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Orchestra Terms (C)
| Term | Definition |
|---|---|
| Cadence | usually consists of two chords that provide musical punctuation at the end of a phrase |
| Cadenza | based often on an extended/embellished final cadence, mainly in Classical concertos, a passage original improvised by a performer to show talent. Now more often written by the composer, frequently leads to the last section of a movement |
| Canon | is a device in counterpoint in which a melody announced by one voice or instrument is imitated by one or more other voices or instruments, entering after the first has started, in the manner of a round. |
| Cantabile | Means singable and is more usually found in directions for instrumental performance in a singing manner. It has appeared also as a noun to indicate the first part of a two-section Italian aria. |
| Cantata | Is generally a choral work of some length that also uses solo voices, usually with instrumental accompaniment. The texts used may be sacred or secular. Some cantatas used solo voices without chorus. |
| Chaconne | (=Italian: ciaconna ; English: chacony) is in origin a dance popular in Spain in the early 17th century. It came to signify a form comprising a series of variations over a short repeated bass or chordal pattern. |
| Chamber Orchestra | has come to indicate an orchestra smaller in size than the usual symphony orchestra |
| Chord | Is the simultaneous sounding of two or more notes. The adjective is "chordal". The study of harmony involves the correct placing of chords with relation to each other |
| Chromatic | Notes are those which do not belong to the diatonic scale. If an ascending major scale is taken from the note C, chromatic notes would be C sharp, D sharp, ect. - i.e. notes not found in the diatonic scale of C major, which has no sharps or flats |
| Concertante | Part in a piece of music is a part that calls for some element of solo performance, as in a Classical concerto. A title used from the late 18th century onward to indicate an orchestral composition with 2 or more solo instruments |
| Concerto | A piece of instrumental music that contrasts a solo instrument or a small group of solo instruments with the main body of the orchestra. |
| Counterpoint | Is the combination of two or more melodic lines the second or later additional melodies described as counterpoints to the first. |
| Courante | A triple-time dance movement found frequently in the Baroque dance suite, generally follows the allemande, the opening German dance. |
| Crescendo | (Italian: growing, becoming louder) is frequently used as a dynamic instruction to performers |
| Cycle | Is a set of songs intended to be performed as a group. |