WGU-Visual elements, 2-D Art, 3-D Art
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| Line | Continuous marking made by a moving point on a surface; basic building block of visual design
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| Form | Comprises the shape of an object within the composition
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| Color | Property of reflecting light of a particular wavelength
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| Hue | Specific color with a measurable wavelength
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| Value | Relationship of blacks to whites and grays (lighter or whiter a color, higher its value- darker a color, lower its value)
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| Intensity | Comprises the degree of purity of a hue
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| Space | A hollow volume available for occupation by shapes
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| Texture | The surface "feel" of a materiel- may be illusory
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| Rhythm (Repetition) | Ordered recurrence of elements in a composition
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| Harmony (Repetition) | Components that appear to join naturally and comfortably
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| Variation (Repetition) | Relationship of repeated items to each other
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| Symmetry | Balancing of like forms, mass, & colors on opposite sides of vertical axis
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| Asymmetrical | Results from careful placement of unlike items
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| Unity | All elements of composition work together toward meaning
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| Focal Area | Areas of greatest visual appeal
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| Primary Colors | Red, blue, yellow
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| Secondary Colors | Purple, orange, green
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| Tertiary Colors | Red-purple, orange-red, yellow-orange, yellow-green, blue-green, blue purple
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| Complementary Colors | Colors that lie opposite each other on the color wheel
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| Drawing | Creation by hand of artistic images, forms, or shapes
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| Dry Media | Chalk, charcoal, pastel, graphite
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| Liquid Media | Pen & ink, wash & brush
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| Painting | Creating work of art using paint
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| Painting Media | Oil, acrylic, fresco, watercolor, tempera, gouache,
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| Printmaking | Process of making artworks by transferring an inked image to another surface
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| Printmaking Media | Intaglio, engraving, etching, drypoint, aquatint, planographic process, lithography, silkscreen, relief printing, woodcut, linoleum cut print, monotype
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| Axis line | Imaginary line that helps determine the basic visual direction of a painting
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| Perspective | Key device used by painters to create illusion of depth & distance
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| Linear Perspective | Illusion of depth based on the fact that parallel lines or edges appear to converge & objects appear smaller as the distance between them & a viewer increases
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| Atmospheric Perspective | Illusion of distance by reducing color saturation, value content, & detail in order to imply the natural haziness between the viewer & distance objects
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| One-Point Perspective | All basic lines of a work converge toward a single vanishing point; used when one face of object is parallel to front of picture plane
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| Two-Point Perspective | Two vanishing points; planes of the object are not parallel in relation to picture plane
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| Chiaroscuro | Creates the illusion of depth through gradations of light & shade
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| Dynamic | Stimulation of sensations by using certain conventional devices
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| Movement | Refers to the way a painting controls the movement & pace of our vision
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| Trompe l'oeil | (Fool the eye) is 2-D are that is so naturalistic that it appears to have depth & distance
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| Subtraction | Sculptor carves or cuts away unwanted material to create the work
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| Addition | Sculptor adds or combines material by hand (built sculpture)
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| Substitution | Sculptor molds or casts an artwork
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| Manipulation | Sculptor shapes the material by hand (molding clay or other materials)
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| Full Round Sculpture | Sculpture employs three-dimensions & meant to be viewed from any & all angles; no background
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| Relief Sculpture | Sculpture employing three-dimensions attached to a background & meant to be seen from one side
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| Sunken Relief | Image is carved into the stone or material, creating in effect a negative
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| Low Relief | Projects slightly from its background plane; depth dimension is very limited
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| Linear Sculpture | Sculpture employing 2-D materials; use of lines
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| Earth-Rooted | Where a structure's site, gravity, materials, & shape to convey a strong sense of earth connection
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| Sky-Rooted | Skyscrapers & building that reach up out of the earth to bring our awareness to the sky, and away from the earth; buildings & structures that seemingly defy gravity
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| Earth-Resting | Buildings that balance or harmonize the relationship between sky & earth
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| Earth-Dominating | Certain palaces & buildings that seem to dominate or stand over the earth, dominating it with a sense of power, gravity, weight, and presence
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| Scale | Size or apparent size of an object seen in relation to other objects, people, or its enviroment
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| Proportion | Relative relationship of shapes or forms to one another
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| Arch | Curved masonry structure capable of spanning a space while supporting significant weight
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| Dome | Common structural element of architecture resembling the hollow upper half of a sphere
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| Cantilever | Projecting beam or bracket stabilized by the weight of the wall from which it extends (balcony)
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| Spatial Relationship | Distance between objects on stage; one body in relation to another, to group, or to the architecture
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| Space (Landscape Architecture) | Basic medium of landscape design; can take form from arrangement of living walls
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| Intent (Landscape Architecture) | Character refers to the intent of the designer to create a harmonious & unified landscape
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| Sequence (Landscape Architecture) | Involves movement through space & movement from space to space
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| The Floor (Landscape Architecture) | Contains the walks or roads that define movement, & linear qualities form backbone of spatial function
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| Tensile Strength | Resistance of a material; measured as the maximum tension the material can withstand without tearing
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| Sensory Strength | Space around a sculpture is sensory rather than empty; it is felt
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| Ephemeral | Lasting for markedly brief time
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| Elements Of 3-D Art | Line, form, color, space, & texture
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| Focal Point | Center, or most important area to keep spectator interested
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| High-Relief Sculpture | Forms stand out from the background
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| Three-Point Perspective | Starts out like a two-point; two widely spaced vanishing points on a horizontal line with a vertical line added
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lpedro
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