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2.01 Color Theory
| Term | Definition |
|---|---|
| Hue | The pure color at the base of all variations of a color |
| Value | Describes the lightness or darkness of a color |
| Tint | Lighter value of a hue created by adding white |
| Shade | Darker value of a hue created by adding black |
| Intensity or Saturation | Describes the brightness or dullness of a color. Hues are at full intensity |
| Tone | The duller or desaturated version of a hue created by adding gray |
| Color wheel | A diagram of the spectrum of hues in a continuous circle representing their relationship to each other |
| Primary colors | The three hues red, yellow, and blue which form the foundation of the color wheel and from which all other hues are made |
| Secondary colors | Hues created by mixing two primary hues |
| Tertiary colors | Hues created by mixing a primary hue and a secondary hue |
| Cool colors | The colors from green through blue to violet on the color wheel. These colors remind us of water and sky. They seem to recede and are calming and soothing |
| Warm colors | The colors from yellow through orange to red on the color wheel. These colors remind us of sun and fire. They seem to advance and are energizing |
| Color scheme | A choice of colors to be used in combination |
| Color harmony | Color combinations based on color wheel relationships which are widely considered to create pleasing and balanced color schemes |
| Analogous colors | Hues located next to each other on the color wheel |
| Complementary colors | Hues located opposite each other on the color wheel |
| Neutrals (achromatic | Colors with no hue; such as black, white, gray, brown, tan, ivory, beige |
| Monochromatic | Refers to only one color including its variations in value and intensity |
| Metamerism | Occurs when a color appears different under one light source than it does under another |