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Hispanic Studies SG
| Question | Answer |
|---|---|
| Samba | An- Afro Brazilian couple- dance and popular musical form |
| Samba Schools | The impact of Afro- Brazilian musical aesthetic of the national popular culture . |
| Bossa Nova | Genre of brazilian music that emerges in the late 1950s in Rio De Janeiro, blending traditional samba rhythms with jazz harmonies |
| Instruments in Samba | Caxio, Ganza, Tamborim, Surdo, Repique |
| Ginga | Brazilian term that describes a smooth, rhythmic way of moving with style, balance, and confidence. It is often connected to capoeira, where it is the basic swaying movement, and it also represents the energy and flow seen in Brazilian dance, music, and s |
| Bossa Nova Artist | Joao Gilberto/ Antonio Carlos Jobim/ Astrud Gilberto/ Stan Getz |
| Samba remains rooted in it's ability to | bring people together |
| Ginga pt.2 | It is often connected to capoeira, where it is the basic swaying movement, and it also represents the energy and flow seen in Brazilian dance, music, and soccer |
| . | |
| Samba has always been a symbol of | resistance and resilience |
| Bossa Nova | a genre of Brazilian music that emerged in the late 1950s in Rio de Janeiro, blending traditional samba rhythms with jazz harmonies |
| Bossa Nova Songs | The Girl from Ipanema/ Desafinado/ Corcovado/ Aguas de Marco |
| Astrud Gilberto | Brazilian singer and songwriter who brought bossa nova to international fame with her iconic, breathy English vocals on the 1964 hit "The Girl from Ipanema |
| Sergio Mendes | Sérgio Santos Mendes was a Brazilian musician. His career took off with worldwide hits by his band Brasil '66. |
| Capoeira | enacted a fight in which slaves performed physically demanding movements that were coordinated with music that unfolds in certain predetermined forms |
| Qulimos | Slaves who managed to escape their masters often established refugee in the forest or other remote areas called___ |
| Rio De Janerio | a major, iconic seaside city in southeastern Brazil. Founded in 1565, it served as the Brazilian capital from 1763 to 1960. |
| Mestre Bimba | legendary Brazilian martial artist who created Capoeira Regional, |
| What is the Gastro of Ipanema about? | a 1962 Brazilian bossa nova jazz song about a beautiful local girl walking toward the ocean, written by Antônio Carlos Jobim and Vinícius de Moraes |
| Who is Roberto Carlos | a legendary Brazilian singer-songwriter, often referred to as "O Rei" (The King) or the "King of Latin Music". |
| 5 facts about Roberto Carlos Life | 1. Won an grammy in 1989 for Best Latin Pop/ 2.Roberto Carlos has recorded entire albums in Spanish, Italian, and English.3. The King of Latin Music 4.At age six, he lost part of his right leg in a train accident 5. |
| How would you describe Rio De Janeiro | Rio de Janeiro is a vibrant coastal city in Brazil known for its beautiful beaches, famous landmarks, and lively culture. It’s home to places like Christ the Redeemer, hosts the world-famous Carnival, and mixes natural beauty with busy city life. |
| Carlos Jobim | He helped create Bossa Nova, a smooth style of music that mixes samba and jazz. He’s best known for songs like “The Girl from Ipanema,” which became popular all over the world. |
| Joao Gilberto | He is known as one of the creators of Bossa Nova, a calm and smooth style of music. His soft singing and unique guitar playing helped make songs like “The Girl from Ipanema” famous around the world. |
| Astrud Gilberto | was a Brazilian singer best known for helping bring Bossa Nova to worldwide fame. She became famous for singing “The Girl from Ipanema” in English, which helped the song become an international hit. |
| How would you explain the bossa nova explosion | It started in Brazil with musicians like João Gilberto and Antônio Carlos Jobim, who created a smooth mix of samba and jazz. Then songs like “The Girl from Ipanema” (popularized by Astrud Gilberto) helped spread the style to the United States and beyond. |
| explain the relationship between the favelas vs brazilin samba p1. 1 | .Favelas are low-income neighborhoods in Brazil where many Afro-Brazilian and working-class communities live. From these communities came much of the early development of Samba, especially in Rio de Janeiro. |
| explain the relationship between the favelas vs brazilin samba p2 | Samba grew as a form of expression and resistance—people used music, rhythm, and dance to celebrate life even in difficult living conditions. |
| explain the relationship between the favelas vs brazilin samba p3 | Over time, samba became a national symbol of Brazil, especially through Carnival, even though its roots are strongly connected to favela culture. |
| Brazilian Capoeira (Origins) | Capoeira originated in Brazil during the time of slavery. It was created by enslaved Africans in Brazil as a way to practice fighting skills while making it look like a dance, so they wouldn’t be punished by slave owners. |
| Brazilian Caooeria ( music/dance) | Capoeira is a mix of music, dance, and fighting movements that flows like a game between two people. |
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