Stack #47420
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| _______ is one of the most noticeable art elemens. | color
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| Of all the visual elements, ______ is the most expressive. | color
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| color is more _______; line is more_____ | emotional; thinking
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| the means of making visible the lines and shapes in a work of art and is used by architects and artists to acheive emotional qualities in their work | color
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| the color itself | hue
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| the lightness and darkness of a color | value
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| the purity or brilliance of a color | intensity
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| the relative darkness or lightness of a color | value
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| can project moods with its darkness ( sad, brooding, heavy) and its lightness ( happy, airy, excitement) | value
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| red, yellow, and blue; these colors cannot be made from any other color | primary colors
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| orange, green, violet; these are created by mixing equal amounts of 2 primary colors | secondary colors
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| black, white, grey, tan, and brown; these are considered neutral hues and are not in the color spectrum | neutrals
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| using one color only with its tints, shades, and tones | monochromatic color
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| using 2 colors that are directly opposite each other on the color wheel | Complementary color
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| Color sensations are a result of 2 things: | 1. what is color physically? 2. What is it to the brain? 3. What is it to the eye?
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| Colors on the red side of the specturm are ______. | warm and stimulating
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| Colors on the blue-green end of the specturm are ______. | cool and relaxing
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| Warm colors are also called_________. | advancing colors
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| Cool colors are also call ___________. | receding colors
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| Art is usually concerned with ________ light effects rather than_____ light. | reflecting; radiant
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| _________ is sometimes indicated by golden rays, and at other times by a halo or aura | Divine Light
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| A _______ may be depicted as the sorce of light in a dark interior or night scene | light or torch
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| The most common methof of painting light is not to show radiant light directly, but to suggest its presence through a change in the value or ________. | reflected light
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| sharp contrast in light; Italian, litterally meaning "light/dark" | chiaroscuro
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| Light can also be implied through _________. | color
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| the area in which an artist creates a work of art; the area surrounding shape | Space
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| Space in a painting can be divided into 3 parts: | foreground, middleground, background
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| Division of space adds _______ to the composition. | depth
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| the combination of elements in a painting or other work of art so that they seem satisfactory to the artist | composition
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| Characteristics of space: | open, closed, deep, shallow, narrow, wide, large
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| the area of the surface that is occupied by definate forms or shapes, usually the subject of study | positive space
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| the area of the surface that is empty or unoccupied by a definate form or definate shapes, usually referred to as the background of the study | negative space
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| 2 types of space: | postive and negative
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| evolves from shape with the addition of 3rd dimension: depth | form
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| it is this element that moves an expression into art and out of the realm of design | form
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| used to create the illusion of depth on a flat surface | form
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| Ways to create form: | line( used in perspective) , colors ( used in contrast), contrasting textures, overlapping and contrasting sizes of shapes
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Created by:
ElizabethI
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