vocab
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
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| continuity editing | keeps audience in perspective during a scene
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| screen direction | where everyone is located on screen and where they are moving
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| shot-reversed-shot | shows two separate characters communicating even if one is shown (phone convo)
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| eyeline-match | when a character looks offscreen, the next shot is assumed to be what they are looking at
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| match on action | following the characters as they move from location to location
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| non-diegetic sound | sound that a character cannot hear
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| diegetic sound | sound that a character can hear
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| profilmic event | what is happening on the screen at the time
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| canted framing | horizontal angles appear to be tilted to indicated that something is "out of whack"
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| focal length | setting on a lens that control the ability to see perception. i. short focus - wide angle - fishbowl angle. ii. middle focus - regular angle - avoid distortion. iii. long focus - narrow angle - magnify long distances.
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| shot duration | amount of film that fits into a camera's single shot.
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| process composite shot | special effects used to lay multiple images into a shot
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| super imposition | layering a single strip of film multiple times
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| matte shots | combining multiple images into a single shot
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| graphic match | use color from one scene to enter another
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| Kuleshov Effect | you see a building from outside, then assume everything after is done inside
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| cross cutting | movement back and forth between two different areas. where action is taking place.
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| shot | fundamental units of film
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| edits | joins individual shots together
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| sequences | a series of shots united in time and space
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| dissolve | edit that joins to shots
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| screen duration | cutting out and rearranging scenes as they unfold in time.
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| mise-en-sceeene | "put into the scene", meaning everything on screen. (the attitude of "feel" of the film itself)
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| frame | bound axes of the images show to you
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| props | details that help amplify the mood and define setting
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| Chiaroscuro | bold contrasts between light and dark lighting
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| figure behavior | activities performed by actors that define the film (how actors act)
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| DECONSTRUCTION | films contradict themselves. not everything is clear and spelled out. nothing is complete meaning black/white vs good/evil.
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| FEMINIST CRITIQUE | world is portrayed through men's eyes. women are given sterotypes.
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| READER RESPONSE | different readers will interpret texts differently based on their culture, gender, age, etc.
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| STRUCTURALISM | everything is part of a system of signs and symbols
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| MARXIST | texts are a representation of social structure and society. texts tell us about culture and the history of the time period
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| FORMALISM | looking at the text as an individual form, comparing elements
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