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Modern Art Final
Question | Answer |
---|---|
Works which blur the boundaries between media and may consist of more than one medium | multimedia |
Dating of art objects and buildings | chronology |
The least reliable way historians identify and date an artwork | stylistic evidence |
An expert who attribute work to an artist based on style | connoisseur |
Variations in style tied to geography | regional style |
Tracing the place of origin of an artwork. | provenance |
The characteristic artistic manner or style of a person or a school at a specific time | period style |
Depiction of the subject of daily life in art. | genre |
A word which can mean the content of a work of art, or the general study of content in art, or the study of symbols in art work. | iconography |
Standardized symbols by which, after long use, content can be identified, such as the lion representing St. Mark or a lily representing virginity. | attributes |
Standardized symbols by which, after long use, abstract idea are codified in bodily form, such as a robed woman with a torch representing liberty, or a skeleton with a scythe representing death. | personification |
A group of artists working in the same style at the same time and place. | school |
Those who commission and pay for, or buy outright, the works of artists. | patrons |
A general term for the visual analysis and description of artistic form | formal analysis |
The result of an artist organizing or composting form to make an artwork. | composition |
System of “correctness” or idealization of the perfect representatives for art at a specific period and location. | canon |
Sculptures that projects from a background, but remain part of it. | relief |
Drawn view of a building showing an exterior and an interior wall at the same time | cutaway |
Drawn view of a building looking at the floor arrangement | plan |
The nature of an art historian’s job where he/she uses methodologies developed in other fields to identify and describe art works. | interdisciplinary |
The decoration of grotto interiors using small stones and shells | rocaille |
Town houses of rich Parisians during the 18th cen? | hotels |
Educated and intelligent women who hosted salons for learned conversation between men and women | femmes savants |
A painting of a party or gathering often referring to amorous affairs; e.g. Cupids flying around in the painting | fete galante |
A group who believed that drawing and form were the most important elements in a painting | Poussinistes |
A goup who believed that color and coloristic style were the most important elements in a painting. | Rubenistes |
A sculpto called Clodion | Claude Michel |
King Louis XV’s mistress who notably influenced fashion and style | Madame de Pompadour |
Pilgrimage church baded on a dynamic interplay of ovals and circles | Vierzehnheiligen |
A Rococo artist from Italy | Giambattista Tiepolo |
Philosophy whose basis was in empirical evidence | Enlightenment |
Englishman whose ideas dealt with the natural rights of man --life, liberty, and property and freedom of conscience. | John Locke |
French intellectuals whose composite doctrines were the doctrine of progress and the perfectibility of humankind. | philosophes |
editor of the Encyclopedie in which he tried to gather all useful knowledge in one place | Diderot |
He edited a specialized encyclopedia of the natural sciences called Natural History | Comte de Buffon |
Inventor of the system of plant classification | Carolus Linnaeus |
The ideological justification for colonial expansion into new terrirories | Manifest Destiny |
The old order of French kings and state religion which Voltairs’s writings and actions helped to brush away. | ancien regim |
A world-wide phenomena of change from an agriculture subsistence society to an urban production one, starting with the invention of steam power. | Industrial Revolution |
A French philosophe who argued that the idea of progress was what corrupted man, and that he was better off closer to his primal or primitive state. | Jean-Jacques Rousseau |
The movement built on an appreciation of ancient Greece and Rome | Neoclassicism |
The first modern Art Historian | Johann Wickelmann |
French sculptor of Grand Manner George Washington | Jean-Antoine Houdon |
Author of four books of Architecture which was to have the most influence on Neoclassical architecture in the US. | Robert Adam |
A bundle of rods with an ax attached-the ancient Roman emblem of authority. | fasces |
Under what style would a room interior have softened architectural line, sinuous curves, and walls that melt into the vault? | Rococo |
The Rococo style was preeminently evident in what? | small works. |
What is the name of specific style of Rococo painting that depicted the outdoor amusements and entertainments of the upper classes? | fete galante |
