click below
click below
Normal Size Small Size show me how
AP Psych: S-7
Sensation and Perception
Question | Answer |
---|---|
transduction | when signals are transformed into neural impulses |
sensory adaptation | decreasing responsiveness to stimuli due to constant stimulation |
sensory habituation | our perception of sensations is partially die to how focused we are on them |
cock tail party phenomenon | ability to attend to only one voice among many |
what is reflected off objects and gathered by the eye? | light |
what does color perception depend on? | light intensity light wavelength |
cornea | protective covering that helps focus the light |
pupil | the center of the eye that lets light in |
iris | the muscle surrounding the pupil that controls the size of the pupil |
lens | focuses the light that enters the pupil |
retina | the screen on the back of the eye that contains rods and cones |
what are cones responsible for? | color |
what do rods respond to? | black and white |
what do rods outnumber? | cones |
what contains the highest concentration of cones? | fovea |
ganglion cells | make up the optic nerve that sends these impulses to a specific region in the thalamus |
blind spot | where the optic nerve leaves the retina |
optic chasm | the spot where the optic nerve crosses each other |
what do feature detectors pick up? | vertical lines, curves, motion, and many other features or images |
trichromatic theory | we have three types of cones: cones that detect the different colors blue, red, and green |
opponent-process theory involves what? | color after images and color blindness |
dichromatic color blindness | the difficulty seeing red and green or of tallow and blue |
audition | the sense of hearing |
amplitude | the height of the wave. determines the loudness of the sound |
frequency | the length of the waves. determines pitch |
high pitched sounds | have high frequencies and has waves that are densely packed together |
low pitched sounds | low frequencies. waves are spaced apart |
pinna | the outer ear |
auditory canal | ear canal |
eardrum | tympanic membrane which vibrates as the sound waves hit it |
occicle bones | hammer (malleus), anvil (incus), and stirrup (stapes) |
oval window | receives vibrations from the occicle bones and allows them to enter the cochlea |
cochlea | snail shaped structure filled with fluid |
ciliea | hair cells that line the cochlea and pick up vibrations |
Organ of Corti | neurons which are activated by movement of the hair cells |
what does the movement of cilia create? | transduction via the auditory nerve to the brain |
Place theory | hair cells in the cochlea respond to different frequencies of sound based on where they are located in the cochlea |
Frequency theory | we sense pitch because the hair cells fire at different rates in the cochlea |
conduction deafness | when something goes wrong with the system of conducting sound to the cochlea |
nerve or sensorineural deafness | when hair cells in the cochlea are damaged |
when is our sense of touch activated? | when we feel our skin indented, pierced, or experience a change in temperature |
gate-control theory of pain | some pain messages have higher priority than other |
what do endorphins do? | shut the "gate" of pain and help control it |
taste | occurs when chemicals are absorbed by taste buds on the tongue |
four types of taste | sweet, salty, sour, bitter |
tightly packed taste buds | improve the intensity of the taste |
smell (olfaction) | occurs when molecules settle in a mucous membrane |
olfactory bulb | gathers messages from the olfactory receptor cells and send this information to the brain |
what does the olfactory bulb connect? | the brain at the amygdala and then to the hippocampus which makes up the limbic system |
vestibular sense | sense of how our body is oriented |
what gives us feedback about body orientation? | three semicircular canals |
kinesthetic sense | sense of position and orientation of specific body parts |
perception | process of understanding and interpreting sensations |
absolute threshold | the smallest amount of stimulus we can detect 50% of the time |
subliminal stimuli | stimuli below our absolute threshold |
difference threshold | the smallest amount of change needed in a stimulus before we detect a change |
Weber's law | the change needed is proportional to the original intensity of the stimulus |
what investigates the effects of the distractions and interference we experience while perceiving the world? | signal detection theory |
false positive | when we think we perceive a stimulus that is not present |
false negative | when we do not perceive a stimulus that is present |
top down processing | when we perceive by filling in gaps in what we sense. expectations first then raw senses |
schemata | mental representations of how we expect the world to be |
what can schemata create? | a perceptual set which is a predisposition to perceiving something a certain way |
what is the positive/negative to top down? | faster. more prone to error |
bottom up processing | we use only the features of the object itself to build a complete perception raw perception then expectation |
what is the negative/positive to bottom up? | takes longer. more accurate |
figure ground relationship | what part of the visual image is the figure and what is part of the ground or background |
what do gestalt rules point out? | that we perceive images as groups |
proximity | objects closer together are more likely to be perceived as belonging in the same group |
similarity | objects that are similar in appearance are more likely to be perceived as being in the same group |
continuity | objects that form a continuous form are more likely to be perceived as belonging in the same group |
closure | objects that make up a recognizable image are likely to be perceived as belonging in the same group |
constancy | the ability to maintain a constant perception of an object despite changes |
size constancy | objects closer to our eyes will produce different shapes on our retinas |
shape constancy | objects viewed from different angles will produce different shapes on our retinas |
brightness constancy | we perceive objects as being a constant color even as the light reflecting off the object changes |
stroboscopic effect | images in a series of still pictures presented at a certain speed will appear to be moving |
Phi phenomenon | series of lightbulbs turned on and off at a particular rate will appear to be one moving light |
autokinetic effect | if a spot or light is projected steadily onto the same place on a wall of an otherwise dark room and people are asked to stare at it, they will report seeing it more |
visual cliff experiment | shows when human infants can perceive death. an infant old enough to crawl will not crawl across the visual cliff indicating depth perception |
Monocular cues | depth perception based on one eye |
linear perspective | parallel lines come together at a distance |
relative size cue | objects closer to a person will appear larger than those in the distance |
interposition cue | an object blocking the view of another will appear to be larger |
texture gradient | we see details in texture of objects close to us, not far away |
shadowing | shading part of a picture can imply where the light source is and thus imply depth and position of objects |
binocular cues | depth perception based on two eyes |
retinal disparity | each of our eyes sees any object from a slightly different angle. the brain gets both images |
convergence | as an object gets closer to our face, our eyes must move toward each other to keep focused on the object |