Help
Options
Didn't know it?
click below
click below
Knew it?
click below
click below
Don't Know
Remaining cards (0)
Know
retry
shuffle
restart
0:00
Embed Code - If you would like this activity on your web page, copy the script below and paste it into your web page.
Normal Size Small Size show me how
Normal Size Small Size show me how
Musicology Exam 2
| Question | Answer |
|---|---|
| Humanism | The study of the humanities, things that pertain to human knowledge centering on classical Latin + Greek texts, it emphasized study of grammar, rhetoric, poetry, history, and moral philosophy. Scholars had faith in the dignity and nobility of humans |
| Renaissance | Artistic developments of 1400s w/Leonardo da Vinci, Michelangelo, Raphael draw their inspiration from reborn subjects |
| Burden | A refrain sung at the beginning then repeated after each stanza |
| Faburden | Improvised polyphony in which a plainchant in the middle voice was joined by an upper voice a perfect 4th above it + a lower voice singing mostly in parallel 3rds below it (streams of 1st inversion chords). |
| Alleluia: A newë work (early 15th century) | Anonymous carol |
| Carol | Distinctly English genre, polyphonic in texture. 15th century carol was a 2-3 part setting of a poem in English, Latin, or mixture. Structure: multiple stanzas (all with the same music) and a refrain burden |
| “Contenance Angloise” | the "English quality" was recognized by continental composers, who took note of English music's use of harmonic 3rds and 6ths (often in parallel motion) and few dissonances. |
| Intonation | |
| Octaviano Petrucci (1466-1539) | |
| Printing Press | |
| Josquin des Prez (1450-1521) | |
| Polyphonic Mass Cycle (or Renaissance Mass) | |
| Mass Ordinary | |
| Cantus Firmus Mass | |
| Paraphrase Mass | |
| Josquin, Missa L’homme arme: Kyrie | |
| Imitative Polyphony | |
| Missa Pange Lingua | |
| [Josquin], “____________________” | |
| Frotolla | |
| Vicente Lusitano (c.1520-c.1561) | |
| Lusitano, Hue me domine (1553) | |
| Madrigal | Polyphonic, secular music that uses text painting |
| Indulgences | |
| Martin Luther (1483-1546) | |
| Lutheranism | |
| Chorale | |
| Luther, Ein feste Burg (“A Mighty Fortess”) (pub. 1529) | |
| Contrafactum, contrafacta (pl.) | |
| Heinrich Isaac (Tune, Innsbruck)/Johann Hesse (text), O Welt, ich muss dich lassen (“O World, I Must Leave You) (1485/1555) | |
| Homophonic Texture | |
| Calvinism | |
| Metrical psalm | |
| Thomas Tallis (1505-1585), Why Fumeth in Sight (1567) | |
| Church of England | |
| Anthem | |
| William Byrd (1540-1623), Sing Joyfully unto God our Strength (date unknown) | |
| The Counter-Reformation | |
| Giovanni Pierluigi da Palestrina (c. 1525-1594) | |
| Palestrina, Pope Marcellus Mass (~1562) | |
| Marketing Music | |
| Frottola | |
| Bartolomeo Tromboncino (c. 1470-c. 1535), Ostinato vo’ seguire (1508) | |
| Villancico | |
| Estribillo | |
| Coplas | |
| Cancionero Musical del Palacio (late fifteenth-century) | |
| Juan del Encina (1468-1529), Oy comamos y bebamos | |
| Eclogues | |
| Eccina, Cucú, Cucú (16th century) | |
| Mannerism | |
| Jacques Arcadelt (c. 1507-1568), Il bianco e dolce cigno (c. 1538) | |
| Thomas Morley, The Triumphs of Oriana (1601) | |
| Thomas Weekles (ca. 1573-1623, As Vesta was from Latmos Hill (c. 1601) | |
| Renaissance Timeline | Rebirth. 1431 Joan of Arc burned at the stake, 1453 End of 100 years' war, 1492 European discovery of the American continent, 1450 invention of the printing press, 1517 protestant reformation |
| Text painting | Don't overthink it, it's how the words follow the music + the relationship between them. Usually has a story behind the musical phrasing |
| What does faburden inspire? | Continental composers to notate a similar practice (known as fauxburden) |
| Italian Frotolla, Spanish villancico, italian/English madrigals | All polyphonic or homophonic and secular |
Created by:
user-1977645