The Return from Cythera represents a group of lovers preparing to depart from the island of eternal youth. Watteau captured the elegance and grace using what? | color |
Which work functions as an “alterpiece” for the new civic religion of inspiring the viewer with the martyr’s dedication to service? | Death of Marat |
What Roman ruins provided the inspiration for the portico of the Pantheon in Paris (Ste-Genevieve) designed by Soufflot? | Baalbek, Syria. |
How did historical fact replace the fanciful notions of Rome and its ancient society? | the discovery and excavations of Herculaneum and Pompeii |
Neoclassicism invoked classical references of patriotism and trust in unshakable authority serving imperial agendas. Which leader embraced these aspects of Neoclassicism? | Napoleon |
Which architect was the most influential in Thomas Jefferson’s re-design of Monticello? | Palladio and Robert Adam |
The Age of Enlightenment had its roots in what century? | 17th |
Which 18th century philosophers stressed the importance of the natural goodness of human beings? | Jean-Jacques Rousseau |
The influences of Vitruvius, Palladio and Inigo Jones are most apparent in what? | Chiswick House |
The artist who best spoke for the French Revolution was who? | Jacques-Louis David |
The dominant architectural style in the 18th century was? | Palladian Classicism |
The Rococo style is characterized by _____? | delicate colors and painterly brushstrokes |
The Amalienburg Hall of Mirrors demonstrates the common Rococo features of _____? | delicate rhythmic decoration, bombe, or outward bowing of the central bay, and diminutive scale. |
The major patrons of French Rococo paint and sculpture were ____? | the aristocracy |
What is lease characteristic of the so-called Pompeian style? | profuse curvilinear decorative elements |
The phrase “poet of the commonplace” could best be applied to ______? | Chardin |
The artist who portrayed contemporaries who participated in the great evens of the latter half of the 18th cen was? | Reynolds |
The so-called Rubenists of the Royal Academy, as opposed the the Poussinists, held that ______. | color is supreme, and coloristic style in the proper guide for the artist. |
The Rococo style is considered to be a delicate variant of _____. | Late Baroque Style |
It is generally agreed that the Rococo style originated in ________. | France |
The style most closely associated with democratic ideals, imperial ambitions, and virtue was _________. | Neoclassicism |
What is “Grand Manner” portraiture? | the person is dressed up in his fanciest clothes. And he/she is posed as if talking to servants/subjects. |
Who was Pauline Borghese? | Napoleon’s sister |
How does the Cornation of Napoleon represent the Neoclassical style? | The grand scale of the painting. The clothes being worn. |
What type of subject manner did “veduta” painting portray? | scenic view; Italian |
How does Elisabeth Vigee-Leburn represent eighteenth-century portraiture? | The details of her hair, background. The lace around her neck and hands. |
What typle of lighting was preferrd by Joseph Wright of Derby? | a central light that lit only a few things in the painting. Like in A Philosopher Giving A Lecture At the Orrery. |
Who was Johann Winklemann, and what was his importance in the history of art? | He was the first art historian. He wrote books on Roman and Greek art. |
What was the political meaning attributed to David’s Oath of Horatii? | To get up and fight. You country depends on you. |
List three Rococo painters. | Antione Watteau, Jean-Honore Fragrod, Francois Boucher |
List a Rococo sculptor. | Claudio. |
What was the main use of David’s Death of Marat--propaganda or reverence? | Propanganda |
Name an Italian painter of veduta’s for Grand Tourists who visited Venice. | Canaletto |
Name the English artist who was famous for his satirical scense of social criticism. | William Hogarth |
Name the eighttheenth-century French artist who specialized in portraiture. | Elisabeth Louise Vigee Leburn |
“temple of glory” for Napoleon’s imperial armies. | La Madeleine |
Napoleon’s favorite sculptor. | Antonio Canova |
Napoleon’s sister | Pauline Borghese |
French artist who depicted Native Americans in Louisiana. | Anne-Louis Girodet-Trioson |
Women in a Turkish harem. | odalisque |
A Medieval demon believed to prey on sleeping women. | incubus |
A spirit from Northern European mythology that was thought to torment and suffocate sleepers. | Mara |
Awe mixed with terror | sublime |
Author of the novel Frankenstein | Mary Shelley |
Delacroix’s travel destination for exotic subjects | Morocco |
A word to describe an inspiring landscape that is worthy to be painted. | picturesque |
An artist whose avocation was meterology. | John Constable |
Painter of the Slave Ship | JMW Turner |
Group of likeminded landscapists who painted in river valley of NY an elsewhere in the US. | Hudson River School |
