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BritLit movements

Literary movements described in BritLit + terms

TermDefinition
Romanticism A literary period active from the late 18th century until the early 19th century. It affected all of Europe. It's intentions were - freedom of self-expression - rejecting ordered rationality of Englightenment - personal experience and imagination
2d Generation Romantics The second generation of Romantics deserted the radical values. Wordsworth became a tax collector and Coleridge a conservative --> no longer working class. The new generation mourned Wordsworth
ode elaborately formal lyric poem, always in serious tone
apostrophe adressing a person that can't respond
pindaric ode celebratory, poem of public praise
horatian ode medetative, personal, rather then public
abolitionist Anti-slavery association was founded in 1823. They wanted to outlaw slavery. Their main strategies were releasing ship prints and the "am I not a man and a brother" merchandise. Slave trade was abolished in 1807, Slavery itsself was abolished in 1833.
victorian Formats three volumes, serial part for instalment, magazine serialization, affordable
realism middle of 18th century. problems of ordinary people in unremarkable circumstances.
Byronic hero boldly defiant but bitterly self-tormenting outcast, proudly contemptuous of social norms but suffering for some unnamed sin.
gothic loose set of convertions and recurring themes through 19th and 20th century literature. haunted, supernatural, stock characters, obsession with the past, curses and family lineage.
modernism some kind of moral deterioration after high point of Modern Victorian era. Spiritual and moral perversity, weary contempt for social conventions
Astheticism people who wanted to pursue the beatiful. Senses, personal responses to art and life.
Fin-de-Siècle Britain 20th century, highpoint of British naval supremacy, colonial domination. also urban degradation, industiral, repression of women's rights, rising international tentions
The Georgian mode main genre of poetry before WWI. Celebration of English landscapes. propaganda posters, referrals to King George. Tranquil, innocent.
Modernism & Avant-Garde cultural responses to the perceived fragmentation of stable worldviews. very experimental & cosmopolitan.
Avant-Garde embraces fragmentation, sees it as good. Seeks to destroy old certainties
Modernism sorrowful about the loss of those sertainties, fears "the great divide" between high and mass cultute as death blow to Western society. Masses are threatening.
Realism world is knowable & stable and we can acces it
vorticism Founder Ezra Pound. Art should embody a whirling mass of energy. internal world and consciousness
the bloomsbury group bohemian activists, "free spirits", very privileged backgrounds, shared interest in radical philosophy, art and politics. advocating for free love and queer sexualities. critical of capitalism and imperialism
existentialism philosophy moves away from traditional concerns and becomes radically different. individual central, no core to our being.
absurdist drama indefinite, unspecific characters. settings are stange and nondescript. loads of room for interpretation. dialogue in play does not progress, repetative actions.
postcolonialism all the culture affected by the imperial proces from the moment of colonization to the present day. contesting and challenging ideas of imperialism. About mindsets, impact, shifts in attitudes about empires.
three ways to postcolonialism 1. read cultural works by people from countries with colonial history 2. reading cultural texts produced by those who have migrated from countries with a history of colonialism 3. re-reading text produced during colonial period, often colonising nations
postcolonial melancholia both immigrants and their descendants are unwanted and feared precisely because they are unwitting bearers of the imperial and colonial past
Created by: suziesince
 

 



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