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film
Question | Answer |
---|---|
hollywood renaissance characteristics | anti-heroes, violence, cinematic effects such as slow motion, quick cutting and dream sequence/ cynical look at old hollywood |
best representation of an art film | mike nichols |
new film audience | youths and social elite |
first full statement of the new cinema's values | bonnie and clyde |
era's new anti heroes | misfits, villains were respectable, violence is graphic, |
soundtrack and location | rock songs for soundtrack, more movies were filmed on location |
new city films | on location, gory, |
sounds of san francisco | the conversations |
smoke rising from city | taxi driver |
new western film | experimental, violent, heroes were anarchists |
antidisestablishment movies by sam peckinpah | butch cassidy and the wild bunch |
new gangster movies, film noir | urban criminals, rural criminals, cops vs other cops, cop vs himself |
the genre genre | parodied plots and stars from old Hollywood, Studio era cliches |
move that embodies the "genre genre" and who directed it? | Chinatown, Roman Polanski |
what did this movie do? | exposed myth of 1930s America |
C.A.R.A. stands for? When did it replace the Production Code? | Classification and Ratings Administration, 1968 |
Underground Hollywood Innovations | cinematic form, visual stimulation, elliptical construction |
Similarities between American and European films | characters became more important than plot, tackled big issues |