American painter of the Romantic sublime landscape who worked in the US, as well as South America, the Middle East, Newfoundland, and other exotic places. | Frederic Church |
Search for knowledge based on observation and direct experience. | empiricism |
The western philosophy which promoted science and empiricism. | positivism |
Painting style based on what one could observe in the present rather than on history or fictional subjects. | Realism |
First modern artist ever to stage a private exhibition of his own work. | Courbet |
Group of painters who moved near the forest of Fontainebleau and painted the poor peasants nearyby. | Barbizon School |
“Stone writing.” | lithography |
French Republican newspaper that published political cartoons | Caricature |
A 19th century utopian socialist movement that championed the education and enfranchisement of women. | Saint Simonianism |
Common “professional” name for 19th century prostitutes. | Olympia |
Mythical Greek man with goat’s hindquarters and horns, a horse’s ears and tail and a man’s upper body. | Satyr. |
A group of artists who used fictional, historican and fanciful subjects with convincing illusion. | Pre-Raphaelites |
Art critic, artist and writer of late 19th century. | John Ruskin |
Well-known Pre-Raphaelite painter and poet. | Dante Gabriel Rosetti |
An architectural style which looked back to England’s late Middle Ages. | Neo-Gothic |
A word meaning late English Gothic style in general | Tudor |
Architect for the “Indian Gothic” Royal Pavilion at Brighton, England. | John Nash |
An architectural style that uused symmetry in design, but grand Baroque ornamentation. | Beau Arts |
Inventor of calotype photography | William Fox Talbot |
A device used by artist to transfer images by means of a mountain prism. | Camera lucida |
A device used to quickly project still pictures so they appear to be motion pictures. | zoopraxiscope |
A con of the Indus Rev: cheaply made & poorly designed goods flooding markets. Pugin: essential to return to honest & quality craftsmanship of past reflected moral purity & spiritual authenticity. What would he deem honest & quality artisanship? | English Late Gothic |
Juila Margaret Cameron used a focal length lens that allowed only a small area of sharp focus. What kind of effect would a lens like this produce? | Ethereal, dreamlike images. |
Pugin said, “All Grecian, Sir. Tudor details on a classical body.” To which building is Pugin referring? | Houses of Parliament, London |
Gericault’s Raft of Medusa represents which of the following? | the aftermath of a 19th century French shipwreck and was considered an attack on government ineptitude. |
La Madeleine in Paris was intended for what purposes? | a temple of glory for Napoleon’s armies. |
Francois Rude’s sculpture La Marseillaise for the Ard de Triomphe represents which of the following moments in French history? | the people of France protecting their borders against foreign enemies of the revolution |
Which of the following architects was not famous for his experimentation with iron structural supports? | Pierre Vignon |
The great “Romantic dialogue” about color and form was carried on in the famous contest between who and who? | Delacroix and Ingres |
Timothy O’Sullivan documented which of the following wars? | American Civil War |
Who among the following artists liked to paint images of the Romantic transcendental landscape? | Friedrich |
Which of the following conditions is characteristic of the 19th century agrarian working class and is missing from the Haywain by Constable? | civil unrest |
Which of the following artists painted in the US? | Cole |
The term “sublime” was considered to inspire which of the following feelings? | awe mixed with terror. |
What kind of balance did Friedrich bring to his work? | inner and outer feelings. |
How does John Constable reveal his kindred spirit with the Romantic artists with this statement, “…painting is but another word for feeling…” | Romantic artists were more about how a painting made you feel rather than it being realistic. |
How did Henry Fuseli evoke horror and possibly the dark terrain of the human subconscious in his artwork? | He painted incubi and other outlandish scary things in his paintings. All of which would attack at night while you were sleeping helplessly. |
How did the people of the late 18th century and early 19th century perceive the Middle Ages? | As a time to learn from and get back to. Buildings were being built with Middle Ages flair. |
What was the Hudson River School? | A group of students that set up outside of the NY area to paint picturesque landscapes. |
How did Thomas Cole respond to America’s direction as a civilization? | The Oxbow. He did a series of paintings that showed America different stages of History. Starting with Native Americans and ending with the destruction of society. |
