Principles of hair design
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| Texture creates the shape, design, and movement of a hairstyle. | False
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| An example of the use of single lines is the one-length hairstyle. | True
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| To measure symmetry, you should divide the face into four equal parts. | True
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| Which of the following is NOT one of the five basic elements of three-dimensional hair design? a. form c. space b. line d. creativity | Creativity
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| The element of hair design that defines form and space is: | Line
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| Lines a constant distance apart in the same direction that are used to create width in a hair design are: | Horizontal Lines
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| Wavy, medium hair offers the most versatility in styling. | True
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| Zigzag partings are used to create the illusion of width or height in a hairstyle. | False
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| Which of the following is NOT one of the five basic elements of three-dimensional hair design? | creativity
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| The element of hair design that defines form and space is: | Line
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| Lines a constant distance apart in the same direction that are used to create width in a hair design are: | horizontal lines
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| The type of line used to make a hairstyle appear longer and narrower is a(n): | vertical line
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| Curved lines repeating in opposite directions create a(n): | wave
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| Contrasting lines are horizontal and vertical lines that create a hard edge and form a: | 90-degree angle
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| Curved lines that are used to blend and soften horizontal or vertical lines are: | transitional lines
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| Another name for the form or mass of a hairstyle is: | volume
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| The part of the overall design that the client will respond to first is the: | silhouette
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| The area surrounding the form or the area the hairstyle occupies is: | Space
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| The wave pattern used to accentuate the face and narrow a round head shape should be: | smooth
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| The element used to define texture and line and tie design elements together is: | Color
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| To draw a line in a hairstyle in the direction you want the eye to travel, use a: | light color
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| A single line of color, or a series of repeated lines, creates a: | bold, dramatic accent
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| The comparative relationship of one thing to another in hair design is called: | proportion
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| Establishing equal or appropriate proportions to create symmetry in a design is called: | balance
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| The hair design where both sides of a hairstyle form a mirror image of each other is said to have: | symmetrical balance
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| The regular pulsation or recurrent pattern of movement in a design is the: | rhythm
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| The principle of hair design that holds all the elements of design together is: | harmony
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| The two defining characteristics of hair type are: | wave patterns and hair texture
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| A client’s facial shape is determined by the position and prominence of the: | facial bones
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| The facial shape that is one and a half times longer than its width across the brow is the: | oval face
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| The styling choice for a client with a round facial type would be a style that has: | volume on top and closeness or no volume at sides
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| To offset or round out the square facial type, choose a style that has: | volume around areas between the temples and jaw and adds width around ears
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| The outline of the face, head, and figure seen in a side view is the: | Profile
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| The profile that is considered to be ideal is the: | straight profile
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| Lighter highlights may be used at the temples to create the illusion of: | width
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| A curved part is used for a high forehead or: | receding hairline
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| Positioned between horizontal and vertical lines, often used to emphasize or minimize facial features | Diagonal lines
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| Lines moving in a circular or semi-circular direction, used to soften a design | Curved lines
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| Lines with a definite forward or backward movement | Directional lines
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| Refers to wave patterns that must be taken into consideration when designing a style for a client | Design texture
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| Established when an imaginary line is drawn through the center of the face and the two resulting halves of a hairstyle have an equal visual weight, but are positioned unevenly | Asymmetrical balance
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| Also known as focus, in a design is what draws the eye first, before it travels to the rest of the design | Emphasis
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| Face with a receding forehead and chin | Convex profile
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| Face with a prominent forehead and chin, with other features receded inward | Concave profile
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| The triangular section that begins at the apex, or high point of the head, and ends at the front corners | Fringe area
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