| show | In its most general sense, texted vocal polyphony; the term describes highly significant genres from the Middle Ages through the high Baroque.
🗑
|
||||
| motive | show 🗑
|
||||
| show | Self-contained component of a larger work.
🗑
|
||||
| music drama | show 🗑
|
||||
| show | Scholarly study of music, particularly the history of music.
🗑
|
||||
| musique concrète | show 🗑
|
||||
| mute | show 🗑
|
||||
| show | Groups of several notes per syllable of chanted text.
🗑
|
||||
| nocturne | show 🗑
|
||||
| show | Not too much; as in Allegro non troppo.
🗑
|
||||
| obbligato | show 🗑
|
||||
| octave | show 🗑
|
||||
| show | Work of music theater (music, drama, spectacle) where much or all of the text is sung and music plays the most significant part.
🗑
|
||||
| show | Used with a number, typically assigned by the publisher, to identify a work in a composer's output.
🗑
|
||||
| show | Multi-movement setting of a sacred text, usually with emphasis on choral movements.
🗑
|
||||
| show | The way music is scored for the orchestra.
🗑
|
||||
| show | Portion of the liturgy (Mass and Office) that remains the same from day to day.
🗑
|
||||
| show | Alternative version of a reading; usually simpler.
🗑
|
||||
| ostinato | show 🗑
|
||||
| show | Work built on an ostinato bass (or ground bass), often a descending chromatic bass.
🗑
|
||||
| Passion | show 🗑
|
||||
| show | Movement that expresses a rural atmosphere or describes country characters and scenes.
🗑
|
||||
| pedal point | show 🗑
|
||||
| pentatonic | show 🗑
|
||||
| show | Heavily.
🗑
|
||||
| phrase | show 🗑
|
||||
| show | Very soft.
🗑
|
||||
| show | Soft.
🗑
|
||||
| piece | show 🗑
|
||||
| show | Discrete, identifiable musical sound of a fixed number of vibrations per second.
🗑
|
||||
| pi | show 🗑
|
||||
| pizzicato | show 🗑
|
||||
| show | Term used for the monophonic liturgical repertoire of the Catholic church. Used interchangeably with chant, plainsong, and Gregorian chant.
🗑
|
||||
| plainsong | show 🗑
|
||||
| poco | show 🗑
|
||||
| point of imitation | show 🗑
|
||||
| polka | show 🗑
|
||||
| show | Aristocratic Polish dance in triple time.
🗑
|
||||
| polyphonic | show 🗑
|
||||
| show | Superposition of different rhythms and/or meters.
🗑
|
||||
| show | Use of several keys at once.
🗑
|
||||
| show | Bridge of a stringed instrument. Sul ponticello = at the bridge, a thin, nasal, or whiny sound.
🗑
|
||||
| portamento | show 🗑
|
||||
| show | Instrumental opening movement, often improvisational in character, that precedes a fugue or, sometimes, a group of movements.
🗑
|
||||
| presto | show 🗑
|
||||
| program | show 🗑
|
||||
| progressive jazz | show 🗑
|
||||
| show | Portion of the liturgy (Mass and Office) that contains texts specific to the feast day or occasion.
🗑
|
||||
| quarter tone | show 🗑
|
||||
| ragtime | show 🗑
|
||||
| rallentando | show 🗑
|
||||
| show | Compass of a musical instrument or voice part, from its lowest note to its highest. See also register.
🗑
|
||||
| recapitulation | show 🗑
|
||||
| recitative | show 🗑
|
||||
| show | Division of the range (e.g., high, middle, low) of a voice or musical instrument. Roughly synonymous with tessitura.
🗑
|
||||
| Requiem | show 🗑
|
||||
| show | In reverse order. Common procedure in certain kinds of counterpoint and in twentieth-century serial music.
🗑
|
||||
| réunion des thèmes, grande | show 🗑
|
||||
| show | Free-form instrumental work, generally carefree and episodic.
🗑
|
||||
| show | Subdivision of time, principally by establishing length of notes.
🗑
|
||||
| ripieno | show 🗑
|
||||
| ritard | show 🗑
|
||||
| ritenuto | show 🗑
|
||||
| ritornello | show 🗑
|
||||
| show | Term used to describe the style in art during the reign of Louis XV of France (1715-74) and by extension to gracefully ornamented music.
🗑
|
||||
| Romanticism | show 🗑
|
||||
| show | Songful or ballad-like movement, often the second in a solo concerto.
🗑
|
||||
| show | Musical form in which the main section recurs between subsidiary episodes, often in an overall sonata pattern (the sonata-rondo).
🗑
|
||||
| round | show 🗑
|
||||
| row | show 🗑
|
||||
| show | Literally, robbed time (tempo rubato) the improvisatory adjustment of strict meter.
🗑
|
||||
| scale | show 🗑
|
||||
| show | Operatic scene for one character, generally embracing a recitative, aria, and finale close.
🗑
|
||||
| show | Playful. Abbr. scherz.
🗑
|
||||
| scherzetto | show 🗑
|
||||
| show | Movement type directly descended from the minuet and trio and, like the minuet, usually appearing as the third movement of a four-movement instrumental work.
🗑
|
||||
| show | Notation for an ensemble where a staff is given to each part or section.
🗑
|
||||
| show | Dry. Recitativo secco is recitative delivered rapidly in speech rhythms and accompanied by the continuo force or a keyboard instrument.
🗑
|
||||
| secular | show 🗑
|
||||
| show | Go on, usually to the next movement.
🗑
|
||||
| semitone | show 🗑
|
||||
| show | Simply.
