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-RHETORICAL DEVICES-
Rhetorical Strategies Flashcards
| Term | Definition |
|---|---|
| 1. ad hominem | an argument made that (a.) appeals to a person’s feelings or prejudices rather than intellect or (b.) is marked by an attach on an opponent’s character rather than his contentions/arguments. |
| 2. allegory | a story in which objects, characters, and actions are symbols of something outside the narrative. |
| 3. alliteration | the repetition of initial sounds. |
| 4. allusion | a reference to a well-known person, place, event, literary work, or work of art. |
| 5. anachronism | something out of its normal time. |
| 6. anaphora | repetition when it is specifically used at the beginning of two or more lines, clauses, or sentences. |
| 7. anastrophe | inversion of the usual, normal, or logical order of the parts of a sentence. Inversion is a synonym for anastrophe. |
| 8. analogy | a comparison that explains or describes one subject by pointing out its similarities to another subject. |
| 9. antithesis | involves a direct contrast of structurally parallel word groupings, generally for the purpose of contrast. |
| 10. aphorism | a concise statement of a principle or precept given in pointed words. |
| 11. apostrophe | a figure of speech in which a speaker directly addresses an absent person or a personified quality. |
| 12. apposition | the placing next to a noun another noun or phrase that explains it. |
| 13. archetype | A statement, or pattern of behavior, a prototype upon which others are copied, patterned, or emulated. |
| 14. assonance | repetition of vowel sounds. |
| 15. asyndeton | - condensed form of expression in which a series is presented without conjunctions. |
| 16. categorical assertion (or claim) | States how one thing relates to another in its entirety. |
| 17. chiasmus | a figure of speech by which the order of the terms in the first of two parallel clauses is reversed in the second. |
| 18. climax | when a writer arranges ideas in order of importance |
| 19. connotation | the set of associations that occur to people when they hear or read a word. |
| 20. consonance | repetition of consonant sounds. |
| 21. denotation | the dictionary meaning of a word |
| 22. details | the facts given by the author or speaker as support for the attitude or tone |
| 23. dialect | the form of a language spoken by people in a particular region or group |
| 24. dialogue | a conversation between characters |
| 25. diction | (word choice) To discuss a writer’s diction is to consider the vocabulary used, the appropriateness of the words, and the vividness of the language. |
| 26. direct characterization | the author directly states a character’s traits |
| 27. dramatic irony | a contradiction between what a character thinks and what the reader or audience knows to be true |
| 28. ellipsis | the deliberate omission of a word or words which are readily implied by the context; it creates an elegant or daring economy of words. |
| 29. epanalepsis | repetition at the end of a clause of the word the occurs at the beginning. |
| 30. epiphany | a sudden understanding or realization which prior to this was not thought of or understood |
| 31. epistrophe | repetition of the same word or group of words at the ends of successive clauses (the opposite of anaphora). |
| 32. epitaph | an inscription used to mark burial places. |
| 33. epithet | a word or phrase used in place of a person’s name; it is characteristic of that person: |
| 34. euphemism | a device where being indirect replaces directness to avoid unpleasantness |
| 35. extended metaphor | It differs from a regular in that several comparisons are made and are extended throughout the passage. |
| 36. first-person narrator | A character in a story who is telling the story; readers see only what this character sees, hears, etc. |
| 37. figurative language | writing or speech not meant to be interpreted literally |
| 38. flashback | – a section of a literary work that interrupts the sequence of events to relate an event from an earlier time |
| 39. foreshadowing | the use in a literary work of clues that suggest events that have yet to occur |
| 40. homily | – a form of oral religious instruction given by a minister to a church congregation (It usually gives practical moral counsel rather than discussion of doctrine.) |
| 41. hubris | derived from the Greek word hybris, means “excessive pride.” In Greek tragedy, hubris is often viewed as the flaw that leads to the downfall of the tragic hero. |
| 42. hyperbole | a deliberate exaggeration or overstatement ex. “That story is as old as time.” |
| 43. image | a word or phrase that appeals to one or more of the five senses. |
| 44. imagery | the descriptive of figurative language used in literature to appeal to one or more of the five senses |
| 45. imperative | a command or order. |
| 46. indirect characterization | the conclusions a reader draws about a character based on the appearance, behavior, speech, private thoughts, effect he/she has on other characters |
