Exam 2 over Chapters 4-8
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
Help!
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| What is the difference between one-point and two-point linear perspective? | One-point linear perspective has one vanishing point while two-point linear perspective has two vanishing points
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| What are the three basic areas of shadow? | The shadow proper, the core of the shadow, the cast of the shadow
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| The Starry night by Vincent Van Gogh the power of the artists what lines? | Expressive
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| The organization of visual elements in artwork is called: | A composition
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| Lines that create a sense of movement and direction are called: | Implied lines
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| When a style of line becomes associated as an artist's work, we say it is: | Autographic
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| Cezanne's "The Basket of Apples" is full of what appear to be "mistakes" but are actually what? | Artistic choices meant to engage the imagination of the viewer
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| Line can define space by | all of the above
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| Hatching and cross-hatching are ways of turning line into__________, three-dimensional, modeled space. | Value
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| Leonardo da Vinci's The Last Supper is based on what specific type of perspective? | one-point linear perspective
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| Where is the negative space in the Rubin vase? | in both, depending on how you look at it
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| Where is the vanishing point in The Last Supper by Leonardo da Vinci? | at Jesus' head
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| A picture drawn in perspective that employs a single point of vision is called: | monocular vision.
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| The surface of a painting or drawing is called: | the picture plane.
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| On axonometric projection (p. 84), all lines indicating height, width, and depth remain: | parallel.
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| When and where was linear perspective first codified (studied, organized, and written down)? | during the Renaissance in Italy
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| With atmospheric perspective, objects further from the viewer appear ____________. | cooler and less distinct
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| The author describes Chuck Close's painting Stanley (p. 119) as: | layered pointillism.
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| One of the chief tools employed by artists of the Renaissance to show the effects of light (p. 97) is: | chiaroscuro.
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| A color's brightness or dullness (p. 107) is called: | intensity or saturation.
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| On the color wheel, blues and greens (p. 109) are usually thought of as: | cool colors.
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| On Newton's color wheel, colors that lie directly between a secondary and primary (p. 107) are called: | intermediate colors.
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| The range of colors that an artist has preferred to use in a work is referred to as the: | palette.
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| Which of these elements helps to create space in art? | All of the above
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| What is yellow's complementary color? | violet
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| What are the three different types of balance in artistic compositions? | 1. Symmetrical balance
2. Asymmetrical balance
3. Radial balance
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| Define the term impasto | Paint applied very thickly to canvas or support
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| Some works of art are created precisely to give us the illusion or sensation of movement. This style of art is called: | Op Art
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| Which of the following is not an aspect of texture (pp. 124-127)? | content
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| Alexander Calder's "mobiles," like Untitled (p. 123), move when air currents move through them, making them _____________. | kinetic
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| Thick paint applied to a canvas, like on Robert Ryman's Long, creates actual texture known as _______. | impasto
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| Which is the most obvious difference between Bernini and Michelangelo's David? | Bernini's David is caught in the midst of action, coiled and ready to launch his stone
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| The Taj Mahal is a perfect example of ____________in art/architecture. | symmetry
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| When an artist deliberately avoids emphasis (p. 173), we say that the work is: | afocal
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| When dealing with balance in a composition, an artist or designer is actually dealing with: | visual weight
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| _______ is a term that describes an artist's attempt to draw our eyes to one area of a composition (150). | Emphasis
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| Repetition often implies monotony (162-164), yet it also creates a sense of: | rhythm
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| When each side of a composition is exactly the same (p. 143), it shows: | absolute symmetry
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| The dimensions of an object, in relation to some constant (p. 156) such as the human figure, are known as its _______. | scale
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| Proportion is defined as: | the relationship between the parts to each other and the whole in a composition.
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