Final Exam
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
Help!
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| the Medici | a single family that led Florence as the cultural center of the Renaissance
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| humanism | the belief of the worth and dignity of the individual
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| Filippo Brunelleschi | greatest architect of the Early Renaissance
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| linear perspective | allows the picture plane to function as a window
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| Masaccio | an early renaissance painter that carried the naturalist impulse
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| Botticelli | unconcerned with the representation of deep space
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| Neoplatonism | sought to revive Platonic ideals
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| High Renaissance | focus shifted from Florence to Rome
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| Michaelangelo | painter and sculptor. scultped neoplatonically and revealed the human ideal
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| Da Vinci | a painter and sculptor. Epitome of the Renaissance
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| sfumato | intentional supression of the outline of a figure in a haze
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| Raphael | painter. everything measured and rendered in careful perspective. uses a competing focal point
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| Titian | favored paintings with complex iconography. classified his paintings as poetry
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| mannerism | manner of style. suggesting affection
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| Parmigianino | painter that emphasized perfect figures that have become unreal.
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| Counter Reformation | religious art should be directed toward clarity, realism and emotion
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| Caravaggio | religious painter whose work established the major direction of painting in the Baroque arts
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| tenebroso | light and dark contrast strongly. spotlight effect
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| Bernini | sculptor and architect. fused classicim with drama and emotion
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| Poussin | represents the classicizing and restrained tendency
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| Rubens | painted that combined the styles of the North and South
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| French Academy | defined absolute standards of the art of the period
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| Bach | grand master of Baroque music for voices and instruments
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| fugue | composed of three or four independent parts. one part states a theme that is imitated in succession
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| Enlightenment | European emphasis on the minds power to reason
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| Jaques Louis David | returned to the Poussin mode. liner representation
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| Neoclassical | iconography, objective experience
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| licked surface | brush strokes are virtually invisible
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| Romanticism | countertendency to the neoclassical style.subjective experience
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| Delacroix | painter. loose and physical painting style. explores the internal motions of the body
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| Realism | photographic intensity or replication
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| Courbet | refused to idealize working life. A realist
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| Modernism | important idea of avant garde
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| Manet | realist painter. painterly style
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| Bachanal | classical iconography in which nymphs and satyrs frolic outdoors
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| Wagner | musician. made it express a wide range of experience. Created musical drama.
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| Impressionism | convey a sense of natural light. begins with white canvas
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| Monet | Impressionist painter
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| Renoir | Impressionist painter. painted outdoors. figures are not stiff
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| Debussy | musician. mixed musical tones. suggestive harmonies
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| Post Impressionism | an attempt to improve and extend impressionism. more personal interpretation and expression
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| Cezanne | painter. created tension between the 3D subject and the 2D surface
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| Seurat | painted more intellectually and scientifically
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| Pointillism | mathematical application of paint to canvas
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| Van Gogh | painter that contrasted Seurat
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| Cubism | depiction of objects in reduced geometric form
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| German Expressionism | liberation of color and celebration of sexuality
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| Abstraction | based on the artist's conception of things
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| Matisse | leader of the Fauves. used unnatural colors
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| Picasso | painter. high degree of realism and abstraction. style is primitive
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| Kandinsky | painter. goes for more of a feeling than meaning
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| Stravinsky | most influential composer of modern era
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| The Rite of Spring | most spectacular Stravinsky piece. Ballet score
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| Dada | nonsense word. yes, yes to life. after the impact of war. anti art. embodied imagination and irrationality
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| Duchamp | an important Dadaist.
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| Surrealism | fascination with the realm of dreams
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| De Stijl | represents an affirmative hopeful approach
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| Mondrian | lead painter of De Stijl. nonobjective abstraction
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