| 47. inversion | a change in the normal word order. |
| 48. irony | the general name given to literary techniques that involve differences between: a. appearances and reality b. expectation and result c. meaning and intention |
| 49. juxtaposition | a poetic and rhetorical device in which normally unassociated ideas, words, or phrases are placed next to one another |
| 50. literal language | uses words in their ordinary senses (the opposite of figurative language) |
| 51. litotes | (opposite of hyperbole) an understatement usually through a form of negation. |
| 52. loose sentence | follows the basic subject, verb, complement pattern. |
| 53. maxim | (similar to an aphorism) an adage, a concise statement, usually drawn from experience, and inculcating some practical advise. |
| 54. metaphor | a comparison between two unlike things not using “as,” “like,” “than,” or “resembles |
| 55. metonymy | a figure of speech in which the name of one object is substituted for that of another closely associated with it. |
| 56. monologue | a speech by one character in a play, story, or poem in which he/she has listeners who do not speak |
| 57. mood | the feeling created in the reader by a literary work or passage |
| 58. motif | a simple device that serves as a basis for an expanded narrative . . . The motif is a recurring feature in the work. |
| 59. motivation | the reason that explains or partially explains a character’s thoughts, feelings, actions, or behavior |
| 60. narrator | - a speaker or character who tells a story . . . He/She may be either a character in the story or an outside observer. |
| 61. non sequitur | a logical fallacy, a comment which has no relation to the comment it follows. |
| 62. omniscient narrator | an all-knowing 3rd person narrator . . . This type of narrator can reveal to readers what the characters think and feel. |
| 63. onomatopoeia | the use of words that imitate sounds. |
| 64. oxymoron | a figure of speech that combines two opposing or contradictory ideas. |
| 65. paradox | a statement that seems contradictory or absurd but that expresses the truth. |
| 66. parallelism | the repetition of grammatical structure. It consists of phrases or sentences of similar construction and meaning placed side by side, balancing each other. |
| 67. parenthesis | the insertion of words, phrases, or a sentence that is not syntactically related to the rest of the sentence. It is set off by dashes or parentheses. |
| 68. pathetic fallacy | a form of personification where huma traits are attributed to nature or inanimate objects. |
| 69. periodic sentence | (opposite of a loose sentence) a sentence withholding its main idea until the end. |
| 70. personification | giving human characteristics to a nonhuman subject. |
| 71. point of view | the perspective from which a story is told |
| 72. pun | a play on words based on different meanings of words that sound alike. |
| polysyndeton | (opposite of asyndeton) the deliberate use of many conjunctions for special emphasis – to highlight quantity or mass of detail or to create a flowing continuous sentence pattern; it slows the pace of the sentence. |
| 78. repetition | the use, more than once, of any element of language – a sound, a word, a phrase, a clause, or a sentence |
| 79. rhetorical shift | a change from one tone, attitude |
| 80. sarcasm | a type of irony in which a person appears to be praising something but is actually insulting it. |
| 81. simile | a comparison between two unlike thing using words such as “as,” “like,” “than,” or “resembles.” |
| 82. situational irony | an event occurs that directly contrasts the expectations of the characters, the reader, or the audience. |
| 83. soliloquy | a speech delivered by a character when he or she is alone on stage |
| 84. style | a writer’s distinctive mode of expression |
| 85. suspense | a feeling of curiosity or uncertainty about the outcome of events in a literary work |
| 86. syllogism | a formula for presenting an argument logically |
| 87. symbol | anything that stands for or represents something else |
| 88. synecdoche | a form of metaphor in which a part of something is used to stand for the whole thing |
| 89. syntax | the physical arrangement of words in a sentence |
| 90. theme | a central message or insight into life revealed throughout the literary work |
| 91. third person narrator | the narrator reveals the thoughts and feelings of only one character |
| 92. tone | the writer’s attitude toward his/her audience and subject |
| 93. tongue-in-cheek | characterized by insincerity, irony, whimsy. If you say something tongue-in-cheek, what you have said is humorous, perhaps sarcastic, although at face value it appears to be serious. |
| 94. understatement | saying less than is actually meant, generally in an ironic way. |
| 95. verbal irony | the type of irony in which words are used to suggest the opposite of what is meant |