🗑
|
||||
| sempre | show 🗑
|
||||
| senza | show 🗑
|
||||
| show | (1) Series of motives restated at ascending or descending pitch levels. (2) The medieval sequence is an important category of Gregorian chant where a series of text couplets, eventually rhymed poetry, was set syllabically.
🗑
|
||||
| show | Compositional technique in which elements have been prearranged in a fixed series.
🗑
|
||||
| series | show 🗑
|
||||
| show | Interval bw a pitch & another 6 diatonic steps apart. A semitone less than an octave is a major seventh; a semitone less than that is a minor seventh. Both are strongly dissonant intervals, the major seventh pulling upward, the minor seventh downward
🗑
|
||||
| show | Common enhancement to triadic harmony wherein a fourth pitch is added to the triad, up another third, thus root + 3rd + 5th + 7th.
🗑
|
||||
| sforzando, sforzato | show 🗑
|
||||
| show | Instrumental composition, usually for soloist or soloist and keyboard. Originally the term sonata (played music) was used as opposed to cantata (sung music) and toccata (keyboard music).
🗑
|
||||
| show | Group of songs, generally with texts by the same poet, unified by a story line or literary theme.
🗑
|
||||
| show | Highest voice part.
🗑
|
||||
| show | Mute. Abbr. sord. Con sordino = with mute. Senza sordino = without mute.
🗑
|
||||
| sostenuto | show 🗑
|
||||
| show | In an undertone; barely heard.
🗑
|
||||
| show | Spirited.
🗑
|
||||
| show | Speaking voice. Abbr. Sprechst. and notated with X's through the note stems.
🗑
|
||||
| show | Separated; short and sharp.
🗑
|
||||
| stretto | show 🗑
|
||||
| stringendo | show 🗑
|
||||
| show | Having the same music for all the units (or strophes) of the text, as in a hymn.
🗑
|
||||
| show | Literary movement in eighteenth-century Germany and Austria, applied to stormy, emotional, minor-keyed symphonies of the Classical period.
🗑
|
||||
| show | Suddenly; as in subito forte. Abbr. sub.
🗑
|
||||
| subject | show 🗑
|
||||
| suite | show 🗑
|
||||
| show | Pitch held over from a previous chord, becoming dissonant in the new chord, and resolving downward.
🗑
|
||||
| show | One-movement work for orchestra with narrative or descriptive intent. See tone poem.
🗑
|
||||
| show | Extended work for orchestra, usually in four movements (fast, slow, dance form, fast), the principal form of orchestral composition.
🗑
|
||||
| syncopation | show 🗑
|
||||
| tempo | show 🗑
|
||||
| tenor | show 🗑
|
||||
| show | Held, sustained. Abbr. ten.
🗑
|
||||
| tessitura | show 🗑
|
||||
| texture | show 🗑
|
||||
| thematic transformation | show 🗑
|
||||
| show | A principal melody, a basic point of melodic reference in a movement.
🗑
|
||||
| show | Movement type where the given theme is modified in a series of variations.
🗑
|
||||
| show | Music composed from beginning to end without internal repetitions. In general, the opposite of strophic.
🗑
|
||||
| tie | show 🗑
|
||||
| timbre | show 🗑
|
||||
| toccata | show 🗑
|
||||
| show | System of music composition that establishes relationships through use of a tonal center (the tonic) and a major or minor key built from it.
🗑
|
||||
| tone poem | show 🗑
|
||||
| tonic | show 🗑
|
||||
| tranquillo | show 🗑
|
||||
| transposition | show 🗑
|
||||
| show | With tremolo.
🗑
|
||||
| tremolo | show 🗑
|
||||
| triad | show 🗑
|
||||
| show | Fast alternating between a main pitch and the diatonic pitch above it.
🗑
|
||||
| show | (1) Music for three performers; in music that descends from Baroque practice, this implies two treble instruments and basso continuo. (2) The center section of form in the minuet and trio family, generally in somewhat reduced orchestration
🗑
|
||||
| Tristan chord | show 🗑
|
||||
| troppo | show 🗑
|
||||
| tutti | show 🗑
|
||||
| show | Name given by Schoenberg to his system of composition using a row or series as the basis of a composition.
🗑
|
||||
| show | Interval (that is, non-interval) that exists between two notes of identical pitch. A chorus of equal voices might well, for example, sing a hymn in unison; choral chant is sung in unison. Abbr. unis.
🗑
|
||||
| upbeat | show 🗑
|
||||
| vibrato | show 🗑
|
||||
| vivace | show 🗑
|
||||
| show | Alive, vigorous.
🗑
|
||||
| show | Voice.
🗑
|
||||
| show | Dance in time that developed in the late eighteenth century and became the ballroom rage of the nineteenth.
🗑
|
||||
| whole-tone scale | show 🗑
|
Review the information in the table. When you are ready to quiz yourself you can hide individual columns or the entire table. Then you can click on the empty cells to reveal the answer. Try to recall what will be displayed before clicking the empty cell.
To hide a column, click on the column name.
To hide the entire table, click on the "Hide All" button.
You may also shuffle the rows of the table by clicking on the "Shuffle" button.
Or sort by any of the columns using the down arrow next to any column heading.
If you know all the data on any row, you can temporarily remove it by tapping the trash can to the right of the row.
To hide a column, click on the column name.
To hide the entire table, click on the "Hide All" button.
You may also shuffle the rows of the table by clicking on the "Shuffle" button.
Or sort by any of the columns using the down arrow next to any column heading.
If you know all the data on any row, you can temporarily remove it by tapping the trash can to the right of the row.
Embed Code - If you would like this activity on your web page, copy the script below and paste it into your web page.
Normal Size Small Size show me how
Normal Size Small Size show me how
Created by:
wendyjoups
Popular Miscellaneous sets