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Renaissance Midterm
Renaissance Music
| Question | Answer |
|---|---|
| Ut te per omnes | Ciconia |
| Sanctus | Power |
| En Katerine solennia | Byttering |
| Veni sancte spiritus/Veni creator | Dunstable |
| Nuper rosarum flores | Du Fay |
| Ave Regina caelorum III | Du Fay |
| Missa Se la face pale, Gloria | Du Fay |
| Missa L'homme arme, Agnus Dei | Du Fay |
| Adieu m'amour, adieu ma joye (rondeau) | Du Fay |
| Dueil angoisseux | Binchois |
| Missa Prolationum, Kyrie | Ockeghem |
| Missa Fors seulement, Kyrie | Ockeghem |
| S'elle m'amera/Petite camusette | Ockeghem |
| In Hydraulis | Busnoys |
| Je ne puis vivre | Busnoys |
| Volgi, gli ochi, madre pia (lauda) | Alexander Demophon Venetus |
| Una sanosa porfia | Encina |
| Levanta, Pascual | Encina |
| Miserere mei, Deus | Josquin |
| Faulte d'argent | Josquin |
| Nymphes des bois (Deploration of Johannes Ockeghem) | Josquin |
| Factor orbis | Obrecht |
| Missa de apostolic, Kyrie | Isaac |
| Quis dabit capiti meo acquam | Isaac |
| Ominium bonorum plena | Compere |
| Missa prodefunctis, Introitus | la Rue |
| Contenance Angloise | Rhythmic simplicity, Few dissonances/carefully placed, Imperfect consonances (3rd and 6ths) |
| Fauxbourdon | A technique of taking a chant and putting it in the top voice and adding a 2nd voice a 4th below. Fauxbourdon was written in the score and an unwritten part sung at a 3rd below the top voice |
| Motets (types) | Isorhythmic, Cantilena (only one text/simple/homorhythmic), Treble Dominated (top voice melodic/rhythmic interest |
| Chanson | Ballade, Virelai, Rondeau |
| Ballade | aab(C) |
| Virelai | AbbaA |
| Rondeau | ABaBabAB |
| Lauda | Songs of praise and devotion. Sung by Laudesi company members. Monophonic to polyphonic. |
| Canto carnascialesco | Carnival songs. Florence. Performed before Lent and Feast of John the Baptist. Extolled merits of a guild, or poked fun at foreigners, or pushed social norms |
| Frottola | Grew out of Barzalletta poetry. Root position chords, full triads, syllabic, short phrases, clear cadences, narrow melodic range, homophonic |
| Romanza | Spanish, tells a story, strophic w/o refrain, historical events, quatrains of 8 syllables |
| Josquin's Masses | Canonic, Cantus Firmus, Paraphrase |
| Chanson Rustiques | Popular monophonic tunes, poetry deals w/ middle or lower class life, strophic, "sung to the tune of..." |
| Old Hall Manuscripts | English 1410, ed. 1415-1420. Retrospective to 1370, Sections devoted to the Mass and sacred motets, Leonel Power |
| Petrucci | 1501 - Harmonic musices Odhecaton A, 96 secular chanson, developed three step printing process |
| Attaingnant | 1520s forward, developed a die for each note |
| Choralis Constantinus | Written by Isaac. 3 vols. 1st vol. commission for town of Constance. Not published until 1550 |
| Lied | Short phrases, clear cadences, strophic, syllabic, homophonic, no set forms (can but doesn't have to) |
Created by:
cyncynwoods
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