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ToK Paint
| Question | Answer |
|---|---|
| Overview | many diff stuff throughout years bc of tech |
| paleolithic, mesolithic, neolithic | 30,000 BC- 2,000 BC Homo sapiens created art with stone- stacking stone, painting stone, carving stone. later, pottery developed common theme of food, fertility, basic human figures, and animals |
| Stonehenge | wiltshire, england, 2500 BC |
| gobustan petroglyphs | gobustan, azerbaijan, 10,000 BC |
| Lascaux cave paintings | southwestern france , 17300 BC |
| Classical Art | 500 BC-500 AD Greek gods, sculptures out of marble not originally white!! focused on painting humans, focus on natural world romans started after conquering greece. they adapted the greek style. most surviving classical art is from rome |
| augustus of prima porta | vatican museums, vatican city, 1st cent AD |
| Laocoon and His Sons | Vatican Museums, Vatican City, 25 BC |
| Medieval Art | 500 AD-1400 AD collapse of roman empire in 476 AD, western europe was decentralized except for centralized catholic church.focus on religious themes, disproportionate and little perspective, two dimensional and flat |
| The Calling of the Apostles Peter and Andrew | Duccio di Buoninsegna, 1306 AD |
| Christ on the Mount of Olives | Master of the Treborn Altarpiece, 1380 AD |
| Renaissance | late 1300-1600 contact with arab world and discovery of greek and roman texts, brought cahnge to europe culturally. focused on indiv other than religion realism and focus on humans, accurate perspective, natural background, light and shadowing |
| The Birth of Venus | Botticelli, 1465 |
| David (bronze) | Donatello, 1208 |
| arnolfini wedding portait | jan van eyck, 1434 |
| peasant dance | peter bruegel, 1568 |
| the creation of adam | Michelangelo, 1511 |
| La Pieta (The Pity) | michaelangelo, 1498-1499, housed in st peters basilica in vatican city |
| david (marble) | michelangelo, 1504 |
| school of athens | raphael, 1509 |
| Leonardo da Vinci | renaissance man, scientist, musician, sculpter, architect, matematician, engineer. procrastinator. destructive techniques. 15 of his paintings remain |
| Self Portrait | old man with beard, 1512 Ad, da Vinci |
| Monal Lisa | 1519, da Vinci |
| The Last Supper | da Vinci, 1498 |
| Baroque and Rococo | 17th century to the 18th century to compete with the protestant churches bc of the protestant reformation, the catholic church sponsored creation of religious arts and architechture (baroque movement) rich colour, christian themes, shadowing, |
| Baroque and Rococo | intense shadowing and dramatic scene french took it in 1750s, late baroque, very different. gave up symmetry and used ornate and playful styles instead. used to display noble's wealth |
| Elevation of the Cross | Rubens, 1611 AD |
| The Calling of St. Mattew | Caravaggio, 1598 |
| The Night Watch | Rembrandt Van Rijn, 1942, oil on canvas |
| Girl with a Pearl Earring | Vermeer, 1665 |
| David (slaying) | Bernini 1624 AD (baroque) |
| The Swing | Fragonard, 1767 (rococo) |
| Neoclassicism | late 18th century to mid 19th century inspired by the enlightenment, reponse to declining rococo movement. dark subject matter, used in french politics under napoleon and Maximilian robespierre many char of greek and roman classicism poses of figures, |
| neoclassicism | the type of paint and the drapery of fabric |
| oath of horatii | jacques-louis david, 1784 |
| death of marat | jacques-louis david, 1793 |
| The Intervention of the Sabine Women | Jacques louis david, 1795 |
| romanticism | 1780 to 1850 revolt against age of enlightenment and scientific revolution of modern europe. unlike neo, romanticist artist made paintings dreamy and imaginary, often narratives. appealed to emotions of trepidation and awe, though nightmarish narratives |
| romanticism | through nightmarish narratives and awe inspiring natural shots |
| Liberty leading the people | delacroix, 1830 |
| raft of medusa | gericault, 1819, oil on canvas |
| realism | rejection of imagination and subjectivism of romanticism, and focusd on obs of ordinary world. they were also audacious by painting prostitutes. en plain air, painted while outdoors |
| the gleaners | jean francis millet, 1857 |
| christina's world | wyeth |
| impressionism | 1865-1885 began during indus revolution in france. like realists, they captured a moment in time , but put emphasis on light. char by small but visible bush strokes, open comp, real life subject matter |
| woman with a parasol | monet, 1875 |
| the boating party | renoir |
| le dejeuner sur l'herbe (Luncheon on the Grass) | Manet |
| Le moulin de la Galette | pierre auguste renoir, 1878, oil on canvas |
| post impressionism | 1885 to 1910 impressionism has to trivial subject matter began in france in late 19th century strong emphasis on light and brushstrokes. greater medium for expression, could have unorthodox subject matter |
| the starry night | vincent van gogh, 1889 |
| a sunday afternoon on the island la grand jatte | georges seurat. 1886 |
| expressionism | 1890 to 1935 originating in germany at end of 19th century focused on emotion of could rather than reality of it, often abstract, sought to express meaning and emotion of an experiece, often distorting their wrld for added emotional effect |
| the scream | edward munch, 1893 |
| cubism | 1905-1920 at start of 20th century, rejected naturalistic depictions of prior movements, preferred comp of shapes and forms used in an abstract way. |
| analytical cubism | greater depth, focused on breaking down forms into simple geometric shapes |
| synthetic cubism | brighter colours, flat, used mixed media and collage |
| pablo picasso | born in spain in 1881 him and georges braque are creaters of cubism style of art changed throughout life periods: blue, rose, african-inspired, cubist, and surrealist periods distorted reality to show how there are diff perspectives |
| picasso contin | often based on real world events (Guernica) german bombing of spanish city Guernica he also did a distorted portrait of stalin that got him in trouble with fellow communists |
| self portrait | picasso, 1907 |
| three musicians | picasso, 1921 |
| guernica | picasso, 1937 |
| girl with a mandolin (Fanny Tellier) | picasso, 1910 |
| les demoiselles d'avignon | picasso 1907 |
| surrealism | 1917-1950 after WWI, art in western world was dominated by dark themes like uncertainty and axienty darker of the periods , plaved realistic objects in unrealistic situations to confuse viewer's reality dreamlike setting and disturbing visuals |
| the persistence of memory | dali, 1931 |
| without hope | freida kahlo, 1945 |
| pop art | late 1950s- early 1970s focused on subjects that normally are not art like ads, pop culture, and consumerism. incorporated pop culture, accesible to the avg person. |
| drowning girl | roy lichtenstein, 1963 |
| andy warhol | born in Pennsylvania in 1928, leading figure in pop art movement, many talents (printer, filmmaker, illustrator, record producer) painted campbell's soup cans and coca col, warhol also did printing. subjects for printing were marilyn monroe, elvis presley |
| mickey mouse | warhol, 1981 |
| campbell's soup 1 | warhol, 1968 |
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mayorayo
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