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Exam 2 context

QuestionAnswer
Mario Pani & Enrique del Moral, University City, Mexico City, 1950-51 >Functionalism Movement in Mexico >Has murals on the oustide of the artwork >functional over ornamnentation. >horizontal windows to allow more light in
Carlos Raul Villanueva, University City, Caracas, 1944-70 >Functionalism movement in Mexico >more abstracted walls that can relate to Tableau 2 by mondrion >connected to nature and the natural world
Lucio Costa, plan of Brasilia, 1956-60 >work was initiated to make the new capital if Brazil in 1956 >a design on paper into space >goals were to intertwine nature with architecture, efficiency in transportation >advanced tech >Functionalism in Brazil
Mathias Goeritz, 5 Towers, Mexico City, 1958 >5 monument towers >less functional >shifts the perception to viewer with its triangular shape >concrete/ neoconcrete
Gego, Reticulárea, installation at Museo de Bellas Artes, Caracas, 1969 >Kinetic Art Movement >an installation transforming a space >viewers complete the work and experiencing the art and interacting with it >attachment of objects that appears tangled
Lygia Clark, Bicho, 1960 >neo-concreism art movement >Brazil >focused on rationality and science
Lygia Clark, Baba Antropofagica, 1973 >gross production of art >to envoke a reaction from the viewers >connecting back to the phyiscality, real bodies, beyond rational conception
Hélio Oiticica, Metaesquema, 1958 >concrete/ neo concrete movement >in Brazil >taking something simple with many different interpretations >challenging mathematical geometric order
Hélio Oiticica, Tropicalia, 1967 >bringing the natural aspect in an interior space >deviates you on how you walk in muesems >neo concrete >more bodily and messy >foot prints in gravel showing record
Rufino Tamayo, Cosmic Terror, 1947 >connected to muralism but not muralism >experimental / not as direct as muralism >connecting to cosmology, precolinial ways of thinking, indignous
Rufino Tamayo, Nacimiento de nuestra nacionalidad [Birth of Our Nationality], 1952 >experimental art movement, mexico >showing a transformative change from destruction >creation of Mestizo identity
José Luis Cuevas, Woman with a Piece of Meat, 1956 >experimentation >disorted image to have the audience interperate
Protest Posters, Student Movement 1968, Mexico City >a political movement for students for democratic freedoms >experimental with the colors, make it more eye catching
Raúl Martínez, Isla 70, 1970 Experimentation >Cuban Revolution >Portraits of people connected to communism such as Fidel Castro. >Communism v. socialism >non-naturalistic color
Volumen 1, exhibition, Cuba, 1981
Sandra Ramos, The Damned Circumstances of Water Everywhere, 1993 >experimentation >Cuban revolution >not being able to leave the island >her body is representing the island and isolation (Inzile not Excile)
Created by: Formaggio1
 

 



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