“La Primavera” from The Four Seasons: Performing Forces

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Question	Answer
As Vesta Was Descending: Composer	Thomas Weelkes
As Vesta Was Descending: Date	1601
As Vesta Was Descending: Genre	English Madrigal
As Vesta Was Descending: Style Period	Renaissance
As Vesta Was Descending: Performing Forces	6 Voices
“La Primavera” from The Four Seasons: Composer	Antonio Vivaldi
“La Primavera” from The Four Seasons: Date	1725
“La Primavera” from The Four Seasons: Genre	Solo Concertos
“La Primavera” from The Four Seasons: Style Period	Baroque
“La Primavera” from The Four Seasons: Performing Forces	Solo Violin, String Orchestra, Continuo
Organ Fugue in g minor “Little”: Composer	Johann Sebastian Bach
Organ Fugue in g minor “Little” : Date	1709
Organ Fugue in g minor “Little”: Genre	Fugue
Organ Fugue in g minor “Little”: Style Period	Baroque
Organ Fugue in g minor “Little”: Performing Forces	Solo Organ
Piano Sonata in C minor, Op. 13 “Pathetique: Composer	Ludwig Van Beethoven
Piano Sonata in C minor, Op. 13 “Pathetique: Date	1798
Piano Sonata in C minor, Op. 13 “Pathetique: Genre	Piano Sonata
Piano Sonata in C minor, Op. 13 “Pathetique: Style Period	Classical
Piano Sonata in C minor, Op. 13 “Pathetique: Performing Forces	Solo Piano
Erlkonig (The Erlking): Composer	Franz Schubert
Erlkonig (The Erlking): Date	1815
Erlkonig (The Erlking): Genre	Art Song
Erlkonig (The Erlking): Style Period	Romantic
Erlkonig (The Erlking): Performing Forces	Solo Voice with Piano
Symphonie Fantastique Mvt. IV: Composer	Hector Berlioz
Symphonie Fantastique Mvt. IV: Date	1830
Symphonie Fantastique Mvt. IV: Genre	Program Symphony
Symphonie Fantastique Mvt. IV:Style Period	Romantic
Symphonie Fantastique Mvt. IV: Performing Forces	Orchestra
Prelude to “The Mid-Afternoon of a Faun”: Composer	Claude Debussy
Prelude to “The Mid-Afternoon of a Faun”: Date	1894
Prelude to “The Mid-Afternoon of a Faun”: Genre	Orchestral Prelude
Prelude to “The Mid-Afternoon of a Faun”: Style Period	20th Century
Prelude to “The Mid-Afternoon of a Faun”: Performing Forces	Orchestra
A Survivor from Warsaw: Composer	Arnold Schoenberg
A Survivor from Warsaw: Date	1947
A Survivor from Warsaw: Genre	Twelve-Tone Cantata
A Survivor from Warsaw: Style Period	20th Century
A Survivor from Warsaw: Performing Forces	Narrator, Male Chorus, Orchestra
Middle Ages	Vocal and Sacred
Baroque	Vocal and Instumental
Classical Composers	Beethoven Mozart Hyden
Monophonic	One sound
Homophonic	melody under clear accomp.
Polyphonic	3 equally different parts equally the same
Drone	the note that holds whild other notes are moving
Word Painting	Musical ideas using literacy text
Motet	Sacred usually in Latin
Madrigal	Secular in many languages
John Dowland	Lute player famous for flow my tears
Thomas Weelkes	Church organ player- As vesta was Desending
Oratorio	Religious work that tells a story
Opera	has a plot secular text
solo concerto	one soloist
concerto grosso	more than one soloist
sonata	instrumental piece of music
suite	instrumental mult. movement based on dances
J. S. Bach	1750
George Handel	1759
Antonio Vivaldi	1741
exoticism	music that incorporates different things
art song	solo voice and piano
program music	not much repetition
neoclassicism	return to classicism control, balance, simple, straight forward
impressionism	type of music very thin makes you think of a painting.
chance music	anything goes
twelve-tone	technique in which the composer picks 12 pitches and scientificly composes them together
Sonata Form	expostion development recapitulation coda
Theme and Variations Form	A A1 A11 A111 A1111 closing
Minuet and Trio Form	ABACABA

Created by: megan.trennel86

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