Television Sound: The Basics, Microphones: Microphone design, Microphones II
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| show | hand held
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| show | personal mic
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| Used for on-location production to pick up sounds a moderate distance from the camera | show 🗑
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| show | boundary effect microphone
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| show | studio microphones
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| show | dynamic mic
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| This type of mic is a good dynamic mic choice for electronic news gathering (ENG) work, where a wide variety of difficult conditions are regularly encountered | show 🗑
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| When small size, optimum sensitivity, and the best quality are all prime considerations... | show 🗑
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| show | condenser mic
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| With this mic, problems can result when they are used in adverse weather conditions. | show 🗑
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| When this type of power supply is used, the mic cord ends up serving two functions: it delivers the signal from the mic to the mixer and it carries power | show 🗑
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| Can impart a deep, resonant "coloring" to sound, but are fragile and highly sensitive to moving air. | show 🗑
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| In microphones there are three basic directional categories: | show 🗑
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| This mic is less sensitive to breath popping and close mouth-to-mic use, such as the reporter doing an ENG report. | show 🗑
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| show | bi-directional
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| A general classification of mics that are sensitive to sounds coming primarily from one direction. | show 🗑
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| With their hypercardioid or narrower angles of acceptance __________are one of the most widely used types of mics for on-location video work | show 🗑
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| They provide good pickup when used at a distance of 2 to 4 meters (7-13 feet) from the talent. | show 🗑
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| show | boundary effect mics
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| Another name for non-directional | show 🗑
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| Necessary for some types of condenser mics | show 🗑
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| show | shotgun mic
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| Considered the most rugged professional microphone | show 🗑
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| Also called a figure-eight sensitivity pattern | show 🗑
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| show | parabolic mic
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| show | sibilance
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| Pops from words with initial "Ps," and "Bs" | show 🗑
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| An exaggeration of low frequencies | show 🗑
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| show | about 8 to 16 inches
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| show | Pop filters
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| show | windscreens
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| Personal mics that are either hung from a cord around the neck | show 🗑
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| show | a clip-on or lapel mic
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| Personal mics (lavaliere or clip-on mics)are designed to pick up sounds from how far away? | show 🗑
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| show | Cannon or XLR connectors
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| Connectors common to most home entertainment equipment. | show 🗑
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| Running mic cables parallel to power cords often creates hum and interference problems. The solution... | show 🗑
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| show | sweetening
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| show | proximity effect
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| Omnidirectional or simple cardioid-patterned microphones used at a distance of_________________or more quickly start picking up extraneous sounds. | show 🗑
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| Whenever a room has smooth, unbroken walls or uncarpeted floors,_________________________or slight echos can be a problem. | show 🗑
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| show | 1. Moving mics closer to subjects 2. using highly directional mics 3. adding sound absorbing materials to walls 4. placing objects within a scene that will absorb or break up sound reflections
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| Because of their highly directional characteristics shotgun mics can be used out of camera range at distances of up to... | show 🗑
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| show | fishpole
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| show | shock mount
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| A more sophisticated, studio quality fishpole | show 🗑
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| show | giraffe boom
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| show | perambulator boom
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| show | Phase cancellation
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| show | 1. place mics close to sound sources 2. use directional mics 3. turn down mics when unneeded 4. carefully check and vary distances between the sound sources and multiple mics
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