Howes Acting Exam
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| The movement of any part of the body to help express something | Gesture
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| Expressing ideas to another person without using words | Nonverbal Communication
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| The firmness or solidity of an object | Resistance
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| The act of acting without words | Pantomime
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| Moving from one place to another on stage | Cross
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| Any stage not classified as a proscenium, thrust, or arena. | Flexible Staging
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| The area where the players perform; usually a raised platform. | Stage
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| The part of the stage extending past the proscenium arch toward the audience. | Apron
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| Offstage spaces to the sides of the acting area. | Wings
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| A stage that extends into the seating area. The audience sits on three sides of the stage. | Thrust Stage
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| A four-sided stage built like a box with one side cut away, enabling the audience to view the play as if it were in a picture frame. | Proscenium Stage
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| A stage constructed so that the audience can sit on all sides; also known as “theatre in the round”. | Arena Stage
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| The draperies covering the proscenium opening, separating the audience from the stage. | Grand Drape
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| The area behind the stage and not seen by the audience. | Offstage
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| Anything within the stage setting and visible to the audience. | Onstage
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| The area onstage furthest away from the audience. | Upstage
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| The area onstage closest to the audience. | Downstage
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| Anything beyond the stage setting and not visible to the audience. | Backstage
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| The area of the performance space where the audience sits, sometimes called “out front”. | House
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| Nine divisions of the stage floor used by directors when moving actors or placing furniture. | Acting Areas
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| Actors assume positions on stage of equal strength by opening up to the audience. | Share
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| Position or turn the body more toward the audience. | Open Up
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| Actors turn more toward the audience than they would in normal conversation. | Cheat Out
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| Actor turns toward the center of the stage. | Turn In
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| Actors turn more to the side of the stage. | Turn Out
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| The arrangement of incidents that take place in a play. | Plot
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| Introduces the audience to who, what, when, and why. | Exposition
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| Series of complications or conflicts, which result in a turning point. | Climax
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| The principle character who represents the main thought of the play. | Protagonist
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| The character who opposes the principle character and stands in his/her way. | Antagonist
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| Overall meaning or basic idea of a play. | Theme
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| Tells the story through words or language. | Diction
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| Includes the actor’s voices, as well as songs, instruments, recorded background sound, and even sound effects. | Song
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| Includes all visual elements of production including scenery, props, lighting, costumes, makeup, stage movement, and dance. | Spectacle
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| A major division of a play. | Act
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| Further division of a play into sections often based on the setting, the location or passing of time. | Scene
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| A play dealing with a serious situation; the protagonist is often defeated or dies. | Tragedy
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| A play dealing with a serious subject, but the protagonist does not die. | Drama
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| A play that presents the theme and characters is a humorous way. | Comedy
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| The vibrant tone produced when sound waves strike the chambers of the throat, head, nose, and mouth. | Resonance
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| The individual sound of a particular voice. | Quality
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| Variety in pitch. | Inflection
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| Relative highness or lowness of the voice at any given point. | Pitch
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| The sound produced when nasal passages are blocked, leaving the voice flat. | Nasality
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| Selection and pronunciation of words and their combination of speech. | Diction
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| Relative strength, force, or intensity with which sound is made. | Volume
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| Using correct vowel and consonant sounds in speech. | Pronunciation
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| Speaking continuously on one level. | Monotone
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| The speed at which words are spoken. | Rate
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| To break into the speech of another character. | Cut In
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| The last words, action, or technical effect that immediately precedes any line or business. | Cue
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| Improvise stage business or conversation. | Ad Lib
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| Any specific action performed on the stage. | Business
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| To speak when someone else is speaking. | Overlap
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| Giving an actor the freedom to move over the entire acting area. | Taking the Stage
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| To leave the stage. | Exit
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| A movement in the direction opposite to a cross to balance the stage. | Countercross
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| To move onto the stage. | Enter
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| The stage command for actors to take their positions at the opening of an act or scene. | Places
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| A technical term, placing furnishings, pictures, and similar items to complete and balance the set. | Dressing the Stage
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| Attracting attention from the person to whom the audience’s interest legitimately belongs. | Stealing the Scene
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| The unstated or “between the lines” meaning an actor must draw from the script. | Subtext
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| The movement or sweep of the play as it progresses. | Pace
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| Terms used to refer to the stage from the actor’s point of view, not from that of the audience. | Left and Right
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| A small acting part that has no lines. | Walk-On
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| An acting role with very few lines. | Bit Part
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| The main characters in a play or the named characters in a musical. | Principle
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| The scenery for an act or scene. | Set
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| All stage furnishings including furniture and those items brought onstage by actors. | Properties
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