DGF Painting Word Scramble
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| Question | Answer |
| An element of design that is two-dimensional and encloses area. | shape |
| A way of telling others about our thoughts, opinions, reactions, and feelings. In art, a way of using visual images to send messages. | communication |
| An element of design that appears three-dimensional and encloses volume. | form |
| Refers to the distinctive and consistent similarities in a group of artorks, either those of an individual artist, group of artists, or those from a particular place or time period. | style |
| The collective name for the binder and solvent. | vehicle |
| A dry, powdered coloring agent used in the manufacture of paints. | pigment |
| An element of design that relates to the lightness and darkness of a color or tone. | value |
| An adhesive used to hold particles of pigment together in paint, and to hold color to the ground. | binder |
| A substance added to pigment in order to increase its bulk or reduce its color intensity. | extender |
| A liquid used to thin paint to a spreadable consistency. | solvent |
| Unity, variety, balance, contrast, emphasis, pattern, proportion, and movement and rhythm form the _?_; guidelines that artists follow when they combine the various elements of design. | principles of design |
| The perceived surface quality in an artwork is referred to as_?_. | implied texture |
| _?_ is a style of painting begun in France about 1875. These works give a quick, true glimpse of the subject, and often show the momentary effects of light on color. | Impressionism |
| The organization of the parts of a composition so that each side of a vertical axis contains similar, but not identical, shapes or forms is called _?_, or informal balance. | asymetrical balance |
| The area of an artwork toward which the eye is directed; the visual focal point of the work. | center of interest |
| A shape that is free-form or irregular is an _?_, or the opposite of geometric. | organic shape |
| Line, shape, form space, color, value, and texture are called _?_, and are considered the building blocks of art. | elements of design |
| The relative size of a figure or object, compared | scale |
| _?_ is a system in which parallel lines recede toward a common vanishing point, creating the illusion of three-dimensional space on a two-dimensional surface. | linear perspective |
| A color that cannot be made by mixing other colors, but can be used to make other colors, is called _?_ color. | primary |
| When a dark value and a light value are placed close together, they create_?_. | value contrast |
| The name of a color, as determined by its position in the spectrum. | hue |
| _?_ describes a color scheme that uses only one hue and its tints or shades. | monochromatic |
| Colors that are closely related, such as blue, blue-green, and green, are called _?_; three or four colors that are adjacent on the color wheel. | analogous |
| The term used broadly to designate a color that is light in value and low in intensity. | tint |
| The term used broadly to designate a color that is dark in value, but may still have a strong intensity. | shade |
| _?_ colors are colors in which red, orange, and yellow predominate. | warm |
| The strength, brightness, or purity of a color is called its _?_, or its chroma | intensity |
| Colors in which green, blue, and violet predominate are called _?_ colors. | cool |
| A full-size plan of the intended image and the colors to be used to create it. | cartoon |
| A mixture of water, powdered pigment, and egg yolk. | egg tempera |
| The cardboard used to mat paintings. | mat board |
| Opposite of a transparent; not allowing light to pass through. | opaque |
| A large wall or ceiling painting, painted directly on the surface or permanently fixed in place. | mural |
| The surface on which paint is kept or mixed during painting. Also the colors with which an artist chooses to work. | palette |
| A method of painting in which pigments suspended in lime water area applied to a thin layer of wet plaster so that the plaster absorbs the color and the painting becomes part of the wall. | fresco |
| A trade name for a building material made from pressed wood, used as a painting surface or a mounting board. | masonite |
| A thin, liquid application of paint is called a _?_. When applied over dry underpainting, it is often called a glaze. | wash |
| _?_ art has no recognizable subject matter. It is also called nonrepresentational art. | nonobjective |
| Brightness is another word for _?_. | luminosity |
| The French word for transparent watercolor. | aquarelle |
| In watercolor painting, the term _?_ means to fill the brush with color. | charge the brush |
| _?_ is the element of design that refers to the tactile and visual quality of a surface. | texture |
| The act of putting water on paper with a brush or sponge before creating a watercolor painting is called _?_. | damping the paper |
| _?_ describes a type of watercolor through which one can see. | transparent |
| Thick paint that is applied with either a brush or knife and stands out from the surface of a painting. | impasto |
| An artwork made with more than one art medium. | mixed media |
| Opposite of transparent; not allowing light to pass through. | opaque |
| A _?_ is an art form that consist of pasting or gluing paper or other materials to a surface. | collage |
| A mixture of finely ground plaster and glue, is often spread on a surface prior to painting. | gesso |
| In _?_ Painting, an artist applies a liquid dye or tint that penetrates the surface of a canvas and imparts a rich color. | stain |
