Art Appreciation Word Scramble
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| Question | Answer |
| What is the difference between one-point and two-point linear perspective? | One-point linear perspective has one vanishing point while two-point linear perspective has two vanishing points |
| What are the three basic areas of shadow? | The shadow proper, the core of the shadow, the cast of the shadow |
| The Starry night by Vincent Van Gogh the power of the artists what lines? | Expressive |
| The organization of visual elements in artwork is called: | A composition |
| Lines that create a sense of movement and direction are called: | Implied lines |
| When a style of line becomes associated as an artist's work, we say it is: | Autographic |
| Cezanne's "The Basket of Apples" is full of what appear to be "mistakes" but are actually what? | Artistic choices meant to engage the imagination of the viewer |
| Line can define space by | all of the above |
| Hatching and cross-hatching are ways of turning line into__________, three-dimensional, modeled space. | Value |
| Leonardo da Vinci's The Last Supper is based on what specific type of perspective? | one-point linear perspective |
| Where is the negative space in the Rubin vase? | in both, depending on how you look at it |
| Where is the vanishing point in The Last Supper by Leonardo da Vinci? | at Jesus' head |
| A picture drawn in perspective that employs a single point of vision is called: | monocular vision. |
| The surface of a painting or drawing is called: | the picture plane. |
| On axonometric projection (p. 84), all lines indicating height, width, and depth remain: | parallel. |
| When and where was linear perspective first codified (studied, organized, and written down)? | during the Renaissance in Italy |
| With atmospheric perspective, objects further from the viewer appear ____________. | cooler and less distinct |
| The author describes Chuck Close's painting Stanley (p. 119) as: | layered pointillism. |
| One of the chief tools employed by artists of the Renaissance to show the effects of light (p. 97) is: | chiaroscuro. |
| A color's brightness or dullness (p. 107) is called: | intensity or saturation. |
| On the color wheel, blues and greens (p. 109) are usually thought of as: | cool colors. |
| On Newton's color wheel, colors that lie directly between a secondary and primary (p. 107) are called: | intermediate colors. |
| The range of colors that an artist has preferred to use in a work is referred to as the: | palette. |
| Which of these elements helps to create space in art? | All of the above |
| What is yellow's complementary color? | violet |
| What are the three different types of balance in artistic compositions? | 1. Symmetrical balance 2. Asymmetrical balance 3. Radial balance |
| Define the term impasto | Paint applied very thickly to canvas or support |
| Some works of art are created precisely to give us the illusion or sensation of movement. This style of art is called: | Op Art |
| Which of the following is not an aspect of texture (pp. 124-127)? | content |
| Alexander Calder's "mobiles," like Untitled (p. 123), move when air currents move through them, making them _____________. | kinetic |
| Thick paint applied to a canvas, like on Robert Ryman's Long, creates actual texture known as _______. | impasto |
| Which is the most obvious difference between Bernini and Michelangelo's David? | Bernini's David is caught in the midst of action, coiled and ready to launch his stone |
| The Taj Mahal is a perfect example of ____________in art/architecture. | symmetry |
| When an artist deliberately avoids emphasis (p. 173), we say that the work is: | afocal |
| When dealing with balance in a composition, an artist or designer is actually dealing with: | visual weight |
| _______ is a term that describes an artist's attempt to draw our eyes to one area of a composition (150). | Emphasis |
| Repetition often implies monotony (162-164), yet it also creates a sense of: | rhythm |
| When each side of a composition is exactly the same (p. 143), it shows: | absolute symmetry |
| The dimensions of an object, in relation to some constant (p. 156) such as the human figure, are known as its _______. | scale |
| Proportion is defined as: | the relationship between the parts to each other and the whole in a composition. |
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emmathompson