WHY, USAD, WHY?!
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each of the black spaces below before clicking
on it to display the answer.
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| Was educated at Salamanca University. | Lazaro del Alamo
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| The “most prolific composer of masses in Mexican history” (Woop de do for him) | Francisco Lopez Capillas
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| The first native of Mexico City to become chapel master there. | Francisco Lopez Capillas
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| Popularized Italian music in Peru. | Roque Ceruti
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| Inept maestro replaced by Ignacio Jerusalem. | Domingo Dutra
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| Founded a music press and conservatory | Jose Mariano Elizaga
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| Imperial maestro for the newly independent Mexico | Jose Mariano Elizaga
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| Notable for playing the organ and piano. | Jose Mariano Elizaga
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| Puerto Rico’s most important 19th-century composer. | Felipe Gutierrez Espinosa
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| Briefly dismissed for using inappropriate funeral music. | Gaspar Fernandes
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| Wrote the character villancico “Tleycantimo choquiliya” | Gaspar Fernandes
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| Hired Juan Gutierrez de Padilla as an assistant due to health problems. | Gaspar Fernandes
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| Wrote a “Salve Regina” | Hernando Franco
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| Considered the first great Brazilian musician. | Padre Jose Mauricio Nunes Garcia
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| Preserved 16 of Franco’s magnificats in the Franco Codex. | Juan Hernandez
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| Music under his tenure declined so much that he had to be replaced by Mata. | Juan Hernandez
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| Wrote the canonic Magnificat quarti toni for four voices. | Gutierre Fernandez Hidalgo
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| Wrote “Kyrie” from Mass in D Major. | Ignacio Jerusalem
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| Instituted many reforms in church music which at first were resisted, but then appreciated. | Ignacio Jerusalem
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| Known for his challenging arias. | Ignacio Jerusalem
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| Suspected by the Spanish Inquisition for his support of the French Republic. | Antonio Juanas
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| He wrote two motets which were unusual for their triple meter. | Jose Loaysa y Agurto
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| Replaced Juan Hernandez and restored musical quality. | Antonio Rodriguez Mata
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| Wrote the first music manuscript by a Brazilian composer, Recitativo e Aria. | Caetano de Mello Jesus
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| Known for his serious organ skillz | Jose de Orejon y Aparicio
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| Dismissed for unknown reasons (sounds shady…) | Juan Gutierrez de Padilla
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| Operated a shop that made and sold instruments | Juan Gutierrez de Padilla
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| Was Maestro at Santiago for over 40 years. | Juan Paris
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| King Joao VI’s favorite composer. | Marcos Antonio Portugal
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| Known for his serious harpsichord skillz. | Matheo Tollis de la Roca
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| His works marked a transition between Baroque and Classical. | Esteban Salas y Castro
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| Taught music to Sor Juana and used her poems in his works. | Antonio de Salazar
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| Wrote the first surviving opera from the New World, La purpura de la rosa | Tomas de Torrejon y Velasco
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| Composed a Lamentation in 24 hours as part of his maestro competition. | Matheo Vallados
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| Dismissed after his satire of the viceroy’s new tax policy. | Juan de Victoria
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| The first mestizo maestro at the Mexico City Cathedral. | Manuel de Zumaya
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| Composed Sol-fa de Pedro as part of his maestro examinations. | Manuel de Zumaya
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| Wrote Partenope, the first opera by a New World native. | Manuel de Zumaya
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