Television Sound: The Basics, Microphones: Microphone design, Microphones II
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The type of mic held by on-camera talent or used for on-location interviews | show 🗑
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show | personal mic
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Used for on-location production to pick up sounds a moderate distance from the camera | show 🗑
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Mics that pick up sound by being in direct physical contact with the sound source. These mics are generally mounted on musical instruments. | show 🗑
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The largest category of microphone. These include a number of application designs | show 🗑
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Considered the most rugged professional microphone. | show 🗑
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show | dynamic mic
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show | condenser mic
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Can be made so small that they are almost invisible | show 🗑
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With this mic, problems can result when they are used in adverse weather conditions. | show 🗑
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show | phantom power supply
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show | ribbon mics
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In microphones there are three basic directional categories: | show 🗑
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show | omnidirectional mics
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when the mic is primarily responsive to sounds from two directions it is called... | show 🗑
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show | unidirectional
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With their hypercardioid or narrower angles of acceptance __________are one of the most widely used types of mics for on-location video work | show 🗑
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They provide good pickup when used at a distance of 2 to 4 meters (7-13 feet) from the talent. | show 🗑
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A type of mic that relies primarily on reflected sound from a hard surface such as a table top. | show 🗑
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Another name for non-directional | show 🗑
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show | phantom power supply
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show | shotgun mic
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Considered the most rugged professional microphone | show 🗑
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Also called a figure-eight sensitivity pattern | show 🗑
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show | parabolic mic
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An exaggeration and distortion of high-frequency "S" sounds | show 🗑
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Pops from words with initial "Ps," and "Bs" | show 🗑
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show | proximity effect
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show | about 8 to 16 inches
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show | Pop filters
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show | windscreens
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Personal mics that are either hung from a cord around the neck | show 🗑
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show | a clip-on or lapel mic
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show | about 14 inches
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show | Cannon or XLR connectors
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Connectors common to most home entertainment equipment. | show 🗑
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show | moving a mic cable a meter away from any power cord.
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show | sweetening
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This is typically indicated by exaggerated low-frequency response | show 🗑
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Omnidirectional or simple cardioid-patterned microphones used at a distance of_________________or more quickly start picking up extraneous sounds. | show 🗑
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Whenever a room has smooth, unbroken walls or uncarpeted floors,_________________________or slight echos can be a problem. | show 🗑
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Four solutions to reverberation: | show 🗑
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show | 25-30 feet
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show | fishpole
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show | shock mount
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A more sophisticated, studio quality fishpole | show 🗑
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show | giraffe boom
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A boom that weighs several hundred pounds, takes two people to operate, and can extend the mic over the set from a distance of 100 meters (more than 30 feet). | show 🗑
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show | Phase cancellation
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Four ways to reduce/eliminate phase cancellation | show 🗑
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