WGU-Music
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| Pitch | Any sound that sets up regular vibrations in the air & is perceived as a discrete tone
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| Tone | A sound that has a definite frequency
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| Consonance/Dissonance | Tow tones played together to make a pleasant (consonant) or unpleasant (dissonant) sound
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| Rhythm | How musical sounds are organized temporally or in time
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| Beat | Basic unit of rhythm; one of a steady series of rhythmic pulses represented in a score by a note of some kind
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| Meter | Number of beats in each measure
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| Tempo | Rate at which the beats occur; precise indication made possible by a metronome
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| Melody | Succession of notes often forming a distinctive sequence
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| Counterpoint | Simplest form of harmony, features melodic lines (voices or parts) occurring simultaneously
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| Harmony | The sounding of notes simultaneously
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| Chord | 3 or more tones sounded together
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| Dynamics | Loudness & softness of music
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| Contrast | Contrasting timbres or rhythm or tempo to make composition more interesting & engaging
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| Timbre | Color or quality of the musical sound being produced
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| Texture | Component of orchestration; describes the number of musical parts (or voices) at any one time
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| Monophony | Pieces or sections that contain only a single part
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| Polyphony | Several independent parts sounding at once
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| Homophony | Moves from chord to chord without undue elaboration or with a simple melody
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| Form | Coherent composition of sounds & silences that allow listeners to make sense of the piece overtime
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| Duration | How long a note lasts; can be lengthened by a tie
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| Art Music | Classical music historically created for the Christian churches, European courts, & concert halls
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| Folk Music | Music created by & for the common people of a particular region, ethnic group, or religious sect
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| Popular Music | Meant principally for enjoyment in the home
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| Cantata | Multi-movement non-theatrical and non-liturgical vocal genre; used to describe large-scale vocal works, sacred or secular, for soloists, chorus and orchestra; may also be for solo voice and accompaniment
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| Concerto | Ensemble music for voice(s) and instrument(s); extended piece of music where solo instrument or instruments are contrasted with an orchestral ensemble
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| Fantasia | Instrumental piece in which conventional form is suspended in favor of the application of imaginative stylization or improvisation; "Free Flight of Fancy"
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| Fugue | Contrapuntal form where subject theme part or voice is introduced then extended and developed through some number of successive imitations
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| Madrigal | Italian style setting secular verse for two or three unaccompanied voices; pastoral poem to music
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| Mass | Sung portion of the Roman Catholic liturgy
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| Motet | For one or more voices, sacred or secular texts to music, singing over fragment of chant in longer note-values, no instrumental accompaniment
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| Nocturne | Moderately slow piece for piano, of dreamy, contemplative character and song-like melody
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| Opera | Theatrically staged story set to instrumental and vocal music, most/all of the acted parts sung with large orchestra
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| Oratorio | Lengthy choral work, same structural elements as opera, religious in nature, not intended to be performed theatrically, relies on use of narration
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| Overture | Orchestral work, usually in 2 or 3 contrasting sections, written as single movement in sonata form, used intro to opera or other dramatic piece
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| Rondo | Instrumental form where the first or main section is repeated between subsidiary sections and to conclude the piece; usually in lively tempo
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| Sonata | Instrumental work either for solo chordal instrument (piano, harpsichord), or one or several solo melody instruments (violin, cello); symphony is usually used
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| Suite | Instrumental work, for one or any combo of instruments or for orchestra; movements derived from certain dance forms
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| Symphony | Three to four movements of orchestral work: 1st-sonata, 2nd-rondo, 3rd-minuet, 4th-sonata or rondo; great western achievement
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| Variations | Repetition of a musical theme with modifications in rhythm, tune, harmony, or key; instrumental
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| Cadence | Musical chord sequence moving to a harmonic close or point of rest, and giving the sense of harmonic completion
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| Notation | Identifies the beat and pitch of the music
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| Aria | Elaborate solo song used primarily in opera's, oratorio's, & cantata's
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| Coda | Passage added to the end of a musical composition to produce a satisfactory close
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| Legato | Musical term indicating that a passage should be played smoothly & without a break between the tones
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| Staccato | Technique of playing so that individual notes are short & are separated from each other by sharp accents
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| Ballade | Short lyrical, French piece for the piano with dramatic narrative qualities
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| Etude | A composition featuring a point of technique and performed because of its artistic merit
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| Intermezzo | A piece performed between acts of a play; a light instrumental composition consisting of solo songs, madrigals, part-songs, dance, occasionally spoken dialogue, often allegorical or pastoral
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lpedro
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