How was photography perceived in the early 19th century? | It wasn’t considered an art till later in the 1800s. |
How did Timothy O’Sullivan’s A Harvest of Death, Gettysburg, Pennsylvania, July 1863 respond as a new medium and how did it impact the nation? | It was one of the first actual photographs of the destruction of war. |
What was the drawback to “wet-plate” processing? | The dry time and exposure time |
What is the interpretation of Goya’s Saturn Devouring his Children? | Goya is representing the war. Saturn (the government) is eating (killing soldiers) his children (the innocent men fighting in the war) Also, Goya’s “black” mood of old age. |
How does Blake’s Ancient of Days embody the Romantic spirit? | Blake portrays God in a what that will get a response out of the viewer. God is looking down on his followers with light all around viewer. God is looking down on his followers with light all around him just so one known who is in control. |
The document that called for the working class to overthrow the capitalist system | Communist Manifest |
Part of Marx’s philosophy on the constant opposition of the rich (those who controlled production) and the poor (those who did the production) | Marxism |
Darwin’s evolutionary doctrine that all living things operated according to science and only the fittest survived. | Natural Selection |
British philosopher who applied Darwin’s evolutionary principles to socioeconomic systems and gave justification to the strongest nations taking over the weakest ones. | Herbert Spencer |
A word for the art that captured the sensibilities of the late 19th century, but also called attention to its own discipline and processes | modernism |
Art style that attempted to capture a fleeting moment in time and is abbreviated, speedy and spontaneous | Impressionism |
An object’s true color in white light instead of how it necessarily looks in nature. | local color. |
The city superintendent named by Napoleon 111 to modernize Paris by new water, sewer, and street systems. | Baron Georges Haussmann |
A word for the outdoor painting practiced by the Impressionists | plein air |
A music hall café that was extremely popular with all Parisians and was a favorite setting for some Impressionist paintings. | Folies-Bergere |
Painter known for his art pieces depicting ballet dancers | Edgar Degas. |
Dry sticks of powdered pigment | pastels |
A painting of a night scene | nocturne |
American artist who sued the English critic, John Ruskin, for libel and won, but was financially ruined because he only got a farthing and had to pay all court costs. | James Whistler |
French term for the Japanese aesthetic which became a rage in Paris in the 1860s. | Japonisme |
An art exhibit set up to show all the work rejected by the regular Frence Academy’s salon. | Salon des Refuses |
Artists who had their roots in Impressionism but who wanted to go back to the formal elements of art rather than just momentary impressions. | Post-Impressionists |
Artist who was genetically deformed and appeared as a midget. | Henri Toulouse-Lauterc |
Art style that uses tiny dots of color in a calculated arrangement based on scientific color theory. | pointillism |
An island in the Seine made famous in a painting by Seurat. | La Grande Jatte |
Artist who committed suicide | Vincent van Gogh |
Artist who spent his last years in the South Seas islands. | Paul Gauguin |
Another word for actual color, such as red, yellow, and green, etc. | hue |
Word for a color’s brightness or dullness. | saturation |
Word for a color’s lightness or darkness | value |
Art dealer who received hundreds of personal letters which he saved and helped make the sender famous. | Theo van Gogh |
Art movement that involved signs and symbols in a fantasy world. | symbolism |
The word meaning prophet in Hebrew that described one group of Symbolist painters | Bas-relief |
A Symbolist poet who philosophized about the doctrine of the artist developing an alternate, wholly interior life in order to create. | Arthur Rimbaud |
A “primitive” Parsian painter who painted exotic places and animals. | Henri Rousseau |
Term to describe the turning from the nineteenth century to the 20th century and the decadent culture associated with it. | fin-de-siecle |
Sculptor who studied Michaelangelo’s work and made very realistic muscular figures. | Jean Baptiste Carpeaux |
First sculptor to leave figures incomplete which influenced a whole group of later sculptors. | Auguste Rodin |
An English-based decorative arts movement that valued high-quality craftsmanship and hand labor. | Arts and Crafts |
Art movement based on natural forms that could be mass produced in architectural decorations to look like interior vines and sensuous florals. | Art Nouveau |
Name for Arts Nouveau in Austria and Germany | Jugendistil |
Name for Art Nouveau in Spain | Modernismo |
Name for Art Nouveau in Italy | Floreale |
