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Music History
Chapters 14-18
Question | Answer |
---|---|
Beethoven epitomizes the new view toward the artist, no longer the servant-craftsman but an artist who, as a genius: | suffers and creates for humanity |
One of the teachers who contributed to Beethoven's roots in Classical musical expression was the composer: | Haydn |
The political event that made an enormous impact in Beethoven's life and the lives of his contemporaries was the: | French Revolution |
Beethoven's intense mood of urgency and excitement is achieved by: | maximizing all musical elements |
The genre that Beethoven is especially associated with is the: | symphony |
When Beethoven suffered a crisis in 1802, he wrote a statement of his ideals and, partly, a not so subtle suicide note named: | the Heiligenstadt Testament |
One element of Beethoven's writing that is immediately clear is his: | drive and rhythmic power |
One of the style features of Beethoven's writing that dominates the Symphony #5, I is | motivic consistency |
The scherzo movement of Beethoven's Fifth Symphony substitutes the traditional _______________ of the Classical Symphony. | minuet and trio |
in the Development section of Symphony No. 5, first movement, Beethoven plays with our sense of themes through: | fragmentation |
An unusual event in the recapitulation is the appearance of a: | slow oboe cadenza |
While Beethoven has certainly transformed the minuet and trio into a statement of his own expression as a Scherzo, he still retains the: | form |
During the 18th century, literature had always been considered the most important of all the arts. However, after Beethoven, it was seen that music could be: | as profound and moving as literature |
While striving for an ideal state of being was at the heart of the Romantic movement, the highest artistic goal was: | emotional expression |
As Romantic literature explored the supernatural, so composers created _____________ and _____________ to contribute to spooky sounding music. | strange harmonies, sinister orchestral sounds |
One composer from the past who was particularly well-regarded by Romantic period composers was a composer from the 16th century, _____________________. | Palestrina |
"Domestic" musical genres such as ________________ became established on the concert hall stage during the 19th century. | string quartets |
To help achieve greater expressiveness, the Romantic performer would use a rhythmic style called rubato, which means _____________, in performance. | "robbed time" |
Romantic composers were quite committed to writing more expressive melodies, and so to make them sound more spontaneous and sensitive, melodies became more: | irregular in rhythm and phraseology |
In order to pursue the Romantic ideal of expressiveness, Romantic composers used ______________in both melodies and harmony. | chromaticism |
Compared to the sharply defined sonorities of the Classical period, the Romantic composer was interested in the: | varieties of sonorities resulting from blending new combinations of orchestral sound |
Music with extramusical associations, such as a story or poem or even a landscape, is called ____________. | program music |
The Romantic composer's solution to how to give the listener some means of following music while giving the impression of being free and spontaneous was to cultivate: | songs and short piano pieces called "miniatures" |
As there was an increasing tendency to retain some of the same thematic material throughout a composition, a general principle of __________ was developed by Romantic composers. | thematic unity |
As the lied is mainly accompanied by the piano, the relationship of the pianist to the singer is one of being a ____________ in the total artistic effort. | partner |
When a song is composed with the same music for each stanza of the poem, it is called: | strophic |
Which is true of Schumann's Dichterliebe? | It is a song cycle. |
The composer who founded a magazine to advocate a higher level of music called Die Neue Zeitschrift fur Musik ("The New Music Journal") was: | Schumann |
The counterpart of the vocal miniature called "lied" is the short piano piece called: | the character piece |
"Eusebius" and "Florestan", featured in the Carnaval are two characters who are the alter-egos of: | Schumann |
The composer whose primary musical compositions were for the piano was: | Chopin |
Although Schubert's compositions are still in Classical forms and genres, a ___________ distinguishes his work from Classical composers. | a new emphasis on song |
The concert overture, a work that followed classical models used the ____________form. | sonata |
"Grandiose" compositions by Berlioz are known as ________________, as characteristic of Romanticism as the "miniature." | program symphonies |
The use of a single theme to represent the musician's beloved in Fantastic Symphony by Berlioz was called: | the idee fixe |
The purpose of singing molimo songs is to: | to wake the sleeping spirit |
An important concept that affected nineteenth century opera was: | music as the most profound of the arts |
The serious operas of this composer established the style and form of Italian Romantic opera known as bel canto opera: | Rossini |
The musical presentation of the recitative changes in nineteenth century opera with the: | more active, motivic, expanded sonorities of the orchestra |
What were the two great Shakespearean operas Verdi wrote in his seventies? | Otello, Falstaff |
One of the most frequently performed operas that shows the Romantic fascination with exotic locales is: | Aida |
The opera composer who complained that opera had degenerated into a "concert in Costume" was: | Wagner |
As Wagner developed his ideas and philosophy about opera, he grew to distinguish between his new style of ____________ and ordinary opera. | music drama |
Included in Wagner's anti-Semitic writings was a vicious attack on fellow composer: | Mendelssohn |
Wagner's musical solution to the Romantic concern with thematic unity was his use of the: | leitmotiv |
Of the two major life experiences that inspired Wagner and his music drama, Tristan und Isolde, one was: | his discovery of the Romantic philosopher Arnold Schopenhauer |
The Love-Death motive in Wagner's Prelude to Tristan und Isolde is a prime example of a Romantic theme that derives its character from: | harmony |
In Beijing opera, the orchestra consists of: | woodwinds, strings and percussion |
In France, Italy and parts of Germany, 1848 was a year of failed revolutions, and while Romanticism continued, it lived on as: | nostalgic Romanticism |
While in literature and art nostalgic fantasies were indulged, there was a growing sense of realism in ___________ at the end of the nineteenth century. | opera |
The composer who was instrumental in developing the symphonic tone poem as well as inspiring other composers to this new genre was: | Liszt |
Chaikovsky's approach to following the Shakespearean play Romeo and Juliet was to: | have the interaction and transformation of the themes in the piece tell the story |
For thirteen years Chaikovsky was subsidized by _______________ with commissions and an annuity. | Madame von Meck |
One legacy of Romanticism was the struggle for national independence which was reflected in an effort: | to develop new, genuinely local musical styles |
One of the nationalist composers who actually encouraged Nationalist music in America was: | Dvorak |
The Romantic composer who literally moved to Vienna as he was returning to the Classical forms and genres of Vienna in his work was: | Johannes Brahms |
It was thought that Brahms hesitated to write or publish a symphony until he was forty-three years old because of not wanting to be compared with: | Beethoven |
While Brahms was to return to Classical forms and genres, Mahler responded to Romanticism with _____________ and ____________ of emotion, melody, motive and harmony. | exaggeration, distortion |
Gustave Mahler's compositions are fewer in number than any other composer due, in part, to the fact that: | he only had time to compose during the summer |
The Chinese zither that dates back at least three thousand years is called a: | Qin |