Stack #709205
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| show | Accentual meter
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| show | Anapest
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| show | Ballad
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| The most common and well0known meter of unrhymed poetry. Contains five iambic feet per line and is never rhymed | show 🗑
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| show | Conceit
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| show | Couplet
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| Word choice or vocabular. Refers to the class of words that an author decides is appropriate to use in a particular work | show 🗑
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| show | Dimeter
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| show | Dactyl
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| A long narrative poem usually composed in an elevated style tracing the adventures of a legendary or mythic hero. Usually written in a consistent form and meter throughout | show 🗑
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| The running on of the thought from one line, couplet, or stanza to the next without a syntactical breat | show 🗑
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| A very short poem, often comic, usually ending with some sharp turn of wit or meaning | show 🗑
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| A full rhyme in which the sounds following the initial letters of the words are identical in sound, as in follow and hollow, go and slow, disband and this hand | show 🗑
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| show | End rhyme
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| Has a rhyme scheme organized into three quatrains with a final couplet. The poem may turn or shift in mood or tone, between any of the quatrains | show 🗑
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| show | Foot
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| show | Form
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| Describes poetry that organizes its lines without meter. It may be rhymed but it usually is not | show 🗑
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| A verse meter consisting of six metrical feet, or six primary stresses, per line | show 🗑
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| show | Heptameter
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| A Japanese verse form that has three unrhymed lines of five, seven, and five syllables. Often serious and spiritual in tone, relying on imagery, and usually set in one of the four seasons | show 🗑
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| The collective set of images in a poem or other literary work | show 🗑
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| Rhyme that occurs within a line of poetr, as opposed to end rhyme | show 🗑
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| show | Iambic
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| A sonnet with the following rhyme pattern for the first eight line, abba, abba; the final six lines may follow any pattern of rhymes, as long as it does not end in a couplet | show 🗑
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| A short and usually comic verse form of five anapestic lines usually rhyming aabba. The first, second, and fifth lines traditionally have three stressed syllables each; the third and fourth have two stresses each | show 🗑
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| show | Lyric
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| show | Monometer
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| show | Meter
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| An extended speech by a single character. | show 🗑
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| A poem that tells a story. ONe of the four traditional modes pof poetry, along with lyric, dramatic, and didactic; Ballads and epics are two common forms | show 🗑
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| A verse meter consisting of eight metrical feet, or eight primary stresses per line | show 🗑
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| show | Ode
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| A stanza of eight lines | show 🗑
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| A verse meter consisting of five metrical feet, or five primary stresses, per line | show 🗑
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| A stanza consisting of four lines | show 🗑
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| Any recurrent pattern of rhyme within an individual poem or fixed form. | show 🗑
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| show | Sestina
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| A traditional and widely used verse form, especially popular for love poetry. Is a fixed form of 14 lines, traditionally written in iambic pentameter, usually made up of an octave and concluding sestet | show 🗑
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| A rhyme in which the final consonant sounds are the same but the vowel sounds are different, as in letter and litter, bone and bean | show 🗑
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| show | Scansion
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| A verse form in which the poet establishes a pattern of a certain number of syllables to a line. | show 🗑
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| show | Stanza
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| A poem or stanza of six lines. | show 🗑
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| An emphasis or accent placed on a syllable in speech | show 🗑
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| show | Symbol
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| show | Trimeter
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| A verse meter consisting of four metrical feet, or four primary stresses, per line | show 🗑
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| show | Trolet
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| A metrical foot in which a stressed syllable is followed by an unstressed syllable as in the words summer and chorus | show 🗑
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| A group of three lines of verse, usually all ending in the same rhyme | show 🗑
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| A fixed form developed by French courtly poets of the Middle Ages in imitation of Italian fold song. Consists of six rhymed stanzas in which two lines are repeated in a prescribed pattern | show 🗑
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| Refers to any single line of poetry; refers to any composition in lines of more or less regular rhythm | show 🗑
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