Stained glass artist who wored in Art Nouveau style and is known for lamps. | Louis Comfort Tiffany |
Spaniard known for his sensuously curved fantastical architecture. | Antonio Gaudi |
Designed the interior armature for the Stature of Liberty, as well as his own famous tower. | Alexandre-Gustave Eiffel |
A military term used to denote a brand new art paradign to replace an existing one. | Avant-garde |
First artists to be labeled avant-garde | Post-Impressionists |
German art magazine. | Dur Sturm |
Early 20th century art that results from the artists inner or personal vision and that had an emotional dimension shown usually by slashing brush strokes. | Expressionism |
A term meaning ‘wild beasts” and refers to expressionistic artist known for their shocking use of color. | Fauvism |
German group of artist who wanted to bridge the old art ways to the new. | Die Brucke |
German sculptor who committed suicide in the wake of loss of friends in WWI. | Wilhem Lehmbruch |
One of the first artist to paint pure abstraction. | Vassily Kandinsky |
Artist who was killed in WWI. | Franz Marc |
Picasso’s 1901-04 style which depicted melancholy and alienated figures. | Blue Period |
American avant-garde writer who patronized European artists like Picasso and Matisse. | Gertrude Stein |
Art movement which depicts objects seen from more than one place at once. | Cubism |
Art which incorporates stylistic elements from the artifacts of ethnographic populations and colonial territories. | Primitivism |
The first phase of cubism that involved analyzing the structure forms on the flat picture plane. | Analytic Cubism |
Colored Cubism | Orphism |
A later phase of Cubism that used parts of real objects collaged onto surfaces as parts of one subjects. | Synthetic Cubism |
A composition of bits of objects glued to a surface | collage |
French word for the act of gluing assorted paper shapes to a drawing or painting. | papier colle |
Sculptor who welded many sculptors for Picasso. | Julio Gonzales |
Cubist sculptor whose work looked like Cubist painting in the round. | Jacques Lipchitz |
An art form that wanted to get away from the decorative aspects of Synthetic Cubism and look instead at industry and machines for inspiration. | Purism |
Italian art movement that advocated war as a cleansing agent and had a profound interest in the speed and dynamism of modern technology | Futurism |
Futurist sculptor | Unberto Boccioni |
A conceptural art movement that celebrated the irrational and nonsensical as opposed to reason and logic | Dada |
Influence on Dada in its use of the “unconscious mind” as a stimulus for art. | Sigmund Freud |
Artist known for the use of chance in composing his work. | Jean Arp |
Zurich venue for some of the early Dada performances. | Cabaret Voltaire |
Duchamp’s name for “found object” art. | readymade |
German name for collaged art. | photomontage |
Kurt Schwitter’s generic name for his collages of cast-off junk. | Merz |
One of the top photomontage artists | Hannah Hoch |
The “Apostles of Ulginess.” | Group of Eight |
Influential arts and teacher of The Eight | Robert Henri |
One of The Eight whose paintings show the seedy side of NYC and who ran for political office on the Socialist ticket. | John Sloan |
First great venue for showing Americans avant-garde European art. | Armory Show |
American Dadaist | Man Ray |
African-American artist who was a member of the 1920s Harlem Renaissance. | Aaron Douglas. |
Art movement that developed in the 1920s our of a fascination with the machine’s precision and importance in daily life. | Precisionism |
On of the most famous Precisionists. | Charles Demuth |
Mrs. Alfred Steiglitz | Georgia O’Keeffe |
Alfred Steiglitz’s group of photographers that mounted traveling exhibitions and pushed photography as an art in general. | Photo-Secession |
A movement whose aim was to present a clear-eyed direct and honest image of WWI and its effects. | New Objectivity |
Artist who was particularly influenced by philosopher Freidrich Nietzsche. | Giorgio de Chirico |
Artsit known for depictions of mother with dead children | Kathe Kollwitz |
Dictation of thought without control of the mind and creation of art without conscious control. | automatism |
The type of Surrealism that presented recognizable scenes that seem to have metamorphosed into dream or nightmare image. | naturalistic surrealism |
Going beyond physical appearance. | Metaphysical |
Textual art created by rubbing a crayon across a sheet of paper placed over another surface. | Frottage |
A trompe I’oeil painter who was a master of the dreamlike disassociation of image and meaning. | Dali |
Artist who started works with unconscious mark-making which was then brought under control, i.e. unconscious method of working. | Joan Miro |
Artist who created the quintessential Surrealist piece--the fur teacup. | Meret Oppenheim |
Picasso’s depiction of the Spanish Civil War | Guernica |