| The sense of wholeness in a ork of art is referred to as _?_. | unity |
| A painting made on three separate surfaces. | triptych |
| A paintbrush with oblong hairs and a long handle. | flat |
| A style of twentieth-century art in which artists combine objects and situations that are normally unrelated. Scenes are often dreamlike or set in unnatural surroundings. | Surrealism |
| A long, pointed brush used to paint fine lines and details. | rigger |
| To place an opaque color over another color and then remove some of the opaque color using a stiff brush or rag, thus revealing the first layer of color and adding texture to the surface. | scumbling |
| A principle of design that refers to strong differences in values, colors, textures, and other elements to create emphasis and interest. | contrast |
| The glue or size (such as gesso) used to prepare a painting surface. | primer |
| The first paint applied to a painting surface, to be overpainted with other colors or glazes. | underpainting |
| Any work of art in which an artist portrays himself or herself. | self-portrait |
| Oil colors in stick form hich do not require fixative. | oil pastels |
| An element of art that is used to define space, contours, and outlines is called _?_. It may be a continuouse mark or implied by the edges of shapes and forms. | line |
| A pencil-shaped stick of tightly rolled paper that is used to blend pastels is a _?_. It is also called a torchon. | stomp |
| This artwork is based on an identifiable subject, but has few or no details. | abstract |
| A substance sprayed over charcoal or pastel draings and paintings to make the pigments stay on the paper. | fixative |
| A customer or _?_, is someone in the art world who pays an artist to create artork. | patron |
| An element of art that is used to define space, contours, and outlines is called _?_. It may be a continuous mark or implied by the edges of shapes and forms. | implied line |
| A small painting, or _?_, is executed with great detail, and can be a portrait, picture, or decorative letter on an illuminated manuscript. | miniature |
| A principle of design by which the artist may use different sizes, shapes, contrasting colors, or other means to place greater attention on certain areas, objects, or feelings in a painting. | emphasis |
| A composition or arrangement of predominantly inanimate objects. | still life |
| Related to nature and plants. | botanical |
| An art movement in which artists create paintings that are so realistic in detail that they look like photographs. | Photo-Realism |
| A _?_ is a contract. or order, for an artwork. | commision |
| An artwork that shows just the outline of objects is called a _?_ drawing. | contour |
| a _?_ is an artwork done quickly and with little detail so as to cature action. | gesture drawing |
| A painting of a person, or a _?_ is usually three-quarter or full length, but also can be a bust. | portrait |
| A principle of design, in which there is a comparative size relationship among several objects or between several parts of a single object or person. | proportion |
| A painting technique in which wax or oil drawing media will resist water, causing watercolors to puddle in blank areas. | resist |
| A small, jointed model of the human figure. | mannequin |
| A representational, or _?_ painting is one that shows a human figure that is more real than abstract. | figurative |
| A _?_ is a painting that uses elements of the city as subject matter. | cityscape |
| Is the position or standpoint from which to observe a subject. | vantage point |
| The art of fine handwriting. | calligraphy |
| Realism that is not influenced by distortion, personal feelings, or romanticism is called _?_, and represents objects and people as they actually look. | naturalism |
| Perspective that has only one vanishing point. | one-point perspective |
| Artists use _?_ to create the illusion of distance by creating distant objects with less clarity of contour and in diminshed color. this method of creating space is also known as aerial perspective. | atmospheric |
| perspective | |
| The type of perspective in which objects are at an angle to the viewer and each have two vanishing points. | two-point perspective |
| A painting that emphasizes the features of the natural environment, such as trees, lakes, or mountains. | landscape |
| Is the element of design that indicates positive and negative areas in a painting and gives the feeling of depth to a to-dimensional work of art. | space |
| _?_ is created when the arrangement of parts in a work of art leads one's eye through the work. | movement |
| Another name for Action Painting. | Expressionism |
| An art movement, in which artworks are made of large, flat areas of color with distinct edges. | Color field |
| _?_ Painting is a nonobjective art movement in which individual feelings and emotions are emphasized, reather than design or formal qualities. | action |
| The term that describes a painting in which the brushstrokes are evident and important. | painterly |
| A principle of design that refers to ways of producting the appearance of movement in an artwork. It may be achieved throgh repetition, alternation, or progression of an art element. | Rhythm |
| An art movement in which works rely on various devices to trick the eye into "seeing" movement, vibration, or illusions of depth. | opart |
| A principle of design in which there is a repetition of elements or combination of elements in a recognizable organization. | pattern |
Created by:
sfenske