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Baroque and Band
notes on the Baroque period and composers of RCHS's first semester pieces
| Question | Answer |
|---|---|
| Messiah | Handel 3 parts Oratorio |
| From a long line of musicians | Bach |
| A priest in Venice | Vivaldi |
| uses text painting in "Spring" | Vivaldi |
| Lived most of his life in England through born in Germany | Handel |
| "Little" Fugue in G minor | Bach |
| BWV | Bach collection of all his works... and some not his created in 19th century |
| Musician for a girls' orphanage | Vivialdi |
| the four seasons | Vivaldi |
| Soli Deo Gloria | Bach signed all of his manuscripts this way only to god the glory |
| known for his italian opera and English Oratorios | Handel |
| wrote in every musical genre except opera | Bach |
| Cantata | Vocal genre |
| three forms and which is most important in an Oratorio? Vocal or instrumental? | Vocal genre three forms recitative, aria, chorus most important the chorus |
| three forms of opera and which is the most important? Vocal or instrumental? | recitative, aria, chorus most important is Aria and vocal |
| most important textures in Baroque music | polyphonic and homophonic |
| Baroque composers worked under this system | the patronage system |
| two most important places music was played | court and church |
| two sections of a Baroque Fugue | Exposition and Episode |
| a baroque melody is | complex, long, monothematic, instrumentally concieved, repeats |
| describe baroque rhythms | metric and motoric |
| baroque visual artists | Rembrandt Peter Paul Rubens |
| visual art and architecture | emotionally charged, ornate, use of light and shadows, high contrasts, paintings on the ceiling, dramatic, extravagant |
| Baroque accompaniment texture | Basso Continuo |
| Concerto grosso is associated with what form? and instrumentally or vocally concieved | ritornello (reoccuring) form instrumental means friendly contention/conflict |
| Baroque is called he age of | paradox/contrasts, and absolute monarchs |
| how big was the typical baroque orchestra | 20-40 people |
| which family of intstruments was most important in the baroque period | strings |
| more vocal or instrumental music? | neither, before in history had been more vocal but for the first time instrumental music seems to be of equal importance |
| baroque doctrine of affections | Music calls forth emotions (which some thought could be scientifically measured etc.) |
| name one baroque scientist and his invention/discovery | Galileo and the microscope |
| name baroque monarchs and contry which he ruled | Charles II of England |
| oratorio | vocal and means speech or prayer |
| suite | instrumental genre |
| mass | vocal genre |
| Fugue | Instrumental genre |
| Harbinson | U.S. Contemporary Introduction Dean of Appalachian School of Music |
| Custer | U.S. Contemporary arranger of water music |
| LaPlante | U.S. contemporary English country settings |
| Handel | German-British Baroque Water Music |
| Bach | German Baroque composer Prelude and Fugue Come Sweet Death |
| Reed | American Contemporary Aranger of come sweet death |
| Mohlman | American Contemporary Prelude and Fuge Arranger |
| Gruber | Austrian Baroque Romantic Stille Nacht |
| Chip Davis | American Contemporary Stille Nacht Manheim Steam Roller |
| Grundman | American Contemporary Little Suite |
| Molto Sostenuto e largamente | very sustained and broad |
| Molto Expressivo | very expressive |
| molto sostenuto | very sustained |
| Poco Allargando | a little slower |
| molto ritenuto al fine | very suddenly slower to the end |
| allegro | quick |
| andante | walking tempo |
| rallentando | slowing down |
| diminuendo | gradually softer |
| allegro maestoso | quick and majestic |
| D.C. al fine | from begining to the end |
| meno mosso | less motion/slower |
| agitato e crescendo poco a poco | ageitated and get louder little by little |
| mosso | motion |
| tempo I | original tempo |
| a tempo | previous tempo |
| alla giga | in the style of a jig |
| tempo primo | first tempo |
| lento | slow |
| piu mosso | more motion |