Art movement whose primary focus was expressions of dreams and the unconscious by improvisational techniques. | Surrealism |
Russian art collector who had an extensive collection of Impressionist and Post-Impressionist work. | Sergei Shchukin |
Artist who believed that the supreme reality of the world is pure feeling attached to no object. | Kazimir Malevich |
A movement that describes sculptures built piece by piece | constructivism |
Dutch movement meaning “the style” | De Stijl |
Piet Mondrain’s verson of De Stijl | Neoplasticism |
Sculptor known for holes or voids in abstract work that are as important as the mass. | Barbara Hepworth |
British sculptor who did the recurrent theme of a reclining female figure in different materials. | Henry Moore |
Sculptor for the Soviet Union in the 1930s. | Vera Mukhina |
Artist who painted bureaucratic injustices. | Ben Shann |
Artist whose painting evoked empty spaces and loneliness of cities and country mimicking the national mindset during the Depression. | Edward Hopper. |
African American Artist whose most famous work was a 60-painting series depicting the migration of Southern Blacks to the North. | Jacob Lawrence |
Another name for the Regionalists | American Scene Painters |
Art movement that became popular as a backlash against avant-garde | Regionalism |
Another Regionalist besides Grant Wood | Thomas Hart Benton |
Mexican muralist who is also known for his printmaking | Jose Clemente Orozco |
Marxist Mexican muralist. | Diego Rivera |
Mrs. Diego Rivera who was known for self-portraiture. | Frida Kahlo |
The main impetus for the Mexican Muralist. | Mexican Revolution. |
Russian Art movement whose goal was designing a better environment for huan beings. | Productivism |
Soviet artist who designed an efficient stove and a set of worker’s clothing. | Vladimir Tatlin |
Monument to the Third International | Tatlin’s Tower |
De Stijl architect famous for the Schroder House | Gerrit Rietveld |
School famous for its integration of arts and crafts and its work with industrial materials and processes. | Bauhaus |
Architect who was the first head of Bauhaus | Walter Gropius |
Frank Lloyd Wright’s smaller and cheaper version of the prairie style | Usoniam |
Author of the famous statement “less is more.” | Mies van der Rohe |
The geometric aesthetic in architecture which relies on a glass skin over steel supports with no decoration | International Style |
American style that is streamlined, elongated, and symmetrical, but that has ornament on it. | Art Deco Style |
American architect who invented the Prairie Style. | Frank Lloyd Wright |
The Kaufmann House | Fallingwater. |
Sculptor known for tall thin figures who seem alienated in the space around them | Alberto Giacometti |
Jean Dubuffet’s name for coarse and untaought art. | Art Brut |
A generic name for art styles that emphasize visual elements of the piece rather than the subject, i.e. the visual elements are the subjects | formalism |
The style practiced by the NY School painters. | Abstract Expressionism |
Artist whose work best exemplifies gestural abstraction or action painting. | Jackson Pollock |
Famous critic and champion of Abstract Expressionism | Clement Greenberg |
A chromatic abstractionist | Mark Rothko |
Name for art that seems controlled and pure and dose not show the artist’s hand. | Post Painterly Abstraction |
A variant of Post-Painterly Abstraction that shows no depth and has sharply delineated shaped, such as those by Ellsworth Kelly. | Hard-edge painting. |
A Variant of Post-Painterly Abstraction that depended on pouring diluted paint onto unprimed canvas. | color field painting |
In the Night Café, the artist has shown us a benign scene, yet the scene has a sense of charged energy and oppressive atmosphere: How did the artist communicate this? | Through the use of vivid hues whose juxtaposition augmented their intensity. |
In the Sacred Grove, the artist has depicted a quiet and timeless scene. How did Puvis de Chanvannas express his rejection of Realism in this painting? | ornamental and reflective work. |
In Klimt’s The Kiss, the artist has captured the flamboyance and decadence of the period. How was this painting a visual manifestation of the fin de siècle? | It captured a decadence conveyed by opulent and sensuous image. |
Which of the following influenced Degas in his technique of using spatial projections and off-center empty space to create illusion and direct the viewer’s attention into the picture? | 18th century Japanese woodblock prints. |
William Morris helped to shape the Arts and Crafts movement through his support of high quality craftsmanship and design based on natural forms. Which of the following artists was also a member of the Arts and Crafts movement? | Louis Comfort Tiffany |
