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Music Study
| Term | Definition |
|---|---|
| DURATION Irregular metre | A metre containing unequal beat groupings, such as 5/4, 7/8 or 5/8. Check the time signature and group the beats, for example 2 + 3 or 3 + 2 + 2. |
| DURATION Syncopation | Emphasis placed on normally weak beats or between the main beats. Look for accents on weak beats, notes beginning between beats or notes tied across strong beats. |
| DURATION Adagio | A slow tempo. The word Adagio appears above the beginning of the music. |
| DURATION Andante | A moderately slow tempo, often described as walking pace. The word Andante appears as the tempo marking. |
| DURATION Allegro | A fast and lively tempo. The word Allegro appears as the tempo marking. |
| DURATION Presto | A very fast tempo. The word Presto appears as the tempo marking. |
| DURATION Rallentando | Gradually becoming slower. Look for rall. or rallentando. |
| DURATION Accelerando | Gradually becoming faster. Look for accel. or accelerando. |
| DURATION Ostinato | A short musical pattern that is repeated continuously. Find a rhythmic or melodic pattern repeated several times in the same part. |
| DURATION Tremolo | A rapid repetition of one note or rapid alternation between two notes. Look for diagonal strokes through note stems or lines placed between two notes. |
| PITCH Drone | A continuously sustained or repeated pitch heard beneath other musical material. Look for a long-held or continuously repeated note while other parts change. |
| PITCH Bend | A technique that raises or lowers the pitch of a note. Look for a curved arrow or a bend marking, commonly in guitar notation or tablature. |
| PITCH Glissando | A continuous slide from one pitch to another. Look for a straight or wavy line connecting two notes, often labelled gliss. |
| PITCH Melisma | Several notes sung on one syllable. Look for one lyric syllable extended beneath a group of notes. |
| PITCH Pedal point | A sustained or repeated pitch heard while the harmony changes around it. Find a long-held or repeated note, usually in the bass, underneath changing chords. |
| PITCH Sequence | A musical idea repeated at a higher or lower pitch. Locate the same melodic or rhythmic shape beginning on different pitches. |
| PITCH Countermelody | A secondary melody performed at the same time as the main melody. Look for two independent melodic lines occurring simultaneously. |
| PITCH Melodic contour | The overall shape of a melody as it rises, falls or remains on the same pitch. Follow the notes and describe the shape as ascending, descending, arch-shaped or wave-like. |
| PITCH Harmonics | High, pure pitches produced when only part of a string or air column vibrates. Look for diamond-shaped noteheads, small circles above notes or the abbreviation harm. |
| PITCH Cascading harmonics | A flowing series of harmonics moving rapidly through different pitches. Look for a rapid ascending or descending passage of diamond-shaped notes or harmonic markings. |
| PITCH Walking bass | A bass line that moves steadily through chord tones and connecting pitches. Look for a continuous bass line, commonly moving in crotchets. |
| PITCH Imitation | A musical idea performed by one part and then repeated by another part. Find the same or a similar motif entering later in another instrumental or vocal part. |
| PITCH Trill | A rapid alternation between a written note and the note directly above it. Look for tr or a wavy line above the note. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Multiphonics | Two or more pitches produced simultaneously on an instrument that normally produces one note at a time. Look for several noteheads on one stem or the instruction multiphonic. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Flutter tonguing | A wind or brass technique producing a rapid, trembling sound with the tongue or throat. Look for flutter tongue, flz., frull. or tremolo-like markings. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Ghost notes | Very soft, lightly articulated notes that provide rhythmic detail. Look for bracketed or cross-shaped noteheads, or notes marked extremely softly. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Staccato | Notes performed short and detached. Look for dots above or below the notes. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Legato | Notes performed smoothly and connected. Look for a curved slur over a group of notes or the word legato. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Tenuto | A note held for its full value, sometimes with slight emphasis. Look for a short horizontal line above or below the note. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Fingerpicking | Playing individual guitar strings using the fingers rather than a pick. Look for fingerstyle, fingerpicking or right-hand labels p, i, m and a. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Arco | An instruction for a string player to use the bow. Look for arco, usually following a pizzicato passage. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Pizzicato | Plucking the strings of a normally bowed string instrument. Look for pizz. or pizzicato. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Palm muting | Resting the side of the hand lightly on guitar strings to create a short, muted sound. Look for P.M. with a dashed line above guitar notes or tablature. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Con sordino | Perform with a mute. Look for con sord., con sordino or muted. |
| EXPRESSIVE TECHNIQUES AND ARTICULATION Senza sordino | Perform without a mute. Look for senza sord., senza sordino or open after a muted section. |
| DYNAMICS Piano (p) | Soft. Look for p beneath or above the stave. |
| DYNAMICS Mezzo piano (mp) | Moderately soft. Look for mp beneath or above the stave. |
| DYNAMICS Forte (f) | Loud. Look for f beneath or above the stave. |
| DYNAMICS Fortissimo (ff) | Very loud. Look for ff beneath or above the stave. |
| DYNAMICS Crescendo | Gradually becoming louder. Look for cresc. or a hairpin that opens outward (<). |
| DYNAMICS Diminuendo | Gradually becoming softer. Look for dim., decresc. or a hairpin that closes inward (>). |
| DYNAMICS Sforzando (sfz) | A sudden, forceful emphasis on a note or chord. Look for sfz, sf or fz beside the note or chord. |
| TEXTURE Textural roles | The functions of musical layers, such as melody, accompaniment, bass line and countermelody. Compare the parts and identify the main melody, supporting harmony, rhythmic accompaniment and bass line. |
| TEXTURE Imitation | A musical idea introduced by one part and repeated shortly afterwards by another part. Trace the same motif as it enters in different parts. |
| TEXTURE Countermelody | A secondary melody heard at the same time as the main melody. Look for a second independent melodic line accompanying the main melody. |
| TEXTURE Ostinato | A musical pattern repeated continuously to create a recurring textural layer. Find a short pattern that repeats while other parts change. |
| TEXTURE Drone | A sustained or repeated pitch that forms a continuous background layer. Look for one pitch continuing underneath a changing melody or harmony. |
| TEXTURE Pedal point | A sustained or repeated note heard against changing harmonies. Look for a stationary note, often in the bass, while the other parts move. |