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Beethoven epitomizes the new view toward the artist, no longer the servant-craftsman but an artist who, as a genius:
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One of the teachers who contributed to Beethoven's roots in Classical musical expression was the composer:
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Music History

Chapters 14-18

QuestionAnswer
Beethoven epitomizes the new view toward the artist, no longer the servant-craftsman but an artist who, as a genius: suffers and creates for humanity
One of the teachers who contributed to Beethoven's roots in Classical musical expression was the composer: Haydn
The political event that made an enormous impact in Beethoven's life and the lives of his contemporaries was the: French Revolution
Beethoven's intense mood of urgency and excitement is achieved by: maximizing all musical elements
The genre that Beethoven is especially associated with is the: symphony
When Beethoven suffered a crisis in 1802, he wrote a statement of his ideals and, partly, a not so subtle suicide note named: the Heiligenstadt Testament
One element of Beethoven's writing that is immediately clear is his: drive and rhythmic power
One of the style features of Beethoven's writing that dominates the Symphony #5, I is motivic consistency
The scherzo movement of Beethoven's Fifth Symphony substitutes the traditional _______________ of the Classical Symphony. minuet and trio
in the Development section of Symphony No. 5, first movement, Beethoven plays with our sense of themes through: fragmentation
An unusual event in the recapitulation is the appearance of a: slow oboe cadenza
While Beethoven has certainly transformed the minuet and trio into a statement of his own expression as a Scherzo, he still retains the: form
During the 18th century, literature had always been considered the most important of all the arts. However, after Beethoven, it was seen that music could be: as profound and moving as literature
While striving for an ideal state of being was at the heart of the Romantic movement, the highest artistic goal was: emotional expression
As Romantic literature explored the supernatural, so composers created _____________ and _____________ to contribute to spooky sounding music. strange harmonies, sinister orchestral sounds
One composer from the past who was particularly well-regarded by Romantic period composers was a composer from the 16th century, _____________________. Palestrina
"Domestic" musical genres such as ________________ became established on the concert hall stage during the 19th century. string quartets
To help achieve greater expressiveness, the Romantic performer would use a rhythmic style called rubato, which means _____________, in performance. "robbed time"
Romantic composers were quite committed to writing more expressive melodies, and so to make them sound more spontaneous and sensitive, melodies became more: irregular in rhythm and phraseology
In order to pursue the Romantic ideal of expressiveness, Romantic composers used ______________in both melodies and harmony. chromaticism
Compared to the sharply defined sonorities of the Classical period, the Romantic composer was interested in the: varieties of sonorities resulting from blending new combinations of orchestral sound
Music with extramusical associations, such as a story or poem or even a landscape, is called ____________. program music
The Romantic composer's solution to how to give the listener some means of following music while giving the impression of being free and spontaneous was to cultivate: songs and short piano pieces called "miniatures"
As there was an increasing tendency to retain some of the same thematic material throughout a composition, a general principle of __________ was developed by Romantic composers. thematic unity
As the lied is mainly accompanied by the piano, the relationship of the pianist to the singer is one of being a ____________ in the total artistic effort. partner
When a song is composed with the same music for each stanza of the poem, it is called: strophic
Which is true of Schumann's Dichterliebe? It is a song cycle.
The composer who founded a magazine to advocate a higher level of music called Die Neue Zeitschrift fur Musik ("The New Music Journal") was: Schumann
The counterpart of the vocal miniature called "lied" is the short piano piece called: the character piece
"Eusebius" and "Florestan", featured in the Carnaval are two characters who are the alter-egos of: Schumann
The composer whose primary musical compositions were for the piano was: Chopin
Although Schubert's compositions are still in Classical forms and genres, a ___________ distinguishes his work from Classical composers. a new emphasis on song
The concert overture, a work that followed classical models used the ____________form. sonata
"Grandiose" compositions by Berlioz are known as ________________, as characteristic of Romanticism as the "miniature." program symphonies
The use of a single theme to represent the musician's beloved in Fantastic Symphony by Berlioz was called: the idee fixe
The purpose of singing molimo songs is to: to wake the sleeping spirit
An important concept that affected nineteenth century opera was: music as the most profound of the arts
The serious operas of this composer established the style and form of Italian Romantic opera known as bel canto opera: Rossini
The musical presentation of the recitative changes in nineteenth century opera with the: more active, motivic, expanded sonorities of the orchestra
What were the two great Shakespearean operas Verdi wrote in his seventies? Otello, Falstaff
One of the most frequently performed operas that shows the Romantic fascination with exotic locales is: Aida
The opera composer who complained that opera had degenerated into a "concert in Costume" was: Wagner
As Wagner developed his ideas and philosophy about opera, he grew to distinguish between his new style of ____________ and ordinary opera. music drama
Included in Wagner's anti-Semitic writings was a vicious attack on fellow composer: Mendelssohn
Wagner's musical solution to the Romantic concern with thematic unity was his use of the: leitmotiv
Of the two major life experiences that inspired Wagner and his music drama, Tristan und Isolde, one was: his discovery of the Romantic philosopher Arnold Schopenhauer
The Love-Death motive in Wagner's Prelude to Tristan und Isolde is a prime example of a Romantic theme that derives its character from: harmony
In Beijing opera, the orchestra consists of: woodwinds, strings and percussion
In France, Italy and parts of Germany, 1848 was a year of failed revolutions, and while Romanticism continued, it lived on as: nostalgic Romanticism
While in literature and art nostalgic fantasies were indulged, there was a growing sense of realism in ___________ at the end of the nineteenth century. opera
The composer who was instrumental in developing the symphonic tone poem as well as inspiring other composers to this new genre was: Liszt
Chaikovsky's approach to following the Shakespearean play Romeo and Juliet was to: have the interaction and transformation of the themes in the piece tell the story
For thirteen years Chaikovsky was subsidized by _______________ with commissions and an annuity. Madame von Meck
One legacy of Romanticism was the struggle for national independence which was reflected in an effort: to develop new, genuinely local musical styles
One of the nationalist composers who actually encouraged Nationalist music in America was: Dvorak
The Romantic composer who literally moved to Vienna as he was returning to the Classical forms and genres of Vienna in his work was: Johannes Brahms
It was thought that Brahms hesitated to write or publish a symphony until he was forty-three years old because of not wanting to be compared with: Beethoven
While Brahms was to return to Classical forms and genres, Mahler responded to Romanticism with _____________ and ____________ of emotion, melody, motive and harmony. exaggeration, distortion
Gustave Mahler's compositions are fewer in number than any other composer due, in part, to the fact that: he only had time to compose during the summer
The Chinese zither that dates back at least three thousand years is called a: Qin
Created by: Allierae
 

 



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