The Burghers of Calais express emotions of despair, defiance & resignation. Rodin captured emotions in roughtly textured sufaces of figures. What device Rodin used to create pathos of this heroism? | No traditional high base. He placed on the monument eye-to-eye and close the viewers |
The sculptor Carpeaux illustrated the emotions of frustration and dispair in his Ugolino and His Children by making the forms intertwined and densely concentrated. Which of the following influenced Carpeaux? | Michelangelo |
Augustus Saint-Gaudens used the Realist style very effectively. In his Adams Memorial, however, he deviated from the canon of the Realists. He represented a lone figure voluminously draped. How did the sculptor express this deviation from the canon? | He modified a classical mode of representation. |
Antonio Gaudi longed to create an architectural style that was both modern and appropriate for this native country of Spain. How does Casa Mila represent his ability to conceive a building as a whole and mold it as a sculptor molds clay? | It is a free-form mass wrapped around a street corner. |
Which of the following ideas did Vincent van Gogh attempt to communicate in his Starry Night? | vastness of the universe. |
Monet’s Rouen Cathedral is a series that observed the same viewpoint during which of the following? | different times of the day. |
Cassatt’s style of work owes much to what? | Japanese prints. |
Which of the following architects conceived the building as a whole and molded it like clay? | Antonio Gaudi |
Extreme subjectivity and the need to see through reality to a deeper reality was most typical of which of the following styles? | Symbolists |
Which of the following artists is categorized a Symbolist? | Redon |
Which is the most important feature of Sullivan’s Prudential Building that distinguishes it from earlier structures? | the reflection of the subdivision of the interior spaces in the outer structure. |
Berthe Morisot focused her world in the only area allowed her as a woman in upper class French society. Which area was that? | domestic scenes |
Which of the following artist explored the properties of light, plane, and color and their interrelationships? | Cezanne. |
Which of the following artists presented a sumptuous and sensual image in Jupiter and Semele? | Moreau |
Who was a denizen of the night world of Paris, consorting with the tawdry population of entertainers, prostitutes, and other social outcasts? | Toulouse-Lautrec |
Georges Seurat differed from the Impressionist painters in which of the following ways? | His disciplined and painstaking application of the color theories of men like Delacroix, Helmholtz, and Chevreul |
Who was one of the leading practitioners of the Pictorial style in photography around the turn of the century? | Gertrude Kasebier |
How does Louis Suillivan reflect truly modern architecture? | He used very few embellishments. He kept clean lines throughout his designs. |
What was the Arts and Crafts Movement? | A movement similar to Art Nouveau. It focuses on the hands-on craftsmanship. |
What is academic art? | Art that was done in order to teach a lesson and uphold traditions. |
How did industrialization affect urbanization in the late 19th century? | Industries created jobs so people would move into cities to work for the industries. |
How did cast iron and steel affect architecture in the late 19th cen? | A cast iron frame allowed one to go taller with a building. |
Briefly describe the fin-de-siecle culture of late 19th century Austria. | A sensuous, emotional based culture at the turn of the century. |
Why did sculpture of late 19th century remain resolutely male? | Women didn’t have the studio freedoms of men and couldn’t do the manual labor like men could. |
How did Rodin want his Burghers of Calais exhibited? | On the ground at eye level with the viewer. |
What is the difference in Marxism and Darwinism? | Marxism was about over throwing the unjust government. Darwinism was about Natural Selection and the way men came to be. |
Briefly describe Post-Impresionism. | They more systematically examined the properties and expressive qualities of line, pattern, form and color than the Impressionists did. |
Which of the following artists created large-scale, kinetic sculptures? | Alexander Calder |
What message did Vera Mukhina convey in her work entitled The Worker and the Collective Farm Worker? | She glorified the communal labor of the Soviet people. |
Which of the following artists developed the theory of neoplasticism or the new plastic art? | Mondrain |
Which of the following works of art was melted down for ammunition by the Nazis in 1937? | War Monument |
Which of the following artists created a modern American art style combining Synthetic Cubism with jazz tempos and her perception of the fast-paced American culture? | Stuart Davis |
What style described as compositions of shapes and forms abstracted from the conventionally conceived world? | Cubism |
The Champs de Mars or The Red Tower by Robery Delanuay depicts which of the following structures? | The Eiffel Tower |
