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THE 1050-002 Test 4
Module Four
| Term | Definition |
|---|---|
| Hegemony | Leadership or dominance by one social group over others |
| Thespis | Considered to be the first "actor" |
| Dithyramb | An ancient Greek hymn of song and dance, dedicated to Dionysus |
| Catharsis | The emotional "cleansing" associated with tragedy |
| Hubris | the character flaw of overbearing arrogance and pride |
| Stock Characters | Distinct representation of various personalities and social classes |
| Orchestra | The circular staging area of the Greeks |
| Theatron | The "viewing place", where Greek audience sat |
| Skene | The "stage house" used by the Greeks for entrances and exits |
| Proskenion | The raised staging area introduced by the Romans |
| Amphitheater | The oval-shaped viewing area where the Romans sat |
| Liturgical Drama | Church play (in Latin) of quoted bible passages |
| Vernacular Drama | Church play which uses "everyday" language |
| Pageant Wagons | Medieval traveling stages |
| Morality Play | A cycle play of ethnical (rather than religious) themes |
| Mystery Play | A cycle play depicting biblical characters and events |
| Passion Play | A cycle play about the life of Christ |
| Verisimilitude | The "likeness of truth" |
| Commedia Dell'arte | Italian Renaissance improvisational comedy |
| Lazzi | Handy bits of comic "business" used by commedia dell'arte performers |
| History Play | A play about royal personages |
| Iambic Pentameter | Shakespeare's metered poetry |
| Apron Stage | The staging method favored by Elizabethans |
| Corrales | The viewing area of the Spanish Renaissance audience |
| The Two Classical Greek Genres | Comedy and Tragedy |
| The Three Unities Of Classical Greek Theatre | Time, Place, and Action |
| The Three Seating Areas Introduced In Italian Renaissance Theatres | Pit, Box, and Gallery |