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Una mujer fantástica
Trans Cinema Secondary Reading
| Question | Answer |
|---|---|
| Kroll on visibility | Vega “participates in the creation of new modes of trans visibility” |
| Kroll on the doctor's scene | Her body “is not presented as voyeuristic spectacle to be consumed or as fetishized parts; rather…as a holistic entity” |
| Kroll on Marina's resilience | “even when trans visibility exposes her to danger, Marina never disappears even when her dignity is violated” |
| Fischer on viewer reaction | “Viewers come away from the film patting themselves on the back, safe in their convictions that trans* people are just like them,” |
| Koch-Rein on the mirror | Transgender rhetoric “situate[s] the mirror as a site of knowledge production and subject formation” |
| Ortiz-València on representation | “representation matters, but only one of non-conforming subjectivities is capable of transcending and changing society” |
| Ortiz-València on identity | “identity is a fluid, mutable and a personal, rather than biological, choice” |