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Survey of Photograph
some of them are true and false and fill in the blank questions.
| Question | Answer |
|---|---|
| The true rise of both snapshot photography and the amateur can be attributed to two major developments: the Brownie camera and roll film developed by the Kodak company, founded by George Eastman. | true |
| The first commercially viable color process was developed by the ______ brothers and called the ______. | Lumière brothers — Autochrome |
| Anne Brigman was an early Pictorialist photographer whose images helped pave the way for other women photographers like Francesca Woodman. | true |
| An influential Pictorialist, ______, took many cues from French painting and explored the romantic notions of the working class and peasantry. | Peter Henry Emerson |
| Steichen and Stieglitz, two leading figures in the Pictorialist movement, eventually abandoned the ideals of soft imagery for more detail-rich straight photography, promoting Modernism in photography. | true |
| ______ was one of the first fine-art magazines focusing on photography, developed by Alfred Stieglitz. | Camera Work |
| The Photo-Secession and Linked Ring were two photographic groups that promoted photography as fine art, both adopting an anti-Pictorialism stance. | false |
| ______ was a member of the American Pictorialist movement and became the first formal educator in photography, being hired to teach at Columbia University. | Clarence H. White |
| The Zoopraxiscope was invented by ______ and was an early proof of concept that helped pave the way for cinema. | Eadweard Muybridge |
| John Joly invented the three-print color process that became the first commercially viable color process. | false |
| Louis Ducos du Hauron's color process was significant because it was the first process to produce an actual ______. | Color photographic print. |
| Edward Steichen was the most exhibited photographer in Camera Work and would eventually head the Photography Department at the Museum of Modern Art. | true |
| Recognizing the ultimate significance of cinema, the Lumière brothers abandoned photography to dedicate themselves to developing and promoting cinema. | false |