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Film 5
film 5
| Term | Definition |
|---|---|
| Critic | One who estimates, evaluates, and explores the quality of the work of others... |
| Cross-Cutting (Parallel Editing) | Editing that jumps back and forth between two or more locations, causing the audience to see the relationship between two or more events |
| Cut | Verb: To edit a film by selecting shots and splicing them together Noun: A transition made by editing two pieces of film together. |
| Cutaway | A shot or sequence of shots inserted in such a way as to create a break in continuity, which is usually achieved by creating a jump in time, locale, or action |
| Dailies (Rushes) | The film prints, generally including the sound recorded while filming, that are processed the same day and sent to the production team for immediate viewing and are used as an indicator of how the film is progressing |
| Deep Focus | A technique in which objects in the foreground, the mid-ground, and the distant background appear in equally sharp focus |
| Depth of Field | Distance between the nearest and furthest points at which the screen image is in focus |
| Deus ex Machina | From the Latin for "god from the machine," any sudden, unexpected incident in a narrative that restores order and makes the events turn out well |
| Diptych | Two separate, independent, similarly shaped canvases or panels, depicting antithetical states of the same basic theme that are hinged together in an attempt to have the viewer meditate on the relation between the opposing conditions |
| Dissolve | An editing technique by which one shot gradually merges into the next through the superimposition of a fade-out or fade-in |
Created by:
pooleeli