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Rhetorical Terms 2~~
| Question | Answer |
|---|---|
| Allusion | reference to a well-known person, place or thing from literature, history, etc. |
| Analogy | Comparison of two similar but different things, usually to clarify an action or a relationship |
| Colloquialism | word or phrase (including slang) used in everyday conversation and informal writing but that is often inappropriate in formal writing |
| Connotation | implied or suggest meaning of a word because of its association in the reader's mind |
| Denotation | literal meaning of a word as defined |
| Dissonance | harsh or grating sounds that do not go together |
| Generalization | When a writer bases a claim upon an isolate example or asserts that a claim is certain rather than probable. Occurs when a writer asserts that a claim appeals to all instances instead of one |
| Inversion | reversing the customary order of elements in a sentence or phrase. Used effectively in many cases such as posing a question. "Are you going to the store?" Usually the element that appears first is emphasized more than the subject. |
| Logical fallacy | a mistake in reasoning |
| motif | main theme or subject of a work that is elaborated on in the development of the piece; a repeated pattern or idea |
| Negative-positive | sentence that begins by stating what is NOT true then ending it by stating what is true |
| Non-sequitur | "It does not follow." When one statement isn't logically connected with another |
| Pedantic | term used to describe writing that borders on lecturing. It is scholarly and academis and often difficult and distant |
| first person narrator | a narrator, referred to as “I,” who is a character in the story and relates the actions through his or her own perspective, also revealing his or her own thoughts. |
| Stream of consciousness | like a first person narrator, but instead placing the reader inside the character’s head, making the reader privy to to the continuous, chaotic flow of disconnected, half-formed thoughts and impressions in the character’s mind. |
| Omniscient | third person narrator, referred to as "he," "she," or "they" who is able to see into each character's mind and understands all the action |
| Limited omniscient | third person narrator who reports on the thoughts of only one character and generally only what that one character only sees |
| Objective | third person narrator who only reports what would be visible to a camera; thoughts and feelings are only revealed if a character speaks of them |
| Syntactic permutation | Sentence structures that are extraordinarily complex and involved. They are often difficult for a reader to follow. |
| Syntax | grammatical structure of a sentence; the arrangement of words in a sentence. Includes the length of sentence, kinds of sentences (questions, exclamations, declarative, sentences, rhetorical questions, simple, complex, or compound. |
| ad homineum | An attack on the person rather than on the opponent's ideas |