Mus Ch. 11
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| Secular song introduced in Italy that became popular in England as well. | Madrigal
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| Madrigal has ___________ texture and expressive mood. | Polyphonic
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| Madrigals are written in the _________ | Vernacular
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| Plucked string instrument that was the most w widely used instrument in the 16th century | Lute
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| Most. popular bowed string instrument. of the Renaissance | Viol
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| Keyboard instrument capable of producing subtle changes of volume and even a slight vibrato | Clavichord
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| Rapid variation of pitch lending warmth to the tone of a voice or instrument | Vibrato
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| End-blown wind instrument, sometimes called a whistle flute | Recorder
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| The recorder was developed in the Middle Ages and was very popular in the: | Renaissance
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| Ensemble of several members of the same instrument family | Consort
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| This type of music, both string and instrument became increasingly appreciated though the Renaissance. | Secular
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| During the Renaissance, Secular music became more popular, but __________ music remained predominant. | Religious
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| The madrigal is a _________ piece similar in form and texture to the Renaissance ______. | Voice; Motet
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| The Madrigal was created by the ________, but became popular in _________. | Italians; England
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| In England, the Madrigal had a _________, more frivolous character. | Lighter, whimsical, less emotional,
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| Male and Female Renaissance musicians played a wide variety of ___________ either to accompany singers by doubling voice lines or in solo or ensemble performances | Instruments
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| _________ also sang in religious, professional, and amateur ensembles. | Women
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| The increasingly subjective and dramatic qualities of secular music, especially the madrigal, foretold the approach of new ________ _________ as the 17th century drew near. | Artistic Style
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Created by:
scarangelo