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Chpt 11 Drama
Forms & Stragecraft
| Question | Answer |
|---|---|
| rising and falling structure | is the structure of a dramatic work such as a play or film. A drama is divided into five parts, or acts,[5] which some refer to as a dramatic arc: exposition, rising action, climax, falling action, and dénouement (conclusion. |
| tragedy | a type of play. The protagonist must be an admirable but flawed character, with the audience able to understand and sympathize with the character. Certainly, all of Shakespeare's tragic protagonists are capable of both good and evil. |
| tragic flaw | a failing of character in the hero of a tragedy that brings about his downfall |
| comedy | a type of play. The central idea is triumph over adversity, resulting in a successful or happy conclusion. The comic element of drama, of literature generally, or of life. |
| stage | the part of the theater on which the actors perform in a theater. b. this platform with all the parts of the theater and all materials in the back. The stage, the theater, especially acting, as a profession: He plans to make the stage his career. |
| upstage | to overshadow (another performer) by moving upstage and forcing the performer to turn away from the audience. OR the rear half of the stage. |
| DOWNSTAGE | the front half of the stage |
| costumes | dress or garb (hair, shoes, purses, hats, etc.) characteristic of another period, place, person, etc., as worn on the stage |
| props | property |
| dialogue | 1. conversation between two or more people 2. the lines spoken by characters in drama |
| monologue | a part of a drama in which a single actor speaks alone; soliloquy |
| soliloquy | the speech by a person who is talking to himself or is oblivious to any listeners present (often used as a device in drama to disclose a character's innermost thoughts): Hamlet's soliloquy begins with “To be or not to be.” |
| aside | a part of an actor's lines supposedly not heard by others on the stage and intended only for the audience. |
| stage directions | an instruction written into the script of a play, indicating stage actions, movements of performers, or production requirements. |
| rebellious | defying authority |
| pernicious | harmful |
| adversary | enemy |
| augmenting | adding to; making or becoming greater in size, number, amount or degree |
| portentous | threatening; ominous |
| transgression | act of breaking a law or a command; sin |
| marred | damaged; spoiled the beauty of |
| languish | lack of energy; weakness |
| disposition | nature; tendency |
| extremity | to an extreme degree |
| solemnity | seriousness; somberness |
| quarrel | argument; fight; grudge |
| star-crossed lovers | thwarted or opposed by the stars; ill-fated: opposed by the stars or fate. Example: Romeo & Juliet are star-crossed lovers. |
| Cupid | In Roman mythology, Cupid was the son of Venus, the goddess of love. He is usually portrayed as a young boy with wings, who shoots arrows that cause people to fall in love. |
| complication | a situation, event, or condition that complicates or frustrates: her coming was a serious complication |
| character foil | a foil is the opposite of another character. Paris is the character foil to Romeo. |
| importuned | asked; questioned |
| anguish | grief; pain; sadness |
| adversary | enemy; foe |
| fray | battle; fight |