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Film SA1
| Question | Answer |
|---|---|
| M1 | |
| The art, science and practice of creating durable images by recording light or other electromagnetic radiation. Chemistry Physics Photography Videography | Photography |
| Which button do you need to press so that the sensor measures the light striking it and creates a digital image much in the same way a photocopier makes a copy of a document? Mute Microphone Shutter Camera | Shutter |
| Camera User Settings: It lets you configure the camera to your liking and then store the settings under ‘C’ on the mode dial. True False | True |
| Bulb: This mode is similar to Manual exposure, in that it lets you control both shutter speed and lens aperture independently. It also allows long exposures for as long as you hold the Shutter button down. True False | True |
| Manual: Sets the aperture (f-stop) and the camera will attempt to deliver a good exposure. True False | False(Aperture Priority) |
| Aperture Priority: This mode lets you set all the camera's values yourself, e.g., ISO, aperture, shutter speed, metering mode, white balance, metering and flash or no flash. True False | False(Manual) |
| Shutter Priority: Photographer sets the shutter, and the camera will attempt to deliver a good exposure. Some cameras use an "S" icon instead of "Tv". True False | True |
| Full Automatic: Just point and shoot. Unlike full auto mode, you can usually control flash and a few other camera settings. True False | False(Program) |
| Program: The camera will completely control flash and exposure. On most cameras this is labelled "auto", on others simply "A". True False | False(Full Automatic) |
| Flash Off: This mode disables both the internal flash head and any external flash unit connected. True False | True |
| Portrait: To attempt to blur out the background, the camera will try to use the fastest available lens setting (aperture). True False | True |
| This type of photographer takes pictures that are used in books, advertisements, catalogs and online marketing purposes. Travel Commercial Portrait Photojournalist | Commercial |
| Landscape: Camera will attempt capture detail in foreground and background by using high f-stop (aperture) settings. True False | True |
| They capture images of newsworthy people and events. Photojournalists Portrait Photographers Travel Photographers Commercial Photographers | Photojournalists |
| This type of photographer takes pictures of people, either individually or in groups, in studios or at events such as weddings or religious ceremonies. Travel Commercial Photojournalist Portrait | Portrait |
| They capture landscapes and scenery. Travel Photographers Photojournalists Portrait Photographers Commercial Photographers | Portrait Photographers(Travel Photographers right answer) |
| It is an inexpensive, easy-to-load cameras. Also, it was immensely successful, introducing a generation to low-cost photography. Mirrorless Camera Point-and-Shoot Camera Instamatic Camera DSLR | Instamatic Camera |
| This type of camera transforms the image into electronic data to be processed and transported through a computer. Mirrorless Camera Instamatic Camera DSLR Point-and-Shoot Camera | Point-and-Shoot Camera |
| It is the digital camera with the features of a single lens reflex. It has a wide range of lens selection that varies in function. Instamatic Camera Point-and-Shoot Camera DSLR Mirrorless Camera | DSLR |
| A type of camera that works without a reflex mirror. Instamatic Camera Point-and-Shoot Camera DSLR Mirrorless Camera | Mirrorless Camera |
| M2 | |
| A cinematography technique whereby frequency at which film frames are captured is much lower than that used to view the sequence. Time lapse Single Take Long Shot Slow Motion | Time lapse |
| If you are attempting to take a photo in low-light, you may benefit from an aperture that is able to let more light in. True False | True |
| The higher the f-number, the more light the lens lets in. True False | False |
| Image stabilization reduces blurriness caused by movement of the camera. True False | True |
| Almost all camera phones nowadays can shoot at least 8K videos. True False | False |
| If you choose a more popular phone, you'll have less options when it comes to apps and accessories. True False | False |
| Apple has an exceptional "ecosystem". True False | True |
| The better the camera features, the less expensive the phone will be. True False | False |
| Rappler is the leading source of independent image quality measurements and ratings for smartphone, camera and lens since 2008. True False | False(DxOMark) |
| Many apps are now available for both iOS and Android mobile devices that extend the functionality of the video camera. True False | True |
| It is recommended to use landscape orientation and not portrait orientation while recording. True False | True |
| This can be used to capture interesting movements that we skip with our eyes. Slow Motion Time lapse Long Shot Single Take | Slow Motion |
| Better photo requires completely filling the frame with your subject. True False | True |
| This type of shot is great in slow motion, but someone writing a message with a pencil might not be so interesting. Action Shots Slow Motion Cinemagraph Portrait | Action Shots |
| It is designed to give you an optical zoom effect, zooming in without losing detail. Telephoto Lens Macro Lens Wide Lens Ultra Wide Angle Lens | Telephoto Lens |
| Ideal space storage of mobile devices. 64GB 16GB 8GB 4GB | 64GB |
| More megapixels can be equate to better quality photos. True False | False |
| Bigger sensors are better because they allow for bigger pixels. True False | True |
| By increasing sensor size and pixel size, manufacturers are able to make a big difference to low light sensitivity and noise. True False | True |
| The shutter is the opening through which the camera lets in light. True False | False(Aperture) |
| M3 | |
| Defined as the art or science of motion picture photography, derivative of the greek word kinema | Cinematography |
| Meaning of Kinema | Movement |
| Also known as Chief Cinematographer | Director of Photography |
| 2 Advantages of Using Film | Depth of field Broad exposure latitude |
| 2nd most powerful creative person on the set | Director of Photography |
| Responsible for providing the necessary power, lighting, and support gear for the camera. | Grip and electric departments(G&E) |
| Digitizing film speeds things up and editing are now done in computers, using programs like adobe premiere pro or final cut pro | True |
| For example, A cinematographer on a documentary film determines whether to use reenactments or to rely heavily on photographs and found footage | Chooses a visual style for the film |
| Uses lighting to create the right visual mood the director aspires to achieve. They must know how to enhance an image’s depth, contrast, and contour to support the story’s atmosphere | Determines the lighting for every scene |
| Determines which types of cameras, camera lenses, camera angles, and camera techniques best bring the scene to life | Establishes the camera setup for every shot |
| Understands what visuals excite the director and can make recommendations about what shots to capture | Explores the potential of every location |
| Adjust the camera in response to a particular gesture or action, and as actors adjust their body positions and blocking, to better fit the framing of the shot | Attend Rehearsals |
| Introduce ideas and concepts the director may not have considered | Elevates the visions of director |
| Remember you are always telling a story. A visual story, yes, but a story all the same. That means not getting too preoccupied with developing a distinct cinematic style and instead focus on story | Story over spectacle |
| Finding the next great camera technique may just be a matter of devising a creative solution to achieve your visual goals but it also requires detailed strategies that will help you and your team build the shots you need. | Think outside the box |
| Stay inspired. Study great cinematographers. Even the greats studied the greats | Study great cinematographers |
| Push yourself creatively. Don’t be afraid to break some of those rules that instructors drilled into their heads. Dogmatic cinematography techniques can be detrimental to innovation. Some rules were made to be broken. | Take creative chances |
| Whatever you can’t capture naturally on-set might take way more time and money to recreate in post | Never say “fix it in post” |