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Stack #4701071
| Term | Definition |
|---|---|
| Allegory | A story or work with a hidden or symbolic meaning. |
| Analogy | A comparison between two things that makes an idea easier to understand. |
| Anaphora | Repetition of words at the beginning of successive sentences or clauses. |
| Anecdote | A short story or personal experience used to illustrate a point. |
| Antithesis | Two contrasting or opposite ideas presented together. |
| Argument | A supported explanation of a writer's position on an issue. |
| Audience | The people who listen to or read a text. |
| Bias | A preference or prejudice toward one side of an issue. |
| Claim | The main point or position that an argument supports. |
| Concession | An acknowledgment that the opposing side has a valid point. |
| Connotation | The feelings or ideas associated with a word beyond its literal meaning. |
| Context | The time, place, audience, and circumstances surrounding a piece of writing or speech that help determine its meaning. |
| Denotation | The literal or dictionary definition of a word. |
| Diction | The author's choice of words. |
| Ethos | An appeal based on the credibility or character of the speaker or writer. |
| Fallacies | Errors in logic or reasoning. |
| Figurative Language | Language that is not meant to be taken literally and is used to create vivid or imaginative meaning. |
| Genre | A category or type of writing, such as a letter, narrative, eulogy, or editorial. |
| Hyperbole | An exaggeration used for emphasis. |
| Imagery | Descriptive language that appeals to the five senses or creates mental pictures. |
| Irony | A contrast between what is said and what is meant, what happens and what is expected, or what a character knows and what the audience knows.Juxtaposition |
| Logos | An appeal to logic and reasoning. |
| Metaphor | A comparison that says one thing is another thing without using "like" or "as." |
| Pacing | The speed or slowness at which a story or idea is presented. |
| Paradox | A statement that seems untrue or contradictory but may actually be true. |
| Parallelism | Using similarly structured words, phrases, or clauses to create balance and emphasis. |
| Parody | A work that imitates and exaggerates another work, usually for humor or criticism. |
| Pathos | An appeal to the emotions or feelings of the audience. |
| Point of View | The perspective from which a story is told. |
| Purpose | The author's reason or goal for writing. |
| Repetition | The repeated use of a sound, word, phrase, or grammatical pattern. |
| Rhetorical Devices | Language tools used to persuade, create an effect, convey a purpose, or create a tone. |
| Rhetorical Modes | Patterns of organization used to achieve a specific purpose, such as narration, description, comparison, or argument. |
| Rhetorical Question | A question asked to make a point rather than to receive an actual answer. |
| Rhetorical Shift | A change in the mode, pattern, tone, or organization of an essay or speech. |
| Rhetorical Situation | The circumstances surrounding communication, including the writer, audience, exigence, purpose, and context. |
| Rhetorical Triangle | The relationship between the writer or speaker, the audience, and the text. |
| Sarcasm | Language that uses humor or irony to mock or criticize someone or something. |
| Satire | Writing that uses humor or ridicule to criticize problems or flaws in society. |
| Simile | A comparison between two different things using "like" or "as." |
| Style | The unique way an author presents ideas through word choice, sentence structure, imagery, organization, and content. |
| Subject | The topic or matter that a writer or speaker is discussing. |
| Syntax | The arrangement or order of words in a sentence. |
| Tone | The author's attitude toward the subject and audience. |
| Understatement | A way of expressing something as less important or serious than it really is. |