U1-U3
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| Timbre | The unique qualities of sound
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| neutral clef | used for rhythm only/pitchless/untuned instruments
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| Breve | a double whole note
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| alla breve | cutr time
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| simple duple | 2/16-2/2
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| simple triple | 3/16-3/2
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| simple quadruple | 4/16-4/2
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| compound duple | 6/16-6/2
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| compound triple | 9/16-9/2
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| compound quadruple | 12/16-12/2
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| asymmetrical/irregular meter | meters that have beats of unequal length
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| triplet | dividing a regular duration into 3
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| duplet/tuplet | a simple division of a dotted bite (2 notes divide the beat)
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| anacrusis | the pick-up
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| syncopation | rhythmic displacement of the expected strong beat created by dots, rests, ties, accents, dynamics
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| hemiola | a type of syncopation in triple meter (2 groups of 3 beats into 3 groups to 2 beats)
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| Half steps for major scale | 3-4, 7-8
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| Half steps for minor scale | 2-3, 5-6
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| scalar variance | the use of natural, harmonic, and melodic minor within one composition
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| list the most stable to the most active tones. | 1, 3, 5, 2, 6, 4, 7, 1
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| Pentatonic scale | remove the 4th and 7th scale degree
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| Whole tone scale | 6 tone whole step scale
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| blues scale | 1-b3-3-4-b5-5-b7-1 (take out 2nd&6th scale degree)
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| Ionian | Major (3-4, 7-8)
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| Dorian | natural minor + #6 (2-3, 6-7)
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| Phrygian | natural minor + b2 (1-2, 5-6)
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| Lydian | major + #4 (4-5, 7-8)
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| Mixolydian | major + b7 (3-4, 6-7)
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| Aeolian | natural minor (2-3, 5-6)
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| Locrian | (1-2, 4-5)
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Or sort by any of the columns using the down arrow next to any column heading.
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Created by:
allyson.lee
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