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film
| Question | Answer |
|---|---|
| hollywood renaissance characteristics | anti-heroes, violence, cinematic effects such as slow motion, quick cutting and dream sequence/ cynical look at old hollywood |
| best representation of an art film | mike nichols |
| new film audience | youths and social elite |
| first full statement of the new cinema's values | bonnie and clyde |
| era's new anti heroes | misfits, villains were respectable, violence is graphic, |
| soundtrack and location | rock songs for soundtrack, more movies were filmed on location |
| new city films | on location, gory, |
| sounds of san francisco | the conversations |
| smoke rising from city | taxi driver |
| new western film | experimental, violent, heroes were anarchists |
| antidisestablishment movies by sam peckinpah | butch cassidy and the wild bunch |
| new gangster movies, film noir | urban criminals, rural criminals, cops vs other cops, cop vs himself |
| the genre genre | parodied plots and stars from old Hollywood, Studio era cliches |
| move that embodies the "genre genre" and who directed it? | Chinatown, Roman Polanski |
| what did this movie do? | exposed myth of 1930s America |
| C.A.R.A. stands for? When did it replace the Production Code? | Classification and Ratings Administration, 1968 |
| Underground Hollywood Innovations | cinematic form, visual stimulation, elliptical construction |
| Similarities between American and European films | characters became more important than plot, tackled big issues |
Created by:
isabelletyler
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