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art history 2
| Question | Answer |
|---|---|
| What is communication? | • Graphic communication decouples that relationship - humans no longer dependent upon close contact communicate • Communication requires abstract and symbolic thinking - the ability to attach meaning something else |
| Art as communication | is representational: it stands in for something else Language is abstract… words and images ‘stand in’ for actual ‘things’ • |
| Visual culture before “art” | tattoos, body paint, scarification, ornamentation, non-durable jewelry? Performance, dance, ritual, costume art Art made from non-durable materials • Cultural differences (perhaps religious prohibitions, utility, art seen as ephemeral? |
| Art/visual culture after the Ice Age Tech Revolution | Only behaviorally modern humans (homo sapiens sapiens/cro magnons) definitively create art • Art on a monumental scale in permanent media only occurs after technological advances • Art might be an invention of a particular time, place, and people |
| Methods of Analysis | Analyzing a work of art according to its visual elements: • Composition • Color • Light and shadow • Space (mass and volume of objects depicted) • Perspective |
| Formal Analysis | Analyzing a work of art according to its visual elements: • Composition • Perspective • Light and shadow • Space (mass and volume of objects depicted) • Color |
| Not naturalistic | doesn’t ‘imitate nature |
| Twisted Perspective/ composite view | when an artist depicts different parts of a figure from different vantage points simultaneously. Art that is conceptual, more than just optical |
| Composition | the way in which different elements of an artwork are combined |
| Perspective | the illusion of 3- dimensionality in a 2-dimensional image |
| Profile view | Bison paintings at the Caves at Altamira, Spain |
| 16,000 - 14,000 BCE. Paleolithic. | Hall of Bulls, Lascaux Cave. Lascaux France |
| Zoomorphic | Humann body with animal features |
| c. 28,000 to 25,000 BCE. Paleolithic. | Venus of Willendorf. Willendorf, Austria. Limestone Sculpture figurine aprox. 4.4 inches tall. |
| Analyzing a work of art according to its visual elements | Composition • Color • Light and shadow • Space (mass and volume of objects depicted) • Perspective |
| Contextual/historical Analysis | The culture or society that produced the art object •Patron •Function •Size •Medium/materials •Subject matter •Themes •Artist/biography |
| What do we see? | Think: composition, color, light and shadow, space (mass and volume of objects depicted, perspective) |
| The Human figure in Paleolithic Art | In general - rare • In cave painting - incredibly rare • Usually heavily abstracted • Animals are usually much more naturalistic • Why? |
| What’s emphasized? Why? | Think: the culture or society that produced the art object, Patron, function, size, medium/materials, subject matter, themes, artist/biography |
| Likeness: | Artwork appears natural; tries to look like the original, to capture its appearance in real life |
| Presence | Artwork is meant to convey or the essence or presence of the original; can be abstract |
| Concepts are not mutually exclusive | sometimes presence is conveyed through likeness, sometimes it is conveyed through abstraction |
| Ancient Through Medieval Art | |
| Paleolithic |