Which of the following is excuted in the Synthetic Cubist style? | Still-Life with Chair Craning |
Which of the following describes the focus on the Ashcan School? | It focused on the bleak and seedy aspects of city life. |
What message is portrayed in Edward Hopper’s Nighthawks? | The pervasive loneliness of modern humans |
Thomas Hart Benton, a Regionalist artst, focused his attenetion on which of the following subjects? | The social history of Missouri. |
Which of the following artists did not depict the themes of war? | Matisse |
In the artist’s eyes, the Fate of the Animals was almost a premontion of which historical event? | WWI |
Which of the following works demonstrates the Futurists’ interest in motion? | Dynamism of a Dog on a Leash |
Which of the following artists was a Berlin Dadaist? | Hannah Hoch |
Which of the following artist shared Steiglitz’s concern to position photography as an art form with same fine-art status as painting and sculpture? | Edward Weston |
Who is the artist who created a work of art that can be described as “wickedly funny gift.” | Man Ray |
Her work is often described as autobiographical b/c of her unflinching self-portrait portrayals. She gives the viewer a person glimpse into herself and suffereing. | Frida Kahlo |
Who is the artist who created a scathing visual commentary on the military with his Fit of Active Servie? | Grosz |
Which of the Blaue Reiter artists found animals superior in beauty, strength, innocence, and naturalness? | Franz Marc |
Henry Moore’s great series of reclining nudes is said to have been inspired by what? | a pre-Columbian figure, the Chacmool. |
A nonobjective work refers to work that what? | has no reference to the external appearance of the physical world. |
The Chrysler Building by William van Alen has elements from which of the following styles? | Art Deco |
Which phrase best expresses the sculptural style of Boccioni? | dynamic movement |
Which artist, even though he was older than the Die Brucke artist, was invited to join them because he was pursuing similar ideas? | Emile Nolde |
The work of Ernst Kirchner shows what? | Subjects drawn from the industrialized urban bourgeoisie. |
Who is the Surrealist? | Dali |
The hovering figure that served as a memorial to those who died in WWI was created by | Ernst Barlach |
Which of the following statements about Dada is true? | Dada has no fixed ideas. |
Who photographed the rural poor displaced by the Great Depression? | Dorothea Lange |
Empty piazza depicting mysterious figures were often painted by who? | De Chirico |
The goal of Dali’s “paranoiac-critical” method was what? | create images of inner reality and irrationality as concrete as the world of physical reality. |
What was “291”? | An art gallery that first displayed Georgia O’Keeffe’s work. |
Describe Art Deco. | The spire of the Chrysler Building. |
What is a “prairie house”? | FLW designed the Robie House. It is a flat house with sleek lines. Everything about it take it’s surroundings into consideration. |
How does the work of Hannah Hoch reflect German society of the Weimar Republic? | Chaotic and cluttered. Drab and hopeless. |
What subject matter did Jacob Lawrence use in his work, and how was it significant? | Segregation. It shows everyday scenes that AA had to face. It depicts their move to the north. |
How did the subject matter Edward Hopper used in his art relate to the Depression era? | Bars, restaurants, and such empty or the few people there were sad looking. |
Briefly describe Surrealism. | It’s almost a dreamland. It’s not realistic. Anything goes. |
What was the purpose of the Bauhaus? | To produce students who knew how to do everything design related. “Total Architecture.” |
Briefly contrast Analytic and Synthetic Cubism. | Synthetic Cubism is a later phase of Cubism that used parts of real objects collaged onto surfaces as parts of one subjects. Analytic Cubism is the first phase of cubism that involved analyzing the structure forms on the flat picture plane. |
Brancusi said, “What is real is not the external form but the essence of things.” How does this statement reflect his work? | His work, Unique Forms in Continuity of Space, appeared to be flowing in the wind. Whimsical as if its essence was blowing off of it. |
How did Georgia O’Keeffe reflect the fast pace of city life in her work? | The lights of the cars on the street. The lit buildings at night. The clock that might symbolize the fleeing time. |
What is a “mobile,” who created it, and why? | A moving sculpture. Alexander Calder. He started out as an engineer so he brought it into his art. |
Briefly describe Futurism: | An Italian art movement that is fascinated with movement and how to portray it in art. |
How did society see the avant-garde artist? | Radical and different. Very few people appreciated the art to begin with. |