Stack #932328
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| As Vesta Was Descending: Composer | Thomas Weelkes
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| As Vesta Was Descending: Date | 1601
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| As Vesta Was Descending: Genre | English Madrigal
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| As Vesta Was Descending: Style Period | Renaissance
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| As Vesta Was Descending: Performing Forces | 6 Voices
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| “La Primavera” from The Four Seasons: Composer | Antonio Vivaldi
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| “La Primavera” from The Four Seasons: Date | 1725
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| “La Primavera” from The Four Seasons: Genre | Solo Concertos
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| “La Primavera” from The Four Seasons: Style Period | Baroque
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| “La Primavera” from The Four Seasons: Performing Forces | Solo Violin, String Orchestra, Continuo
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| Organ Fugue in g minor “Little”: Composer | Johann Sebastian Bach
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| Organ Fugue in g minor “Little” : Date | 1709
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| Organ Fugue in g minor “Little”: Genre | Fugue
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| Organ Fugue in g minor “Little”: Style Period | Baroque
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| Organ Fugue in g minor “Little”: Performing Forces | Solo Organ
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| Piano Sonata in C minor, Op. 13 “Pathetique: Composer | Ludwig Van Beethoven
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| Piano Sonata in C minor, Op. 13 “Pathetique: Date | 1798
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| Piano Sonata in C minor, Op. 13 “Pathetique: Genre | Piano Sonata
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| Piano Sonata in C minor, Op. 13 “Pathetique: Style Period | Classical
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| Piano Sonata in C minor, Op. 13 “Pathetique: Performing Forces | Solo Piano
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| Erlkonig (The Erlking): Composer | Franz Schubert
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| Erlkonig (The Erlking): Date | 1815
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| Erlkonig (The Erlking): Genre | Art Song
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| Erlkonig (The Erlking): Style Period | Romantic
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| Erlkonig (The Erlking): Performing Forces | Solo Voice with Piano
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| Symphonie Fantastique Mvt. IV: Composer | Hector Berlioz
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| Symphonie Fantastique Mvt. IV: Date | 1830
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| Symphonie Fantastique Mvt. IV: Genre | Program Symphony
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| Symphonie Fantastique Mvt. IV:Style Period | Romantic
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| Symphonie Fantastique Mvt. IV: Performing Forces | Orchestra
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| Prelude to “The Mid-Afternoon of a Faun”: Composer | Claude Debussy
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| Prelude to “The Mid-Afternoon of a Faun”: Date | 1894
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| Prelude to “The Mid-Afternoon of a Faun”: Genre | Orchestral Prelude
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| Prelude to “The Mid-Afternoon of a Faun”: Style Period | 20th Century
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| Prelude to “The Mid-Afternoon of a Faun”: Performing Forces | Orchestra
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| A Survivor from Warsaw: Composer | Arnold Schoenberg
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| A Survivor from Warsaw: Date | 1947
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| A Survivor from Warsaw: Genre | Twelve-Tone Cantata
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| A Survivor from Warsaw: Style Period | 20th Century
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| A Survivor from Warsaw: Performing Forces | Narrator, Male Chorus, Orchestra
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| Middle Ages | Vocal and Sacred
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| Baroque | Vocal and Instumental
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| Classical Composers | Beethoven
Mozart
Hyden
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| Monophonic | One sound
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| Homophonic | melody under clear accomp.
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| Polyphonic | 3 equally different parts equally the same
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| Drone | the note that holds whild other notes are moving
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| Word Painting | Musical ideas using literacy text
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| Motet | Sacred usually in Latin
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| Madrigal | Secular in many languages
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| John Dowland | Lute player famous for flow my tears
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| Thomas Weelkes | Church organ player- As vesta was Desending
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| Oratorio | Religious work that tells a story
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| Opera | has a plot secular text
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| solo concerto | one soloist
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| concerto grosso | more than one soloist
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| sonata | instrumental piece of music
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| suite | instrumental mult. movement based on dances
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| J. S. Bach | 1750
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| George Handel | 1759
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| Antonio Vivaldi | 1741
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| exoticism | music that incorporates different things
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| art song | solo voice and piano
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| program music | not much repetition
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| neoclassicism | return to classicism
control, balance, simple, straight forward
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| impressionism | type of music very thin makes you think of a painting.
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| chance music | anything goes
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| twelve-tone | technique in which the composer picks 12 pitches and scientificly composes them together
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| Sonata Form | expostion development recapitulation coda
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| Theme and Variations Form | A A1 A11 A111 A1111 closing
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| Minuet and Trio Form | ABACABA
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Created by:
megan.trennel86