Digital Media
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| An audiovisual medium that records images on transparent plastic strips by means of photosensitive chemicals. | Film
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| editing the audio and video raw materials of a production to create a finished program | Postproduction
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| to record film or video; also, an informal term for the production phase of a film or video project | Shoot
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| the range of brightness values in an image, from black to white. | Grey Scale
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| the ability to evaluate the content of visual media through an understanding of the way in which it is recorded and presented | Visual Literacy
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| a group of related scenes, like a chapter in a verbal composition. | Sequence
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| The distribution of TV programs through electrical signals sent through the air | Broadcast
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| The amount of fine detail carried by an image | Resolution
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| To record images and sounds as numerical data, either directly in a camcorder or in the process of importing them to a computer | Digitize
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| The process of actually videotaping the material for a program | Production
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| Video whose images show much finer detail than those of traditional video | High definition video
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| Studio-based, multicamera video that is often produced and transmitted "live" | Television
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| Preparing the content and organizing the shoot, before rod program production actually starts. | Preproduction
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| An imaginary world behind the video screen that looks like the real one but operates by quite different rules. | Video World
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| Recorded and transmitted for display continuously and in real time | Live
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| An audiovisual medium that records on magnetic tape or disk by electronic means; also, single-camera taped program creation in the manner of film production, rather than studio television | Video
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| A single video picture, like a single word in a speech | Frame
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| A group of closely related shots, like a verbal paragraph | Scene
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| An appliance that both captures moving images and stores them on tape | Camcorder
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| A set of coninuous images, comparable to a verbal sentence | Shot
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| The distance between the subject and the edge of the frame toward which the subject is moving. | Lead Room
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| To pivot the camera horizontally on its support | Pan
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| An appliance that both captures moving images and stores them on tape | Camcorder
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| The control that turns the camera on and off | Power switch
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| A condition in which the camera is on and operating ut not recording. | Standby
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| The camera system that ensures the subject is clear and sharp | autofocus
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| The camera system that delivers the correct amount of illumination to the recording mechanism, regardless of the light level of the shooting environment | autoexposure
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| An ad to composition in the form of an imaginary tic tac toe grid superimposed on the image. Important picture components are aligned with the lines and intersections of the grid | Rule of thirds
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| to magnify or reduce the size of a subject by changing the focal lenght of the lens while recording | zoom
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| A setting that is selected automatically unless the user changes it manually | Default
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| The distance between the subject and the edge of the frame toward which the subject is looking. | look room
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| The positions from which the camcorder records shots | Camera Angles
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| Two shots that are edited together that are too similar | Jump Cut
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| A protective cover for a camcorder lens | Lens Cap
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| The control that changes the camcorder from standb to record mode, and back again. | Record Switch
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| A three legged camera support | Tripod
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| he distance between the top of a subject's head and the upper edge of the frame | Head room
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| General sounds in the recording enviorment | background noise
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| The camera system hat neutralizes the color tints of different light sources, such as sunshine and halogen lamps. | white balance
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| to advance a videotape through previously recorded sections o blank tape, in preparation for additional recording | Roll to raw stock
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| The video dimension parallel to the top and bottom of the screen | Height
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| To exclude an object completely from the screen | frame off
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| To move a subject from its original place in a way that is undetectable to the viewer | cheat
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| The four edges that make up the border of the screen. also, a single video image | Frame
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| To ad details that increase the believability of a screen illusion. | sell
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| To feature a subject in a composition | To frame
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| Any effect, trick, or stund in a movie | gag
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| the orientation of on-screen movement with the respect to the left and right edges of the frame. | screen direction
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| A sequence that takes place earlier in the story than the sequence that precedes it | Flashback
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| A eries of events moving forward in a single shot | Serial time flow
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| Repeating the action from the end of the outgoing shot at the start of the incoming shot to lenghten the screen time of the scene. | Overlapping action
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| an edit in which the audio and video of the new shot do not begin simultaneously | Split edit
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| A video time speed, within a shot, that is faster than that of the real world | Fast motion
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| Two of series of events moving forward in separate sequences, presented alternately in parts by cross cutting | parallel time flow
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| Showing two actions at once by alternating back and forth between them, presenting part of one, then part of the other then back to the first and so on | cross cutting
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| a split edit in which the sound from the new shot begins over the end of the preceding one. | audio leads
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| The video dimension parallel to the top and bottom of the screen | Height
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| To exclude an object completely from the screen | frame off
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| To move a subject from its original place in a way that is undetectable to the viewer | cheat
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| The four edges that make up the border of the screen. also, a single video image | Frame
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| To ad details that increase the believability of a screen illusion. | sell
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| To feature a subject in a composition | To frame
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| Any effect, trick, or stund in a movie | gag
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| the orientation of on-screen movement with the respect to the left and right edges of the frame. | screen direction
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| A sequence that takes place earlier in the story than the sequence that precedes it | Flashback
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| A eries of events moving forward in a single shot | Serial time flow
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| Repeating the action from the end of the outgoing shot at the start of the incoming shot to lenghten the screen time of the scene. | Overlapping action
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| an edit in which the audio and video of the new shot do not begin simultaneously | Split edit
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| A video time speed, within a shot, that is faster than that of the real world | Fast motion
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| Two of series of events moving forward in separate sequences, presented alternately in parts by cross cutting | parallel time flow
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| Showing two actions at once by alternating back and forth between them, presenting part of one, then part of the other then back to the first and so on | cross cutting
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| a split edit in which the sound from the new shot begins over the end of the preceding one. | audio leads
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| Lines on the picture plan that emphasize an element by pointing to it | Leading Lines
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| The simulation of depth in a two-dimensional image. | Perspective
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| Arranging objects clearly in an image | Order (in composition)
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| A method of composiont that divides the image in halves | vertical position
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| Eliminaing unnecessary objects | Simplicity
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| Distributing objects to create equal visual "weight" in different parts of the image | Balance
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| Diagonal lines in a composition that enhance its apparent depth | Receding lines
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| The components of an image | Pictorial elements
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| A balanced composition in which the pictorial elements are distribued informally in the image. | Asymmetrical Balance
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| Enhancing apparent depth by placing some pictorial elements in front of others | Overlap
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| Using compositional techniques to direct the viewer's attention | Leading the eye
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| A form of perspective based on the height of an element on the picture plane. | Vertical position
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| he parot of the image that appears sharp and clear; also, generally, e object of a viewer's attention | Focus
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| The surface on which an image is displayed | Picture plane
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| Identifying and understanding the elements in a composition | Decoding
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| The purpoeful arrangement of elemens in an image | Composition
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| The process of calling attention to a pictorial element | Emphasis
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| The difference between one pictorial element and others; also, the ratio of the brightest part of an image to the darkest | Contrast
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| The position of a pictorial element on a scale from black to white. | Brightness
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| Composing an image by placing important elements one-third of the way from the top, bottom, and/or sides of the frame | Rule of thirds
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Created by:
cjcapraro