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Stack #4687631
| Question | Answer |
|---|---|
| What are the context of 1950's ads + codes and conventions | simple print ads, diners, drive-ins, families. Context: post-war family life, cheap fast food, car culture. Codes: bright colours, burgers/fries, happy families, low prices. |
| What are the context of 1960's ads + codes and conventions | set in restaurants/playgrounds. More TV-style, jingles, mascots. Context: TV advertising growing, families eating out more. |
| What are the context of 1970's ads + codes and conventions | Ronald McDonald, kids, Happy Meal style marketing. Context: child/family consumer culture. Codes: fun, fantasy, play, bright red/yellow. |
| What are the context of 1980's ads + codes and conventions | busy restaurants, families, teens, workers. Context: fast food becomes normal. Codes: catchy slogans, smiling staff, convenience. |
| What are the context of 1990's ads + codes and conventions | diverse families, sports, school, streets. Context: youth culture and global branding. Codes: music, humour, lifestyle. |
| What are the context of 2000's ads + codes and conventions | urban, young adults, “I’m lovin’ it.” Context: global pop culture. Codes: celebrities, fast editing, music, cool lifestyle. |
| What are the context of 2010's ads + codes and conventions | cleaner modern restaurants, apps, coffee, friends. Context: social media and “fresh” branding. Codes: close-ups, relatable people, emotional stories. |
| What are the context of 2020's ads + codes and conventions | delivery, apps, TikTok-style humour, celebrities. Context: online ordering, memes, influencer culture. Codes: phone screens, quick edits, nostalgia, real-life moments. |
| Explain how men and women ads looked and where they were set, codes and conventions | Older ads often showed men as workers/decision-makers and women as mothers, wives, shoppers or beauty-focused. Settings were homes, kitchens, offices or shops. Codes: gender stereotypes, neat clothing, smiling women, confident men. |
| Ewhat are the codes and conventions + context in purl | Codes: contrast, symbolism, office setting, exclusion, transformation. Context: gender equality, workplace sexism, pressure to “fit in.” Pixar’s Purl is about toxic “bro” workplace culture and inclusion. |
| How do audiences engage with Purl, men and women ads and the mcdonalds ads | McDonald’s = hunger, nostalgia, convenience, family fun. Men/women ads = audiences notice stereotypes and compare them to today. Purl = people relate to feeling left out or changing themselves to fit in. |
| Whats appropriate media language | camera angle, colour, lighting, setting, sound, editing, costume, symbolism, stereotype, representation, target audience, codes and conventions. |
| What was the dark heart talking about | about First Nations superhero representation, culture, water/Country and strong Blak futures. |
| What codes and conventions were in the dark heart | superhero genre, symbolism, culture, strength, identity. |
| What is trent whites photography talking about | about preserving First Nations culture through photos of people, identity, ceremony and Country |
| What codes and conventions were in trent whites photography | portraiture, cultural dress/body paint, serious composition, pride. |
| What was bad apples talking about | likely talks about racism, unfair treatment and First Nations experiences. |
| What codes and conventions were used in bad apples | symbolism, contrast, emotional tone, social message. |
| What was marrageku talking about | an Indigenous/intercultural dance theatre company about Country, history, identity and collaboration |
| What codes and conventions were used in marrageku | dance, body movement, music, storytelling, cultural performance |
| How did bad apples include first nations culture | First Nations culture through Indigenous stories, racism, identity, community, and the effects of colonisation. |
| How did marrageku include first nations culture | uses First Nations dance, Country, |
| How did trent whites photography include first nations culture | through portraits, cultural clothing, body paint, identity and connection to ancestors. |
| How did the dark heart include first nations culture | through an Aboriginal superhero, language, culture, Country, identity and Blak futures. |
| what political, social, eco and historical context they all have | land rights, racism, Indigenous rights, representation, identity, belonging, community, stereotypes, discrimination.lack of opportunities, unequal resources, funding for First Nations art. Colonisation, stolen land, stolen generations, loss of culture |
| What impact did bad apples have on the indigenous | raises awareness of racism and First Nations experiences. |
| What impact did marrageku have on the indigenous | gives First Nations performers a voice and celebrates culture. |
| What impact did tent whites photography have on the indigenous | helps Indigenous people feel proud and seen in a powerful way. |
| What impact did the dark heart have on the indigenous | gives young First Nations audiences a strong superhero they can relate to. |
| What are uncle brother and cousin about | They show Australian life through family stories, awkward humour, suburban life and simple narration. |
| What are harvie krumpets films about | about a man who has a hard life but keeps going |
| How did uncle, brother and cousin have australian in them | Australian accents, family life, dry humour, ordinary suburbs |
| How did Harvie krumpet have australian in his film | Australian setting, everyday struggles, dry comedy, simple working-class life. |
| What were social, eco and pollitical aspects of uncle, brother and cousin | family relationships, disability/oddness, ordinary working lives, Australian suburbia. |
| What were social, eco and political aspects of harvie krumpets films | migration, illness, poverty, loneliness, disability, and how society treats people who are different. |
| What codes and conventions are in uncle brother and cousin nd harvie krumpets films | claymation, narration, muted colours, handmade look, dark humour, character voiceover. |
| How was that simpsons film australian represented | represents Australia through exaggerated stereotypes: accents, kangaroos, the outback, government, jokes about Australian culture. It is not realistic; it is a parody |
| whats the context of the men and women ads | older society had stricter gender roles. |
| What does the set look like and where is it filmed | Purl is set in a male-dominated office. It looks grey, corporate and serious, while Purl is bright pink and soft. |
Created by:
Mock