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Pasolini
Secondary reading: La rabbia
| Question | Answer |
|---|---|
| Annovi on montage | “According to Pasolini’s theory, montage allows for a shift from cinema, a potentially uninterrupted recording of the world…to film, the personal expression of an author’s poetics and ideology” |
| Annovi on subjectivity | “subjectivity is hyperconstructed and reconstructible” |
| Annovi on Pasolini's inclusion of Monroe | Aims to “emancipate Monroe from the icon created by the society of the spectacle and to return to the woman her own image” |
| Annovi on Monroe as "sorellina" | "Pasolini establishes the fraternal relationship that is often associated with mechanisms of authorial projection in his work” |
| Viano on Monroe as a martyr | “Monroe's martyrdom amounts to bearing witness to the wreckage of the culture industry.” |
| Viano on Pasolini's use of shocking and experimental visuals | Aimed to "to push both images and spectators to the limit, where reality raises its ugly head and realism becomes an imposed medicine.” |
| Viano categorisation of the work | “La rabbia is the political and aesthetic manifesto of Pasolini,” |